Jane Siberry

NOTE:  upon request at info@sheeba.ca we can provide 1/ aiff (studio quality) files and 2/ Full CD booklet pdfs (with lyrics and credits).

Meshach Dreams Back (Three Queens Trilogy, Part III)

Act 1: Call Magic

Act 2: When We Are a Vampire

Act 3: Meshach Dreams Back

Act 4: We Could Have Been Great Friends

Act 5: Above the Portico

Act 6: The Alchemy of the Everyday

Act 7: The Village Fair

Act 8: An Invitation to Be Well

Act 9: Imagine a World

“One of the great singers and songwriters of our lifetime.”  —Popdose

“A luxurious multi-octave delight” — The Village Voice

“Jane Siberry has not lost her sense of mystique.” —ABC News

“Lifts you up…a message I needed to hear this year.” —NPR


Legacy singer/songwriter Jane Siberry reclaims the spotlight with the lush, vibrant full-length album Angels Bend Closer.  Six years in the making and already named one of the Best Albums of 2016, Angels Bend Closer marks what may be the purest and most accomplished project in the beloved Canadian artist’s 36-year career.  And just for radio, Jane has prepared five exclusive single versions of tracks from Angels Bend Closer that do not appear on the original album.

Jane Siberry has lit up the charts with singles such as “Calling All Angels” and “It Can’t Rain All the Time”, and invigorated the soundtracks of blockbuster films such as The Crow and Pay it Forward.  Her collaborations with artists such as k.d. lang and U2 producer Brian Eno have delighted fans worldwide, as she gives meaning to both the mystical and the mundane though her caring, reflective songwriting style.

ON ANGELS BEND CLOSER, JANE SIBERRY LETS NATURE GUIDE HER TOWARD RENEWED CONNECTION WITH MAINSTREAM LISTENERS
Log-cabin contemplations and a cosmopolitan feel mark her first major release in five years.

TORONTO, Canada – When Jane Siberry began crafting Angels Bend Closer, her first major release in over five years, she set a lofty—and bold—goal: connecting with the “wider world.” Instead of going for original and esoteric, Siberry sought renewed mainstream accessibility.

To achieve it, she went in the exact opposite direction: off the grid. Siberry, it turns out, spends most non-winter months living without running water or electricity at her remote North Ontario log cabin.

“It’s so quiet,” she says, “it can actually wake you up sometimes.” It also allows her to tune in Earth’s own symphony—the fantasia of whispering trees, bubbling creeks and forest-animal choruses that informs these songs.

“Nature is what I decided, long ago, I would trust and take my spiritual guidance from,” says Siberry. It in- spired her as she meticulously produced each track, then retreated to the hotel room where she spent nights chiseling her musical statements to perfect points. “I speak more directly than I ever have in these songs,” she says. “I took the approach, ‘Time is ticking. Let’s not waste it if we’re going to communicate with each other.’”

And she wanted that message to be “something lush and beautiful and joyful and calming, in a world that’s very ungrounded these days.”

To say she has succeeded would be an understatement. These songs communicate as only Siberry can — with simultaneously elegant and earthy instrumentation and art-pop rhythms drawn from jazz, folk, rock, gospel and soul. Even when she addresses darker aspects of the human condition, her gossamer musical tex- tures seem to float, carrying aloft lyrics that could stand alone as poetry.

From the first song, “Walk on Water,” to the upbeat modern “Dante” and the Al Green-infused band cook- ing on “Anytime (R&B)”, the touching “Everything You Knew As A Child” the uplifting “Positively Beau- tiful” to the final track, “The Great Train,” she beckons listeners into her world, and keeps us enthralled. Her voice dips and leaps around pristine, yet warm arrangements as she leads us through uniquely nuanced examinations of love, sex, pain, faith, hope, wonder and other experiences central to all of our lives.

Of course, she still manages to sandwich multiple meanings into each offering. One might assume that “Anytime,” for example, sketches her thoughts regarding mortality and the strength of love; in it, Siberry sings, Someday when I’m long gone/I’ll still always be here/somehow ... maybe in the wind/or maybe in the rain/or maybe in a song/or maybe in the sunshine /the beauty of a rose/a feather falling near you/the kind- ness of a stranger/to show that I hear you.” Yet she reveals the song—one of two versions—is also informed by her concern about children growing up in this day and age, and how she believes they should be treated. We’re too quick to accuse instead of respect, Siberry says, adding, “A lot of the songs I write are songs I wish someone had written for me when I was young.”

Throughout the album, Siberry deftly balances her natural-world contemplations with a cosmopolitan feel— particularly in songs such as “Hide Not Your Light,” which carries an ambient pop vibe suggestive of Brian Eno's Another Green World.
The result already has been heralded as a return to form for the wandering Canadian songstress, who first captivated the world with “Calling All Angels.” That k.d. lang duet appeared on Siberry’s 1993 album, When I Was a Boy, which also featured another of her most beloved tunes, “Sail Across the Water.”

Several voyages later, Siberry has come full circle with Angels Bend Closer. It even contains another duet with lang, on “Living Statue,” a prayerful request to let all life move through me freely, joy and sorrow, pure, intense.

Citing the album’s “jubilant melodies and phenomenal production,” Popdose.com writer Keith Creighton noted, “As heartbreaking as it is at times, Angels Bend Closer overall is a tremendously rewarding, enchanti- ng and uplifting listen. It re-establishes Siberry as one of the great singers and songwriters of our lifetime.”

