梁奕源

N次重疊鏡像-4

如來猴

革面散

卵生人問米

負能發電機

李铁桥

朱芳瓊

關於「從不合奏」
以‘永無共識’的共識去探索即興的可能。
在中國當代音樂的邊緣地帶，「從不合奏」以其獨樹一幟的藝術實踐，於2014-2016年間，構築了一系列跨越傳統與現代、東方與西方的音樂實驗。
2014年，李鐵橋、梁奕源、王集雲與朱芳瓊，這四位叛逆者在大理的暮色中不期而遇。他們的合作，悄無聲息地織入了《才村碼頭》的音軌，一張現場錄音專輯，如同潛行於暗影中的即興低語。這是一段幾乎不為人知的音樂篇章，卻在靜默中訴説着深邃的藝術探索。
2015年，他們以“從不合奏”為名，開啓了一系列的即興演出，將“世界融合”和“自由即興”的音樂風格推向了新的高度。
2016年，他們在雲南及大灣區的巡演，如同即興頑童的狂歡，被讚譽為瘋客、隱士、道長、仙人。
2021年，李鐵橋從歐洲回國，未知莫識在景德鎮策劃「御窯」世界音樂季，四人再次以《從“不合奏”開始》為題，討論了即興音樂的深層內涵。並最後一次給音樂季的現場觀眾帶來了一場欲罷不能的音樂會《域》。
同年，李鐵橋 梁奕源與朱芳瓊三人錄製了一個系列具有新畫風的音樂專輯：《參宿二的旅程A Trip to Alnilam》《麻雀Mahjong》。
在以李鐵橋、梁奕源、王集雲與朱芳瓊為樂團核心的基礎上，「從不合奏」進入了一個半開放的即興音樂項目階段。
本張專輯為‘從不合奏 Trio’，為李鐵橋、梁奕源和朱芳瓊的三人作品。
NEVER Ensembled｜
Exploring the possibilities of improvisation with the consensus of "no consensus."
In the fringes of contemporary Chinese music, "Never Ensembled" carved out an unique artistic practice between 2014 and 2016, constructing a series of musical experiments that straddled the traditional and modern, the Eastern and Western.
In 2014, Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong, four rebels, met unexpectedly in the starlight of Dali. Their collaboration quietly wove into the tracks of "Caicun Dock," a live recording album that whispered improvisations like a shadow moving in silence. This was a nearly unknown chapter of music, yet it spoke volumes of profound artistic exploration in its quietude.
In 2015, under the name "Never Ensembled," they launched a series of improvisational performances, pushing the boundaries of "world fusion" and "free improvisation" music styles to new heights.
In 2016, their tours in Yunnan and the Greater Bay Area were like a carnival of improvisational mischief, hailed as the antics of madmen, hermits, Taoist priests, and immortals.
In 2021, Li Tieqiao returned from Europe, and UNINTENDED Music Studio organized the "Imperial Kiln" World Music Festival in Jingdezhen. The four once again took the theme "Starting from 'Never Ensembled'" to discuss the deeper connotations of improvisational music. They also brought an irresistible concert titled "Domain" to the festival's live audience for the last time.
That same year, Li Tieqiao, Liang Yiyuan, and Zhu Fangqiong recorded a series of albums with a new artistic style: "A Trip to Alnilam" and "Mahjong."
With Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong as the core of the Never Ensembled, "Never Ensembled" entered a semi-open phase of improvisational music projects.
This Album was recorded by Li Tieqiao, Liang Yiyuan & Zhu Fangqiong as NEVER Ensembled Trio. 


