朱芳琼

袁朝桢

川里 Chill-In

川 CHILL

里 In

王集云

曾小刚

大观｜Daguan : Panoramic View
云隐《Temple by the Sea》

【大观】系列音乐项目，是一个在东方哲学体系之下，以世界乐器和当代音乐思维为工具，突破传统演出形式框架的即兴音乐实践。
其现场氛围感浓厚，情绪跌宕起伏，音声似有色彩与味道。音乐起源于无形，在虚空中生长，有故事，有构建，似戏如梦，在当下空间之中构建出另一个音声的空间，在故事中生出独特的灵魂，并在听者的维度上持续发酵。
《大观·云隐》发声地在一座海边的寺院。云隐寺是一座秉承传统佛教哲学却富有当代设计风格的寺院建筑。禅意深邃的空间之内，遁入虚实相生的音境之中，如同时空穿越，不知身在何处。 

制作人朱芳琼以最新空间音频技术，将这场发生在禅寺院中的即兴回响精心制作，力求还原每一个音符在空间中的流动轨迹。

Daguan is a music project rooted in the framework of Eastern philosophy, with world instruments and contemporary musical thinking, to break through the traditional performance framework, creating a series of improvisational music experiment.

Its live atmosphere is rich and immersive, with emotionally turbulent shifts. The sounds seem to possess color and flavor. The music originates from formlessness, growing out of emptiness. It holds stories and structures, simultaneously theatrical and dreamlike, constructing another dimension of sound within the immediate space. From these narratives, a unique soul emerges, continuing to evolve within the listener's perception.

<Daguan·Temple by the Sea>
was performed at a seaside temple. Yunyan Temple is a structure that adheres to traditional Buddhist philosophy while boasting a contemporary design style. Within its deeply Zen-inspired space, one is drawn into a soundscape where reality and illusion intertwine, creating a sensation of transcending time and space, leaving one unsure of their whereabouts.

Producer Zhu Fangqiong utilized the latest spatial audio technology to meticulously craft the improvisational echoes from this temple setting, striving to faithfully recreate the trajectory of every note as it moves through the space.

特别感谢:云隐寺、悍马
Special thanks to Yunying Temple & Han Ma

大观云隐 Daguan·Temple by the Sea

《山神庙》后记

这是两年前正月里，我与芳琼在大理 Adama 家园的一场「即兴音乐会」录音。

现场录音并「不完美」，能听见观众的动静与声响，但这些并不妨碍它的价值，也正是现场音乐的独特性。因为这些声息，让音乐保持了真实的呼吸，一种来自当下的共振。对我而言，这亦是对音乐人的一种修炼——保持身体与心灵的敏感，能够对环境、气候、人文气息作出即时的回应。演奏也随之生发出微妙的变化。

这场即兴，在大理发生，声音在空气中的振动必然夹杂着地域的信息。大理的山川乡土，那种厚重且朴实的文化肌理，是每一个来到这里的人都能触摸到的。

音乐是“养”出来的，这里的气息为我们提供了难得的养分。苍山脚下，芳琼住的村外，有一座很小的山神庙，我们常散步至此停留。它静静伫立于山野之间，见证着四季的更迭，承载着村民淳朴的信仰与敬畏。那里，人与自然，土地与文化之间的联系格外清晰。

音乐是一种没有对象的慈悲。正如这样的即兴音乐会，没有任何预设，在不确定与挑战中保持真诚来探索未知的乐趣与灵光。对我而言，《山神庙》不仅是一场演出，更是一次与大理、与山神庙、与山川草木的共振，一次虔诚的祷告。
这或许才是即兴的意义所在。

——曾小刚
乙巳年七月廿六
于昆明


《山神庙》录制于2024年大理@ADAMA家园 即兴音乐现场。
"Mountain God Temple" is the second episode of the second season of the "Between Breaths" series, recorded at the ADAMA Home live improvisational music event in Dali in 2024.


音乐人：
朱芳琼/曾小刚
录音/剪辑/混音：朱芳琼
平面设计：杨建华
未知莫识MUSiC Studio出品

Musicians:
ZHU Fangqiong/ZENG Xiaogang
Recording/Editing/Mixing Engineer: ZHU FangQiong 
Graphic Designer: YANG JianHua
Produced by UNINTENDED MUSIC STUDIO

山神庙 Mountain God Temple

Yotam Sivan (悠悠)

小欧

林杰

姜少峰

春先生

见山 Perceiving The Mountains (现场专辑)

张燊乐

廖凯

欢庆

无相 Never Exist (live 现场版)

