Gareth.T

Gareth.T 推出全新單曲《dinner in bed》
今個情人節將會更加浪漫更加温馨
Gareth.T 即將推出全新單曲 dinner in bed，這是他於去年十一月推出的《勁浪漫 超温馨》的英文版本。雖然比其中文版較遲推出，其實 dinner in bed 早於《勁浪 漫 超温馨》完成。有別於中文版的"從節儉生活中尋求無價的快樂"，dinner in bed 是一首有關情侶間肌膚之親的歌。歌名靈感其實來自 “breakfast in bed”，一個情侶間絕對不會陌生的甜蜜舉動。但 Gareth 與他的另一半同為創作歌手，二人不但止過着日夜顛倒的生活，而且很多日常的運作都與普通情侶不同。副歌部份 (Can we have dinner in bed / Then breakfast with sex / Then brunch with long naps / Then repeat all these steps) 展示他們異常的作息，但他們的情感和感受其實與很多人所面對的都很相似。
曲風方面，dinner in bed 的編曲比原版簡約，由長期合作伙伴 Teddy Fan 彈奏結他。

dinner in bed

《玻璃demo》這首歌是Gareth在錄音室現場錄製的原始 demo 版本。這首歌曲最初是在 2024 年台北演出時創作並首次公開自彈自唱的。在此之前，官方版本的《玻璃》已於 5 月 20 日正式推出，並迅速在海外華人圈子裏掀起熱潮，成為近年新世代歌手中討論度最高的作品之一。自從 2024 年那次演出後，現場片段在網絡上瘋傳，更引發了一股翻唱熱潮，粉絲們一直都好期待官方正式寫好並推出這首歌。除了官方版本之外，Gareth 這次特意推出這個 demo 版本，就是想帶給粉絲最原汁原味的感覺。

相較於官方版本，兩者的曲風截然不同。官方版本的節奏稍微快一點、感覺更明亮，並以結他為主導，重新編曲和調整歌詞後，感覺帶點挑逗和調情；而這個 demo 版本則還原了當初現場演出的編曲，節奏較慢、以鋼琴為主導，感覺更沉思、內斂，更接近一首傳統的抒情慢歌。

歌詞方面，demo 版和官方版大同小異，但就帶回了許多樂迷非常鐘意、極具標誌性的開頭第一句「愛妳」。在歌裏，Gareth 用非常誠實、坦白的方式去表達愛意——無論身邊有多少人，他的選擇依然只有她。整首歌沉浸在深夜下雨、講着長途電話和彼此沉默的氛圍中，他終於親口坦白這份愛，並希望這段感情永不褪色。

玻璃 demo

Gareth.T  愛如明鏡 《玻璃》
在心的兩端 感受玻璃般的透明情感

「我愛你」
如玻璃一般透徹的感情。
明明從非秘密，
卻仍然想一遍又一遍告訴你。

愛是陪伴，愛是奉獻。
這份不講道理的愛早已化成不同形態；
伴你入眠的每一個晚上，
在漫漫長夜中不願意掛斷的電話。
只是想展示這份專屬於你的愛。

Gareth.T 發行第二張專輯後的首支單曲 《玻璃》，這是他繼《色彩》之後創作的第二首華語流行歌曲。歌曲方面由Gareth.T和Patrick Yip製作，Gareth.T、Patrick Yip、Teddy和Gab de Leon共同編曲。作曲填詞則由Gareth.T親自包辦。

 《玻璃》最初於2024年以demo的形式出現，在隨後的幾年逐漸走紅。網上流傳着無數翻唱和非官方上傳版本。去年倫敦演唱會首次現場後引起網絡上熱烈討論，這次終於迎來首次發行官方版本。

Gareth.T《玻璃》玻璃
曲：Gareth.T
詞：Gareth.T
編：Gareth.T / Patrick Yip / Teddy / Gab de Leon
監：Gareth.T / Patrick Yip 
《玻璃》(English: “glass”) is sung by Gareth.T, who also wrote the lyrics and composed the track. It’s produced by Gareth.T and Patrick Yip, and arranged by Gareth.T, Patrick Yip, Teddy, and Gab de Leon. It’s his second Mandopop song written by himself, following 《顏色 (colors)》, and it’s also his first single release after his sophomore album.

