Cantica Symphonia

Guillaume Dufay

Dufay, G.: Vocal Music (Quadrivium)

Salve flos Tusce / Vos nunc Etruscorum iubar / Viri mendaces

Apostolo glorioso / Cum tua doctrina / Andreas Christi

Mirandas parit hec urbs, "Imperatrix angelorum"

Alma redemptoris mater I

Gaude virgo mater Christi

Ecclesie militantis / Sanctorum arbitrio / Bella canunt gentes / Gabriel / Ecce nomen Domini

Anima mea lique facta est

Vasilissa ergo gaude / Concupivit rex

Salve regina

Inclita stella maris

Alma redemptoris mater II

Balsamus et munda cera / Isti sunt agni novelli

Juvenis qui puellam

Flos florum

Nuper rosarum flores / Terribilis est

Laura Fabris

Massimo Altieri

Giuseppe Maletto

Stabat Mater

Vittorio Zanon

Francesco Cavalli

The present recording comprises what are undoubtedly some of the most solen and authoritative works by two great composers who held post of Maestro di Cappella in St. Mark's in Venice. Two very strong characters, quite different from each, yet who had much in common in their ingenuity, austere style, artistic environment and the age in which they lived and worked.  The two masses were certainly intended for different purposes. Monteverdi's Messa 'In illo tempore' was published in 1610 at the same time as his famous 'Vespro della Beata Vergine' and carries a dedication to Pope Paul V, which indicates that Monteverdi probably wrote it in an attempt to get himself a decent post at the papal musical chapel. On the other hand, Cavalli's Requiem is clearly the work of a composer fully aware he is at the end of his life and at the height a splendid career and who thus it appropriate to dedicate his final composition to himself - a requiem mass, no less.

Monteverdi: Missa in illo tempore – Cavalli: Missa pro defunctis

Ermanno Lo Gatto

Kees Boeke

Sveva Martin

Festa: Mottetti, Vols. 1 & 2

La Compagnia del Madrigale

La Pifarescha

Monteverdi: Vespro della Beata Vergine

Guiseppe Maletto

Unknown Artist

Isaac: Missa "Misericordias Domini" & Motets

Dufay: The Masses for 1453

Almisonis Melos: Latin Motets and Mass Fragments in the Ivrea Codex

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Dufay, G.: Vocal Music (Quadrivium)

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