ABC News critic Allan Raible praised its “mesmerizing glow,” adding, “Thirty-five years since her solo de- but, Jane Siberry has not lost her sense of mystique.” She credits that polish to engineer Michael Verdick (Madonna, the Eagles) and to performer-turned-visual artist Dellamarie Parrilli, who served as executive producer/director of recording and designed the album’s striking artwork.   Parrilli, meanwhile, says she and Verdick just did some gentle tweaking. “The words and music, that’s all Jane’s. She created songs right in the studio,” Parrilli recalls. “She would lay down one track, maybe on piano. Then she would add strings and voices, singing harmonies against herself ... I was just in awe, stunned by the creative genius I was witnessing right there in front of me.” The term “creative genius” absolutely describes Siberry, though she claims she’s only now “inching my way into my prime.”
She has also contributed songs for a variety of films and TV projects including her now-classic 'Calling All Angels' duet with k.d. lang which she wrote for Wim Wenders' Until The End Of The World, (also included in the film Pay it Forward,) and 'It Can't Rain All The Time', written for The Crow. She has also collaborated on records with artists such as Peter Gabriel, Nigel Kennedy, Indigo Girls, and Joe Jackson, and participated on noteworthy projects such as Time & Love: The Music Of Laura Nyro.
Over the course of her 20-album career, Siberry has inspired countless listeners; and with Angels Bend Closer, she delivers a musical document likely to inspire generations more.



JANE SIBERRY BIO
Jane Siberry is a Canadian singer-songwriter, renowned for a signature sound that is uniquely her own, and for her unfailing artistic integrity and creative innovations. 

Born in Toronto, Canada, Siberry began playing piano at the age of four, developing her own concepts of notation and structure. In school she learned conventional music theory and taught herself to play guitar by working through Leonard Cohen songs. She began composing at a young age and completed her first collection of songs at age seventeen (later recorded on her album, Teenager (1996). Siberry studied music at the University of Guelph, but found freshman music courses to be stifling, so she switched to microbiology and earned a BSc degree. 

Siberry began her professional music career as a guitar and piano-based folk artist in the clubs and coffee houses of 
Toronto, where she also worked as a waitress. She independently released, her first album, JANE SIBERRY (1981). 
It was self-financed with tips and bartered studio time, and included the song Waitress (“I’d probably be famous now if I 
wasn’t such a good waitress...”). 

Siberry’s work has spanned three and a half decades and 20 critically acclaimed CD’s.  She has also contributed songs for a 
variety of films and TV projects including her now-classic 'Calling All Angels' duet with k.d. lang which she wrote for Wim 
Wenders' Until The End Of The World, (also included in the film Pay it Forward,) and 'It Can't Rain All The Time', written for The 
Crow. She has also collaborated on records with artists such as Peter Gabriel, Nigel Kennedy, Indigo Girls, and Joe Jackson, 
and participated on noteworthy projects such as Time & Love: The Music Of Laura Nyro. 

Siberry, one of contemporary music’s most original creative voices, continues to write, record and tour.

Living Statue

Part 2 of the 'THREE QUEENS' trilogy. (Part 1 is 'DRAGON DREAMS' which was released November 2008 under the name 'Issa'.)  Musicans include marlon saunders, catherine russell, leslie alexander, 'betty' (amy, elizabeth and alyson), maggie moore, john macarthur ellis, pauline kim, christine kim, james roe, ilttle people: jacob switzer, paige escoffery-stewart, ruby salvatore palmer). 

NOTE:  upon request at info@sheeba.ca we can provide 1/ aiff (studio quality) files and 2/ Full CD booklet pdfs (with lyrics and credits).

With What Shall I Keep Warm? (Three Queens Trilogy, Part II)

NOTE: 1/ Full CD booklet pdfs (with lyrics and credits) and 2/ Studio quality aiff files available upon request at info@sheeba.ca.

Shushan the Palace (Hymns of Earth)

Jane Siberry has always had a very individual way of looking at music, and when she turns her gaze below the 49th parallel to the music of America, things get interesting. She brings her usual floating quality to a gospel tune like "Jacob's Ladder," and finds romance rather than tragedy in "Streets of Laredo." "False False Fly," whose origins are in British folk, gets a hip-hop beat, but for the most part, her takes are languid, letting the music and lyrics breathe, and finding new facets in the surrounding air.
(CN, All Music Guide)

NOTE:  upon request at info@sheeba.ca we can provide 1/ aiff (studio quality) files and 2/ Full CD booklet pdfs (with lyrics and credits).

Hush

NOTE: 1/ Full CD booklet pdfs (with lyrics and credits) and 2/ Studio quality aiff files available upon request at info@sheeba.ca. 

Appropriately, Teenager is comprised entirely of material Jane Siberry wrote as a teen and recorded as an adult. While the songs aren't quite as accomplished as her later work, it's nevertheless surprisingly engaging -- it's quite melodic, and the songs often have a bright, innocent quality which is quite refreshing in light of the somberness of much of her later work. Still, these are subtle differences that only the most devoted fans will be able to hear, and those are the fans who will cherish Teenager the most. All Music Guide.

Teenager

JANE SIBERRY于1993年08月03日发行专辑<When I Was A Boy>。

When I Was A Boy

https://image.joox.com/JOOXcover/0/0c2303be46616274/300

Meshach Dreams Back (Three Queens Trilogy, Part III)

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Meshach Dreams Back (Three Queens Trilogy, Part III)

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