聽《麻雀Mahjong》裏的系列音樂，彷彿在聽一場原始的對話。

即興之美，在於失控中的掌控，李鐵橋—瘋客、梁奕源—道長、朱芳瓊—隱士，共同以‘永無共識’的共識探索着即興的可能。時間、空間、情緒、物質，讓一切發生隨機，收割癲狂，釋放美好，卻不為達成任何共識。
在對音樂的反覆拆分與重建中，音符掙脱樂譜的桎梏，旋律在呼吸間肆意生長。在反覆的有限裏尋找無垠，在無序中凝聚起音樂超越語言的力量，沒有預設的即興聲浪化作液態銀河，自由奔湧中構建起無數融合了颯意、自由、任性、執着的聽覺空間。
共同營造，彼此自由，永無共識，正如米蘭·昆德拉所説： “它教會我們，生命中的矛盾可以同時存在並彼此成全。”
沉在樂音當中，每一次停頓都是懸念，每一次爆發皆是新生，此刻恰如站在大雪後的草原上，面前延伸湧動着，無數若隱若現的道路。

Listening to the series of tracks in Mahjong feels like eavesdropping on a primal dialogue.
The beauty of improvisation lies in the mastery within chaos. Li Tieqiao—the Crazy man, Liang Yiyuan—the Taoist master, and Zhu Fangqiong—the hermit, collectively explore the possibilities of improvisation through a shared consensus of "never reaching consensus." Time, space, emotion, and materiality allow everything to unfold randomly, harvesting madness and releasing beauty, yet never striving for any agreement.
In the repeated deconstruction and reconstruction of music, notes break free from the constraints of scores, and melodies grow wildly with each breath. Within the repetition of limits, they seek the infinite; within disorder, they condense the power of music to transcend language. The unpredicted waves of improvisation transform into a liquid galaxy, freely surging and constructing countless auditory spaces that blend boldness, freedom, whimsy, and determination.
Together, they create, yet remain free; forever without consensus. As Milan Kundera once said, "It teaches us that the contradictions of life can coexist and fulfill one another."
Immersed in the soundscape, every pause is suspense, every burst a rebirth. It feels as though standing on a snow-covered grassland, with countless faintly visible paths stretching and surging ahead.

音樂人：李鐵橋、梁奕源、朱芳瓊
錄音/混音：朱芳瓊
平面設計：楊建華
未知莫識MUSiC Studio出品


Musicians:Li Tieqiao/Liang Yiyuan /Zhu Fangqiong
Recording/Mixing Engineer: ZHU Fangqiong 
Graphic Designer: Yang Jianhua
Produced by UNINTENDED MUSIC STUDIO

麻雀 Mahjong

關於「從不合奏」
以‘永無共識’的共識去探索即興的可能。
在中國當代音樂的邊緣地帶，「從不合奏」以其獨樹一幟的藝術實踐，於2014-2016年間，構築了一系列跨越傳統與現代、東方與西方的音樂實驗。
2014年，李鐵橋、梁奕源、王集雲與朱芳瓊，這四位叛逆者在大理的暮色中不期而遇。他們的合作，悄無聲息地織入了《才村碼頭》的音軌，一張現場錄音專輯，如同潛行於暗影中的即興低語。這是一段幾乎不為人知的音樂篇章，卻在靜默中訴説着深邃的藝術探索。
2015年，他們以“從不合奏”為名，開啓了一系列的即興演出，將“世界融合”和“自由即興”的音樂風格推向了新的高度。
2016年，他們在雲南及大灣區的巡演，如同即興頑童的狂歡，被讚譽為瘋客、隱士、道長、仙人。
2021年，李鐵橋從歐洲回國，未知莫識在景德鎮策劃「御窯」世界音樂季，四人再次以《從“不合奏”開始》為題，討論了即興音樂的深層內涵。並最後一次給音樂季的現場觀眾帶來了一場欲罷不能的音樂會《域》。
同年，李鐵橋 梁奕源與朱芳瓊三人錄製了一個系列具有新畫風的音樂專輯：《參宿二的旅程A Trip to Alnilam》《麻雀Mahjong》。
在以李鐵橋、梁奕源、王集雲與朱芳瓊為樂團核心的基礎上，「從不合奏」進入了一個半開放的即興音樂項目階段。
本張專輯為‘從不合奏 Trio’，為李鐵橋、梁奕源和朱芳瓊的三人作品。
NEVER Ensembled｜
Exploring the possibilities of improvisation with the consensus of "no consensus."
In the fringes of contemporary Chinese music, "Never Ensembled" carved out an unique artistic practice between 2014 and 2016, constructing a series of musical experiments that straddled the traditional and modern, the Eastern and Western.
In 2014, Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong, four rebels, met unexpectedly in the starlight of Dali. Their collaboration quietly wove into the tracks of "Caicun Dock," a live recording album that whispered improvisations like a shadow moving in silence. This was a nearly unknown chapter of music, yet it spoke volumes of profound artistic exploration in its quietude.
In 2015, under the name "Never Ensembled," they launched a series of improvisational performances, pushing the boundaries of "world fusion" and "free improvisation" music styles to new heights.
In 2016, their tours in Yunnan and the Greater Bay Area were like a carnival of improvisational mischief, hailed as the antics of madmen, hermits, Taoist priests, and immortals.
In 2021, Li Tieqiao returned from Europe, and UNINTENDED Music Studio organized the "Imperial Kiln" World Music Festival in Jingdezhen. The four once again took the theme "Starting from 'Never Ensembled'" to discuss the deeper connotations of improvisational music. They also brought an irresistible concert titled "Domain" to the festival's live audience for the last time.
That same year, Li Tieqiao, Liang Yiyuan, and Zhu Fangqiong recorded a series of albums with a new artistic style: "A Trip to Alnilam" and "Mahjong."
With Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong as the core of the Never Ensembled, "Never Ensembled" entered a semi-open phase of improvisational music projects.
This Album was recorded by Li Tieqiao, Liang Yiyuan & Zhu Fangqiong as NEVER Ensembled Trio. 