A soft, late-night confession wrapped in the clear metaphor of glass: the narrator finally says “I love you,” knowing it’s a secret that was never really hidden—because their feelings are transparent. The song lives in small, cinematic moments: rain tapping the window as you drift to sleep, a call that somehow reaches 3 a.m. even after the topic runs out, and the kind of silence that still feels warm. It’s devotion that ignores “logic,” choosing one person in a sea of strangers, counting 650 days together and wishing time would slow down—sweet, honest, and just a little possessive in the most human way.

First heard as a demo performance in 2024, the song’s early version grew steadily more popular over the years. And with so many covers and unofficial uploads circulating online, this release stands as the first official version of 《玻璃》.

玻璃

Gareth.T  蜕變之作/ 亦師亦友  《THE PROTÉGÉ》
屬於兩人的成長之旅

音樂奇才Gareth.T與傳奇作詞人黃偉文宣佈他們的首張合作專輯《THE PROTÉGÉ》正式發行。這張飽含各種真誠情感共十首歌曲的專輯，由黃偉文包攬所有歌詞創作，Gareth.T則負責了大部分歌曲的作曲部分並演唱。這是一次完美展現了Gareth.T真誠靈魂和動人故事的合作。

Gareth.T憑藉其真摯的嗓音、無畏的態度以及率性坦誠的歌曲，在近年的樂壇掀起熱潮。黃偉文為Gareth.T創作的不僅是粵語大熱歌曲，更是共同譜寫出多首屬於香港的經典之作。他們從數年前開始在網路上交流，直到2025年底Gareth.T倫敦演唱會期間才終於見面。並同時一起拍攝了專輯的封面和內頁，切切實實地將線上的聯繫昇華為現實生活中的合作。

這張專輯收錄了他們幾乎所有的合作歌曲；從2023年的〈國際孤獨等級〉到榮獲903叱吒樂壇至尊歌曲大獎的〈用背脊唱情歌〉，以及歌迷最愛的〈緊急聯絡人〉等。專輯包含六首已發行曲目、四首全新創作，以及兩首額外收錄曲。這些歌曲創作於Gareth.T成長的時期——他經歷的心碎、迷茫和自我發現由Wyman鋒利的歌詞將這些時刻一一呈現。

這張專輯完美地捕捉了歌迷們現時喜愛的Gareth.T音樂風格，為他「憂鬱」時期畫上了圓滿的句號。

THE PROTÉGÉ

MC 張天賦

Gareth.T & MC 張天賦 點石成金 《金童子》
拒絕一切糖衣包裝，靜候每次成長機會

《金童子》是一首探討如何在標籤與期待中保持自我的合唱作品。歌曲巧妙運用「黃金」的多重意象——如鍍金、獎盃及「金童」標籤，深入探討人們在追求認可、地位與潮流時所面臨的壓力，並強調自信與獨立的重要性。

曲風以 60 年代復古的 doo-wop/Motown 音樂為靈感，將經典靈魂樂旋律與現代節奏完美融合。編曲採用電鋼琴、結他、鋼琴及充滿律動感的鼓點，營造出既懷舊又充滿動感的温暖氛圍。
	
歌詞中的「黃金」象徵浮誇的讚美與轉瞬即逝的認可。歌詞如「不必拋出你釣我的餌」及「貪些少金箔上當的人」，展現了拒絕一步登天、拒絕誘惑的態度。而「沒人鍍金不緊要」則進一步重申：內在價值無需外在修飾。副歌的「讓我閃耀/高調」傳遞出按自己方式建立自信的精神；結尾「毋用你擦亮都會發亮」更強化了核心主題——真金不怕火煉，是金子總會發光。

由香港兩大人氣歌手 Gareth.T 與 MC 張天賦 首度強強聯手，並由着名填詞人黃偉文操刀。歌曲由 Gareth.T 領銜 Nic Tsui、Teddy Fan、Tom Wong 及 Enoch Cheng 共同作曲；編曲部分則由 Gareth.T、Nic Tsui、Teddy Fan、Tom Wong、Enoch Cheng、Patrick Yip、Brian Yip 及李一丁強大陣容聯手打造；並由 Gareth.T、Nic Tsui 及 Patrick Yip 共同擔綱監製。MV 由 Gareth.T 親自執導，Mario Chui 擔任助理導演，Vienna Ip 擔任製片人，並由東風團隊負責攝製工作。

