Stephan Genz

Roger Vignoles

Mahler: Songs & Lieder

No. 1, Frühlingsmorgen

No. 3, Hans und Grete

No. 5, Phantasie aus Don Juan

No. 2, Ablösung im Sommer

No. 1, Zu Straßburg auf der Schanz'

No. 4, Nicht wiedersehen!

No. 3, Scheiden und Meiden

No. 1, Wenn mein Schatz Hochzeit macht

No. 2, Ging heut' morgen übers Feld

No. 3, Ich hab' ein glühend Messer

No. 4, Die zwei blauen Augen

Mahler: Rückert Lieder: Ich atmet' einen linden Duft

Mahler: Rückert Lieder: Liebst du um Schönheit

Mahler: Rückert Lieder: Blicke mir nicht in die Lieder

Mahler: Rückert Lieder: Um Mitternacht

Mahler: Rückert Lieder: Ich bin der Welt abhanden gekommen

No. 1, Nun will die Sonn' so hell aufgeh'n

No. 2, Nun seh' ich wohl, warum so dunkle Flammen

No. 3, Wenn dein Mütterlein

No. 4, Oft denk' ich, sie sind nur ausgegangen

No. 5, In diesem Wetter

Two musical orders meet in the programme of this album, both with reference to the most broadly conceived music history and to the universe of Krzysztof Penderecki’s output. Apart from the opera, which holds its own separate place, they are the two largest-scale formal orders in the musical art: those of the symphony and the concerto, which represent two fundamental ideas: respectively, those of co-operation and of competition. Krzysztof Penderecki’s symphonic writing is one of the most important elements of his output as a composer, and possibly the most fascinating one. The composer himself frequently emphasized the autonomous identity of his symphonic oeuvre both in the context of Polish works in this genre and in the broad perspective of Western music. The Clarinet Concerto is a one-movement form, whose clear-cut internal dichotomy is reflected in the sequence of sections: Lento – Vivace – Lento – Vivo – Lento. Two opposed emotional worlds manifest themselves alternately. The ‘sighing’ motif, which looks to Baroque-type rhetoric, is responsible for the sombre mood of the first Lento. This is followed by a section of relentless motoric drive (in tempo Vivace), which sounds a bit like a perpetual motion machine. The next Lento, more Romantic than the first one, otherworldly and immaterial, leads to the second scherzo, preceded by a cadenza. The final section rounds off the whole narrative form, with the return of the sighing motif and the orchestra and soloist’s joint ascent to the heavenly heights. Despite the distance of more than 30 years that separates the Clarinet Concerto from Symphony No. 6, the two works are both evidence of a similar turn in Krzysztof Penderecki’s artistic stance – a turn from monumentalism to an intimate and internally lucid type of musical statement.

Penderecki: Orchestral Works

Michel Dalberto

Schubert: Winterreise, D. 911

Mahler: Des Knaben Wunderhorn

Brahms: Deutsche Volkslieder這張專輯是一張古典音樂專輯，發行於2007年5月22日。這張專輯收錄了28首樂曲，是由"Stephan Genz"，"Roger Vignoles"表演的。像樂曲Brahms: 49 Deutsche Volkslieder Woo33: VI "Da Unten Im Tale" ，Brahms: 49 Deutsche Volkslieder Woo33 : VII "Gunhilde"都是非常好聽的。

Mahler: Songs & Lieder

歌曲列表

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