符特

仙女木预言

李嘉征

上古祝祷

梁奕源

李铁桥

关于「从不合奏」
以‘永无共识’的共识去探索即兴的可能。
在中国当代音乐的边缘地带，「从不合奏」以其独树一帜的艺术实践，于2014-2016年间，构筑了一系列跨越传统与现代、东方与西方的音乐实验。
2014年，李铁桥、梁奕源、王集云与朱芳琼，这四位叛逆者在大理的暮色中不期而遇。他们的合作，悄无声息地织入了《才村码头》的音轨，一张现场录音专辑，如同潜行于暗影中的即兴低语。这是一段几乎不为人知的音乐篇章，却在静默中诉说着深邃的艺术探索。
2015年，他们以“从不合奏”为名，开启了一系列的即兴演出，将“世界融合”和“自由即兴”的音乐风格推向了新的高度。
2016年，他们在云南及大湾区的巡演，如同即兴顽童的狂欢，被赞誉为疯客、隐士、道长、仙人。
2021年，李铁桥从欧洲回国，未知莫识在景德镇策划「御窑」世界音乐季，四人再次以《从“不合奏”开始》为题，讨论了即兴音乐的深层内涵。并最后一次给音乐季的现场观众带来了一场欲罢不能的音乐会《域》。
同年，李铁桥 梁奕源与朱芳琼三人录制了一个系列具有新画风的音乐专辑：《参宿二的旅程A Trip to Alnilam》《麻雀Mahjong》。
在以李铁桥、梁奕源、王集云与朱芳琼为乐团核心的基础上，「从不合奏」进入了一个半开放的即兴音乐项目阶段。
本张专辑为‘从不合奏 Trio’，为李铁桥、梁奕源和朱芳琼的三人作品。
NEVER Ensembled｜
Exploring the possibilities of improvisation with the consensus of "no consensus."
In the fringes of contemporary Chinese music, "Never Ensembled" carved out an unique artistic practice between 2014 and 2016, constructing a series of musical experiments that straddled the traditional and modern, the Eastern and Western.
In 2014, Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong, four rebels, met unexpectedly in the starlight of Dali. Their collaboration quietly wove into the tracks of "Caicun Dock," a live recording album that whispered improvisations like a shadow moving in silence. This was a nearly unknown chapter of music, yet it spoke volumes of profound artistic exploration in its quietude.
In 2015, under the name "Never Ensembled," they launched a series of improvisational performances, pushing the boundaries of "world fusion" and "free improvisation" music styles to new heights.
In 2016, their tours in Yunnan and the Greater Bay Area were like a carnival of improvisational mischief, hailed as the antics of madmen, hermits, Taoist priests, and immortals.
In 2021, Li Tieqiao returned from Europe, and UNINTENDED Music Studio organized the "Imperial Kiln" World Music Festival in Jingdezhen. The four once again took the theme "Starting from 'Never Ensembled'" to discuss the deeper connotations of improvisational music. They also brought an irresistible concert titled "Domain" to the festival's live audience for the last time.
That same year, Li Tieqiao, Liang Yiyuan, and Zhu Fangqiong recorded a series of albums with a new artistic style: "A Trip to Alnilam" and "Mahjong."
With Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong as the core of the Never Ensembled, "Never Ensembled" entered a semi-open phase of improvisational music projects.
This Album was recorded by Li Tieqiao, Liang Yiyuan & Zhu Fangqiong as NEVER Ensembled Trio. 


听《麻雀Mahjong》里的系列音乐，仿佛在听一场原始的对话。

即兴之美，在于失控中的掌控，李铁桥—疯客、梁奕源—道长、朱芳琼—隐士，共同以‘永无共识’的共识探索着即兴的可能。时间、空间、情绪、物质，让一切发生随机，收割癫狂，释放美好，却不为达成任何共识。
在对音乐的反复拆分与重建中，音符挣脱乐谱的桎梏，旋律在呼吸间肆意生长。在反复的有限里寻找无垠，在无序中凝聚起音乐超越语言的力量，没有预设的即兴声浪化作液态银河，自由奔涌中构建起无数融合了飒意、自由、任性、执着的听觉空间。
共同营造，彼此自由，永无共识，正如米兰·昆德拉所说： “它教会我们，生命中的矛盾可以同时存在并彼此成全。”
沉在乐音当中，每一次停顿都是悬念，每一次爆发皆是新生，此刻恰如站在大雪后的草原上，面前延伸涌动着，无数若隐若现的道路。

Listening to the series of tracks in Mahjong feels like eavesdropping on a primal dialogue.
The beauty of improvisation lies in the mastery within chaos. Li Tieqiao—the Crazy man, Liang Yiyuan—the Taoist master, and Zhu Fangqiong—the hermit, collectively explore the possibilities of improvisation through a shared consensus of "never reaching consensus." Time, space, emotion, and materiality allow everything to unfold randomly, harvesting madness and releasing beauty, yet never striving for any agreement.
In the repeated deconstruction and reconstruction of music, notes break free from the constraints of scores, and melodies grow wildly with each breath. Within the repetition of limits, they seek the infinite; within disorder, they condense the power of music to transcend language. The unpredicted waves of improvisation transform into a liquid galaxy, freely surging and constructing countless auditory spaces that blend boldness, freedom, whimsy, and determination.
Together, they create, yet remain free; forever without consensus. As Milan Kundera once said, "It teaches us that the contradictions of life can coexist and fulfill one another."
Immersed in the soundscape, every pause is suspense, every burst a rebirth. It feels as though standing on a snow-covered grassland, with countless faintly visible paths stretching and surging ahead.

音乐人：李铁桥、梁奕源、朱芳琼
录音/混音：朱芳琼
平面设计：杨建华
未知莫识MUSiC Studio出品


Musicians:Li Tieqiao/Liang Yiyuan /Zhu Fangqiong
Recording/Mixing Engineer: ZHU Fangqiong 
Graphic Designer: Yang Jianhua
Produced by UNINTENDED MUSIC STUDIO

麻雀 Mahjong

https://image.joox.com/JOOXcover/0/0bc55435eda90ee7/300

川里 Chill-In

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