Stephan Genz

Roger Vignoles

Wolf: Heine- & Lenau- Lieder incl. "Liederstrauss"

No. 1, Sie haben heut' Abend Gesellschaft

No. 2, Ich Stand in dunkeln Träumen

No. 3, Das ist ein Brausen und Heulen

No. 4, Aus meinen grossen Schmerzen

No. 5, Mir träumte von einem Königskind

No. 6, Mein Liebchen, wir sassen beisammen

No. 7, Es blasen die blauen Husaren

Du bist wie eine Blume

Wenn ich in deine Augen seh'

Mädchen mit dem roten Mündchen

Wo ich bin, mich rings umdunkelt

Es war ein alter König

Mit schwarzen Segeln

Spätherbstnebel

Ernst ist der Frühling

Wie des Mondes Abbild zittert

Sterne mit den gold'nen Füsschen

Wo wird einst des Wandermüden

No. 1, An ***

Traurige Wege

Nächtliche Wanderung

Herbst

Frage nicht

Herbstentschluss

Abendbilder

Two musical orders meet in the programme of this album, both with reference to the most broadly conceived music history and to the universe of Krzysztof Penderecki’s output. Apart from the opera, which holds its own separate place, they are the two largest-scale formal orders in the musical art: those of the symphony and the concerto, which represent two fundamental ideas: respectively, those of co-operation and of competition. Krzysztof Penderecki’s symphonic writing is one of the most important elements of his output as a composer, and possibly the most fascinating one. The composer himself frequently emphasized the autonomous identity of his symphonic oeuvre both in the context of Polish works in this genre and in the broad perspective of Western music. The Clarinet Concerto is a one-movement form, whose clear-cut internal dichotomy is reflected in the sequence of sections: Lento – Vivace – Lento – Vivo – Lento. Two opposed emotional worlds manifest themselves alternately. The ‘sighing’ motif, which looks to Baroque-type rhetoric, is responsible for the sombre mood of the first Lento. This is followed by a section of relentless motoric drive (in tempo Vivace), which sounds a bit like a perpetual motion machine. The next Lento, more Romantic than the first one, otherworldly and immaterial, leads to the second scherzo, preceded by a cadenza. The final section rounds off the whole narrative form, with the return of the sighing motif and the orchestra and soloist’s joint ascent to the heavenly heights. Despite the distance of more than 30 years that separates the Clarinet Concerto from Symphony No. 6, the two works are both evidence of a similar turn in Krzysztof Penderecki’s artistic stance – a turn from monumentalism to an intimate and internally lucid type of musical statement.

Penderecki: Orchestral Works

Michel Dalberto

Schubert: Winterreise, D. 911

Mahler: Des Knaben Wunderhorn

Brahms: Deutsche Volkslieder這張專輯是一張古典音樂專輯，發行於2007年5月22日。這張專輯收錄了28首樂曲，是由"Stephan Genz"，"Roger Vignoles"表演的。像樂曲Brahms: 49 Deutsche Volkslieder Woo33: VI "Da Unten Im Tale" ，Brahms: 49 Deutsche Volkslieder Woo33 : VII "Gunhilde"都是非常好聽的。

Wolf: Heine- & Lenau- Lieder incl. "Liederstrauss"

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