在即興而起的樂音旅程中，物質、時間和空間兀自蔓延，地裏地外，構築出不同質感的音域。閉眼身入其中，坍塌和重生反覆無限，虛空在某個轉瞬被填滿。
在這系列樂音中，恍惚間彷彿變成了宏大敍事中的塵土或者種子，即使微渺，亦自在地即興而行而靜而舞，身心的無限和宇宙的融合在了一起。
彼此多維地對話、對抗、共赴、相聚、重逢，並能坦然接受任何的戛然而止。

Matter, time, and space unravel in the improviser’s wake— beneath the soil and beyond the stratosphere, they weave acoustic realms of divergent grain. Eyes shut, you plummet where collapse and rebirth loop eternally, filling voids between two notes with nebulae unborn.  
Here, you are both a mote or a seed in the epic— insignificant yet sovereign, improvise steps, stillness, revolutions until the body’s infinity dissolves into the cosmic hum.  
Layers converse, collide, converge: dialogue of dissonance, pilgrimage of harmonics. Every encounter—reunion or rupture— bears the weight of supernovae. And when silence ambushes the score, you embrace each abrupt cadence with grace, as stars do their own extinction.

音樂人：李鐵橋、梁奕源、朱芳瓊
錄音/混音：朱芳瓊
封面攝影：童靜 
平面設計：楊建華
未知莫識MUSiC Studio出品

Musicians:Li Tieqiao/Liang Yiyuan /Zhu Fangqiong
Recording/Mixing Engineer: ZHU Fangqiong 
Album Cover Photographer| TONG Jing 
Graphic Designer: Yang Jianhua
Produced by UNINTENDED MUSIC STUDIO

參宿二的旅程 A Trip to Alnilam

困金車

李带菓

2016年的專輯，因原發表平台關閉，現在重新發布。
作曲：梁奕源 李帶菓
錄音：李帶菓
混音：梁奕源 李帶菓
吉他：梁奕源
大提琴：李帶菓

祖傳2進制

物失體

一張用揚琴錄製的專輯。演奏的時候用了一些竹籤、木棍和鐵夾子別在琴絃上，還有幾個小鐵盒、彈簧等金屬物件用來做特殊的音色處理，以及一把小提琴弓和幾種不同的鼓棰。

作曲：梁奕源
樂器演奏：梁奕源
錄音、混音：梁奕源
封面設計：梁奕源
攝影：梁奕源

物失體

首陀羅 Low End Population

https://image.joox.com/JOOXcover/0/571de4c539f4cc3c/300

N次重疊鏡像-4

歌曲列表

更多梁奕源

N次重疊鏡像-4

歌曲列表

更多 梁奕源

更多梁奕源