Ensemble San Felice

Federico Bardazzi

Ékstasi (Pop Music & Sorytelling Through The Millennia - Project by Carla Zanin)

Elisa Malatesti

Yuliya Shyshko

Amfí (Antico Canto Tradizionale Frigio)

Gianni Mini

Letizia Dei

Along the watchtower (Athena Then Clothed Him In Beauty)

Intorno a Te (A Gongila)

Amor Dolze Senza Pare

Eva Mabellini

Amor Che Nella Mente Mi Ragiona (Maria Matrem Virginem)

Cecilia Cazzato

Ave Maria, Gratia Plena

Yearning of the swords

Michela Lombardi

Forever Young

Like a Hurricane (Like a Rising Sun)

Bumblebee (O Alto e Glorioso Dio)

Sia laudato San Francesco

Tutor Dicendo

Franciscus Ut In Publicum

Maniwall (Laudes omni hora)

Laudar Voll'io Per Amore Lo Primo Frate Minore

Lord Make Me An Instrument Of Your Peace

The Great Gig in the Sky (Stigmate)

Prajnaparamita Sutra

Lady d'Arbanivlle (Thou Art Entire Sweetness)

Nella Fantasia / On earth as it is in heaven (Hymn to Brother Sun)

Anastasia Leonova

Dimitri Betti

Ensemble Capriccio Armonico

Rossini: Petite messe solennelle (Version for Chamber Ensemble)

Susanna Rigacci

Floriano D'Auria

Oksana Maltseva

L’incoronazione di Poppea is a milestone in the history of music and the high point of the early baroque. This recording avails itself of an international cast and period instrument ensemble including established performers and young talents from Italy, France, Russia, Ukraine, Turkey, Albania, Colombia, Ecuador, Brazil, Mexico, China, Mongolia and Korea. Conductor Federico Bardazzi has analyzed the expressive aspects of the score so that the music would bring out the nature of the characters and has worked on the variety of tone colour available in the basso continuo associated with the “affetti” throughout the opera and hence the association of particular instruments with the main characters. The instrumental arrangements are highly diversified, ranging from sopranino and guitar, through passages for strings only to exuberant tutti sections with percussion. A hallmark of Bardazzi's approach to performance of 17th century repertoire is the interaction of treble instruments with voices in choral numbers, duets, versified pieces and airs and also foregrounding those instruments in certain sections of the opera identified with a given character. The many tone colours of this broad palette valorize the instrumental writing in the vocal numbers, which is in keeping with the dictates of Monteverdi's seconda prattica. 

Monteverdi: L'incoronazione di Poppea, SV 308

Daniele Boccaccio

Frescobaldi: Messa sopra l'aria di Fiorenza

https://image.joox.com/JOOXcover/0/5a62592262441345/300

Ékstasi (Pop Music & Sorytelling Through The Millennia - Project by Carla Zanin)

歌曲列表

更多 Ensemble San Felice