赵子毓

「在时间深刻的物理刻痕与声音碎片的拼贴之间，我寻找一抹能安放疲惫灵魂的微光。创作对我而言，并不是为了抵达某个终点，而是在破碎而不完美的日常里，练习编织一场能安详飞行的梦。」 【创作轨迹：从音乐计划到有机场域】 活跃于独立音乐与跨域艺术现场多年的赵谬，于 2020 年启动「尼欧计划 Neo Project」。这是一个将创作转化为「共感场域」的起点：从社群中的微小声息与文字残影出发，在持续的互动与回应中不断被编修、转化与再制，延伸为歌曲、画作、影像与诗交错的有机系统。在「画作因诗而生，旋律随画而至」的生生不息循环中，这份能量汇集成许多自我整述的片段，并于 2026 年发布凝聚成全方位艺术叙事 《独白灯 Monologue Light》序章。 该系列构筑了一种声音建筑，承载记忆与自我对话，也将她过去生活里多重的理性、感性与意识面貌，重新缝合为一条连接过去与未来的生长线。未来，这条脉络将延伸为长期艺术计划 《生命树 Tree of Life》，并与她的实验剧场团队「搭好，我们出不去。」结合，在身体、空间与声音之间发展新的叙事形式，承接起关于感谢、疗愈与自我修复的历程。 【合作语汇：创作模式的共生与吸纳】 在赵谬的艺术宇宙中，合作不仅是协作，更是一场深度的感官交互。在2020-2025年间也和不同音乐人一起尝试各种声音实验与创作。与电子音乐人 杜虫 捕捉数据节奏的共振；与歌手 NIKA 将直觉吟唱的人声器乐化。长期合作的混音师承轩，一起雕塑声响空间的成为每首作品的光影推手；翰林则在《梦的安眠曲》中与一同描绘如梦境般安静漂浮的叙事。而这一次，加入作词人 张瀚怀 在《独白灯》中的细腻书写，为作品带来更深层的情感维度，使声音与文字在同一个空间中彼此呼应。 这些合作也和绘画创作、日常生活与社群互动交织在一起——在一段对话里先催生画作，接着由一幅画抽象且深藏的灵感、撷取和解读出更多内在未能用语言描述的感受，化为旋律，延伸出新曲。不断吸纳、反刍与重构的非线性模式，从中逐渐摸索寻找到的艺术创作模式。 【艺术定位：歌曲作为展览的载体】 做抽象结构音乐好像是一场动态的声音装置展览，歌曲与旋律是其中的一种形态。每一首发行都被视为一个独立的「数位展览单位」，与抽象绘画、观念艺术并置。近年，她亦开始尝试将 AI 视为合奏者与思辨伙伴；不仅仅是使用素材，是认真的实验起与之作为伙伴共生创作者的对等模式，对话、尊重的来回试图开启其自由灵感；还在实验的阶段，希望未来会有更完整的论述。这些年科技音乐的大跃进，也让创作者跟着在新时代前进成长与蜕变，不变的是使人类创作、社群互动与生成素材依然重新汇集回创作者身上，让灵魂与爱在作品中彼此交错；形成跨时空的声音对话。透过声音与哲学思辨，持续练习在喧嚣的世界中寻找微光——如果世界是一场巨大的噪音，希望自己的声音能成为一层温柔的滤网，过滤掉生活里的恐惧与愤怒，带给大家生活中的新灵感；也会努力用更多的想像，留下爱与修复的轨迹。 Chao Miu "Between the profound physical etches of time and the collage of sonic fragments, I seek a glimmer of light to harbor a weary soul. To me, creating is not about reaching a destination, but practicing how to weave a dream of peaceful flight amidst the fragments of an imperfect daily life." Creative Trajectory: From Music Projects to Organic Landscapes A veteran of the independent music and transdisciplinary art scenes, Chao Miu launched the "Neo Project" in 2020—a collaborative space where fragments of sound and text from social platforms evolve through interaction into an interlaced system of songs, paintings, and poetry. Within this organic cycle, where "paintings are born from poems, and melodies follow the art," her work has culminated in the 2026 narrative project, Monologue Light. This series functions as a sonic architecture for memory and self-dialogue, stitching together the residual warmth of her past experiences into a continuous line of growth. Looking ahead, this path leads to her long-term project Tree of Life, integrating her experimental theater group, "Dahow, inside," to explore new narrative forms across body, space, and sound—a journey of gratitude, healing, and restoration. Collaboration and the Sonic Universe Chao Miu’s universe expands through deep sensory interactions: exploring electronic resonance with Du Chong, intuitive vocal instrumentation with NIKA, and spatial aesthetics with long-term mixing partner Chen-Xuan. She has crafted dreamlike narratives with Han-Lin, while the delicate lyricism of Zhang Han-Huai adds emotional depth to Monologue Light. These partnerships are inextricably woven into her paintings and social interactions—a dialogue inspires a painting, which births a song. This non-linear process of absorption and reconstruction is the heartbeat of her artistic life. Artistic Identity: Song as an Exhibition Unit To Chao Miu, music is a dynamic sound installation; a "song" is merely one of its forms. Each release is an independent "Digital Exhibition Unit" juxtaposed with abstract painting and conceptual art. In 2025–2026, she embraced AI as a collaborative peer, blending human creativity with generative elements to open cross-temporal dialogues. Through sound and philosophical inquiry, she continues to navigate the cacophony of the world, seeking a glimmer of light—hoping her voice can be a gentle filter, straining out fear and anger, leaving only the traces of love and the beauty of restoration.