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TAKASE TOYA "Ai'll TOUR in Hong Kong" - Live at Kitty Woo Stadium Tang Po (Nov. 2024)

In November 2024, TAKASE TOYA returned to what he calls his "second home" - Hong Kong - for a landmark two-day solo concert at the largest venue of his career in the city, the Kitty Woo Stadium Tang Po.

The "Ai'll TOUR in Hong Kong" was a heartfelt tribute to the city that gave him his start as a reverse-import artist.
TAKASE TOYA later reflected, "There's no doubt - Hong Kong is the place that made me who I am today."
This performance wasn't just a return to his roots - it was a declaration of what's to come.

The live recording released here captures the energy and emotion of the final day of the tour.
Featuring a best-of setlist from his 2024 catalog, the concert was a celebration of sound, love, and shared memory.
We invite you to relive that unforgettable night - through every beat, every lyric, and every moment frozen in this sonic journey.

Ai'll TOUR 2024 in Hong Kong

poisonous "B" (Live at Hong Kong)

Darlin' Honey Love (Live at Hong Kong)

FAKE LOVER (Live at Hong Kong)

でも、 (Live at Hong Kong)

質恋 (Live at Hong Kong)

HONEY (Live at Hong Kong)

Tears Tears (Live at Hong Kong)

愛℃ (Live at Hong Kong)

どうして (Live at Hong Kong)

タイムレス (Live at Hong Kong)

備忘録 (Self Cover Ver.|Live at Hong Kong)

白愛 (Self Cover Ver.|Live at Hong Kong)

Don't stop me lyrics (Live at Hong Kong)

らりるれ (Live at Hong Kong)

シンデレラノットイージー (Live at Hong Kong)

V.I.P (Live at Hong Kong)

Noda Emi

I can't stop loving you (feat. 野田愛実) (Live at Hong Kong)

センチメンタルじゃ終わらない (Live at Hong Kong)

13月1日 (Live at Hong Kong)

Fumiya Sato

'Please Miss Me'
is a song about heartbreak,
a song about farewell,
and at the same time, a song about beginnings.

For Fumiya Sato, this track marks his debut single.
For Takase Toya, it represents the first step in presenting an artist to the world as a fully produced project-the beginning of a new chapter as a producer.

Their relationship goes far beyond that of simple collaborators.
During the COVID era, when music was easily labeled 'non-essential,'
they never let go of it.
Instead, they held onto music-and to each other-supporting one another's lives as long-time best friends.

In 2020, under Takase Toya's former name,
the two collaborated on 'Please kiss me like a diary.'
Six years later, their names meet again'but this time,
it's no longer about nostalgia.

With 'Please Miss Me,'
this is not a reunion of best friends,
but a declaration of the birth of Fumiya Sato as an artist.

The song is filled with callbacks to their past works-
answers hidden in plain sight for those who have been listening all along,
and at the same time, a self-reference to the years they've spent walking together.

'An ending is a beginning.'
This phrase goes beyond the beauty of a simple breakup song.
Losing someone, reaching an end-
all of it becomes a passage that expands the scale of one's life.
That is the intention woven into this song by Takase Toya.

The word 'miss'means to long for someone,
but it also means absence.
Yet the absence depicted here is not emptiness.
It is space-
a margin left open for the next story to begin.

Beyond friendship,
facing each other now as producer and artist,
the two pour their lives into the very first sound they release together.

After the song ends,
if you find yourself looking slightly forward,
if you can believe-just a little-that endings are not something to fear,

then that feeling itself
is the mark 'Please Miss Me'leaves behind in your life.

Please Miss Me

RINZO

Numa Koi is a remix EP in which Takase Toya revisits his previously released songs, reconstructing them together with longtime collaborator and trackmaker RINZO.
Rather than adding new narratives, the project was created to reexamine the emotions and temperatures left within the original works, reorganized through a present-day perspective.

Romantic feelings inevitably change over time.
Memories become blurred, events are unconsciously edited,
yet the emotions from that period remain-lingering with an inexplicable weight.
This EP focuses on those feelings that were never fully resolved.

In approaching these remixes, the priority was not structural reinvention or excessive ornamentation.
Instead, the goal was to preserve the emotional core of the original songs,
while intensifying their sense of stagnation, inescapability, and the pull that makes one return to them repeatedly.

The title Numa Koi (Swamp Love) does not suggest affirmation or denial of love.
It represents a decision to leave unresolved emotions as they are,
without forcing them into clear explanations or conclusions.

Listeners are not expected to find definitive answers within this EP.
If, after the music fades, a subtle emotional residue remains,
that lingering sensation itself reflects the essence of this work.

Digital Release: January 21, 2026

NUMAKOI

Ten years ago, Toya Takase wrote a song and left a note to himself:
"When the time comes to take a real leap, I'll release this one."

That moment has finally arrived.
On his 29th birthday, alongside the release of his full album "8",
the long-kept track has taken form as "Climber."
It stands as a symbol of his twelve-year journey in music 
a reflection of how far he's come, and how much further he still aims to go.

"Climber" tells a story of rising again from the ashes 
of pushing past who you were yesterday to become something brighter.
The phrase "Take off the finder" carries the meaning of
letting go of other people's expectations and ideals,
and learning to see the world once more through your own eyes.

It's not a song about love or heartbreak.
It's a song about life itself 
about perseverance, quiet determination, and the courage to keep moving forward,
even when the path isn't clear.

The title "Climber" represents anyone who continues to ascend,
no matter how steep the climb may be.
It is both the artist's reflection and a mirror for every listener.
With gentle strength, this song reaches out to all who keep living,
keep believing, and keep climbing toward their own light.

Climber

This 12-track album marks Takase Toya's twelfth year in music - a return to his roots and a reflection of where he stands today.
Some of the songs were born in his teenage years, now brought to life again through the lens of growth and time. It's a quiet dialogue between the past and the present.

The title "8" symbolizes an endless journey.
Infinity, his soul number, and the place he always comes back to.
Within it live his early impulses and deeper, quieter resolutions.

Toya doesn't confine himself to genres.
He turns pure emotion into sound - sharp at times, gentle at others.
Each track traces an invisible feeling, giving form to the intangible.

With "8",he embarks on the Part 1 of his world tour across Asia in 2025,
carrying a belief that music knows no borders.

This is not just to be heard.
It's to be felt.

Takase Toya new single in 2025, which recorded 160 million streams in 2024 and has listeners in 182 countries around the world. A happy love song that overturns the image of Takase Toya as a heartbreak song.

Darlin' Honey Love

Love°C JAPAN TOUR 2024

https://image.joox.com/JOOXcover/0/79a7f733208fd744/300

Ai'll TOUR 2024 in Hong Kong

歌曲列表

Ai'll TOUR 2024 in Hong Kong

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