Stephan Genz

Michel Dalberto

Schubert: Winterreise, D. 911

Winterreise, D. 911: I. Gute Nacht

Winterreise, D. 911: II. Die Wetterfahne

Winterreise, D. 911: III. Gefrorne Tränen

Winterreise, D. 911: IV. Erstarrung

Winterreise, D. 911: V. Der Lindenbaum

Winterreise, D. 911: VI. Wasserflut

Winterreise, D. 911: VII. Auf dem Flusse

Winterreise, D. 911: VIII. Rückblick

Winterreise, D. 911: IX. Irrlicht

Winterreise, D. 911: X. Rast

Winterreise, D. 911: XI. Frühlingstraum

Winterreise, D. 911: XII. Einsamkeit

Winterreise, D. 911: XIII. Die Post

Winterreise, D. 911: XIV. Der greise Kopf

Winterreise, D. 911: XV. Die Krähe

Winterreise, D. 911: XVI. Letzte Hoffnung

Winterreise, D. 911: XVII. Im Dorfe

Winterreise, D. 911: XVIII. Der stürmische Morgen

Winterreise, D. 911: XIX. Täuschung

Winterreise, D. 911: XX. Der Wegweiser

Winterreise, D. 911: XXI. Das Wirtshaus

Winterreise, D. 911: XXII. Mut

Winterreise, D. 911: XXIII. Die Nebensonnen

Winterreise, D. 911: XXIV. Der Leiermann

Two musical orders meet in the programme of this album, both with reference to the most broadly conceived music history and to the universe of Krzysztof Penderecki’s output. Apart from the opera, which holds its own separate place, they are the two largest-scale formal orders in the musical art: those of the symphony and the concerto, which represent two fundamental ideas: respectively, those of co-operation and of competition. Krzysztof Penderecki’s symphonic writing is one of the most important elements of his output as a composer, and possibly the most fascinating one. The composer himself frequently emphasized the autonomous identity of his symphonic oeuvre both in the context of Polish works in this genre and in the broad perspective of Western music. The Clarinet Concerto is a one-movement form, whose clear-cut internal dichotomy is reflected in the sequence of sections: Lento – Vivace – Lento – Vivo – Lento. Two opposed emotional worlds manifest themselves alternately. The ‘sighing’ motif, which looks to Baroque-type rhetoric, is responsible for the sombre mood of the first Lento. This is followed by a section of relentless motoric drive (in tempo Vivace), which sounds a bit like a perpetual motion machine. The next Lento, more Romantic than the first one, otherworldly and immaterial, leads to the second scherzo, preceded by a cadenza. The final section rounds off the whole narrative form, with the return of the sighing motif and the orchestra and soloist’s joint ascent to the heavenly heights. Despite the distance of more than 30 years that separates the Clarinet Concerto from Symphony No. 6, the two works are both evidence of a similar turn in Krzysztof Penderecki’s artistic stance – a turn from monumentalism to an intimate and internally lucid type of musical statement.

Penderecki: Orchestral Works

Roger Vignoles

Mahler: Des Knaben Wunderhorn

Brahms: Deutsche Volkslieder這張專輯是一張古典音樂專輯，發行於2007年5月22日。這張專輯收錄了28首樂曲，是由"Stephan Genz"，"Roger Vignoles"表演的。像樂曲Brahms: 49 Deutsche Volkslieder Woo33: VI "Da Unten Im Tale" ，Brahms: 49 Deutsche Volkslieder Woo33 : VII "Gunhilde"都是非常好聽的。

Schubert: Winterreise, D. 911

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