Love Derwinger

Grieg: Piano Music Without Opus Number

3 Piano Pieces: I. Allegro agitato

3 Piano Pieces: II. Allegretto

3 Piano Pieces: III. Allegro molto e vivace, quasi Presto

Agitato: Agitato, EG 106

At the Halfdan Kjerulf Statue (version for piano): I. Poco adagio

At the Halfdan Kjerulf Statue (version for piano): II. Andante

Norway's Melodies: No. 8: Margaetes Vugggesang

Norway's Melodies: No. 14: Norsk Sjomandssang

Norway's Melodies: No. 17: Fremad!

Norway's Melodies: No. 38: Ungbirken

Norway's Melodies: No. 57: Bjorneskytten

Norway's Melodies: No. 71: Min Tankes Tanke

Norway's Melodies: No. 90: Vandring i Skoven

Norway's Melodies: No. 95: To brune Ojne

Norway's Melodies: No. 113: Serenade til Welhaven

Norway's Melodies: No. 150: Det forste Mode

Peer Gynt, Op. 23 (version for piano): Forspill til 3. akt. Aases Dod. (Prelude to Act 3: The Death of Ase)

Peer Gynt, Op. 23 (version for piano): Arabisk Dans (Arab Dance)

Peer Gynt, Op. 23 (version for piano): Anitras Dans (Anitra's Dance)

Peer Gynt, Op. 23 (version for piano): Solveigs Sang (Solveig's Song)

Peer Gynt, Op. 23 (version for piano): Dans av Dovregubbens Datter (Dance of the Mountain King's Daughter)

Lyric Pieces, Book 4, Op. 47: Albumblad (Album Leaf), EG 109

The Entry of the Boyars: Bojarernes Indtogsmarsch, EG 183 (The Entry of the Boyars)

Sueye Park

Sueye Park introduced herself to the general public in 2017 with no less a calling-card than Paganini’s 24 Caprices for solo violin. On the present album, the South-Korean violinist (born in 2000) has a pianist on her side, namely Love Derwinger, himself known from a number of recordings. The repertoire is also a more varied offering this time, with violin favourites such as Elgar’s tender Salut d’amour and Tchaikovsky’s Mélodie, as well as more virtuosic fare, for instance in the fireworks of Wieniawski’s Scherzo-Tarantelle. Sueye also includes two solo works on the disc: Ernst’s much-loved Last Rose and – in a nod to her previous disc – Paganiniana, Nathan Milstein’s fantasy on themes by Paganini. Performed with equal measures of poetic sensitivity and effortless virtuosity, this is a recital to dip into as well as to listen to from start to finish – from the fiery passion of Pablo de Sarasate’s Introduction et Tarantelle to Contemplation, Heifetz’ transcription of Brahms’s song Wie Melodien zieht es mir.


Grieg: Piano Music Without Opus Number

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