金童子

攬佬SKAI ISYOURGOD

Gareth.T, 攬佬SKAI ISYOURGOD  一筆勾銷 《跟悲傷結了帳》

樂壇新生代中兩把最具辨識度的聲音——Gareth.T 和攬佬 SKAI ISYOURGOD首次在《跟悲傷結了帳》碰撞。 Gareth向來善於把真實赤裸的情感化成令人難忘的旋律，「饒舌神童」攬佬則靠其輕巧而令人上癮的爆紅作品備受喜愛。他們的首次合作宛如一場屬於兩位年少成名，卻仍然為愛心碎的自白。
這首歌如同一場平靜的覺悟──並非單純有關心碎，更多是聚焦於撫平情感的痛苦。歌詞帶出一切並非順其而然地結束的，更象是兩人在強迫自己放手。而他們都很清楚不可能乾脆利落地結束的；而是記憶與自我保護之間永恆的協商。
透過歌曲的製作也反映出這種張力，《跟悲傷結了帳》由 Gareth、Big Spoon、Jacking 和 Patrick Yip 共同製作。副歌由Gareth柔和的鋼琴聲中貫穿，為攬佬的饒舌部分鋪陳逐漸過渡到爵士朦朧的節奏，在之後的章節再度轉變為沉重陰暗的Trap音樂。這種過渡與歌曲的核心主題相呼應：反思逐漸強化成為一種自我保護。

Two of the most distinct voices in the new wave — Gareth.T and SKAI ISYOURGOD collide on “No More.” Gareth, known for turning honest emotion into unforgettable melodies, and rap prodigy SKAI, beloved for his effortlessly viral records. Their first collaboration plays like a confession from two twenty-somethings who’ve tasted success yet still can’t quite outrun heartbreak.

The song unfolds like a quiet reckoning—less about heartbreak itself, more about settling the emotional tab. Gareth “signs off” from grief by returning the keys, erasing the past and placing his love on a bed of white roses. His writing turns emotional recovery into paperwork, a metaphor for taming an overwhelming emotion with a rigid document. Then SKAI’s verse hits mid-flight, literally. He’s on a plane, deleting memory-stirring songs from playlists, fighting the urge to text the one he shouldn’t. His restraint speaks louder than any dramatic outburst. Together, they weave heartbreak into two textures—one raw, one quiet—but equally piercing.

The lyrics feel less like organic closure and more like two people deliberately pushing themselves to let go. Beneath that resolve, both seem aware that closure is never clean; it’s an ongoing negotiation between memory and self-preservation. Their voices orbit each other without ever fully meeting, like two people closing the same chapter from different pages.

The song production mirrors that tension. Produced by Gareth, Big Spoon, Jacking, and Patrick Yip, Gareth’s hook drifts over soft pianos, easing into a jazzy, hazy beat for SKAI’s rap, then shifts into a heavy, dark trap in the second verse. The transition mirrors the song’s core theme; reflection gradually hardens into self-protection.

The music video, directed by Gareth with Big Spoon and Hanley Chu, leans into that irony. But instead of a sorrowful visual, it channels hip-hop’s late ’90s to mid-2000s flash—Cash Money, Bad Boy, Ruff Ryders, Hot Boys and Dipset—and flips heartbreak into spectacle. Gareth signs his “contract” to leave sadness behind like an NBA draft moment, then joins SKAI for classic rap-video scenes: cruising in a Bentley with friends (a nod to rap’s tradition of car luxury scenes), heavenly all-white shots surrounded by doves straight out of late-’90s, early-2000s R&B, and gritty gym scenes reminiscent of DMX videos. It’s tongue-in-cheek humor, intentionally using optimistic energy to push through the pain.

In the end, “No More” doesn’t offer catharsis as much as it acknowledges how love lingers even after you’ve sworn it off. The final moment — where the music video breaks the fourth wall, revealing a raw studio shot beneath layers of CGI — strips the illusion and underscores the truth. The song and video turn sadness into swagger, and closure into something that still feels just slightly unfinished.

跟悲傷結了帳

泥菩薩

《用背脊唱情歌》是創作歌手Gareth.T與著名作詞人黃偉文再度合作的歌曲。這首歌曲標誌着他們的第五次合作，並顯示未來定會有更多合作。這首歌曲與他們之前作品中更鼓舞人心的慰藉感截然不同，相反採用一種陰鬱而脆弱的基調，探索那份不被滿足的失落。
這首歌探討人在失去愛情時的脆弱痛苦，穿梭於歌聲之間那比喻情感的誠實。歌曲主體圍繞着心碎與繼續前進的困難掙扎展開—— 表面上公開地表達悲傷，實則卻被人看穿其偽裝。而 「用背脊唱情歌」丶「正面像全裸」等關鍵歌詞則更凸顯了隱藏痛苦與表露真實感受之間的衝突。語氣憂傷而苦樂參半，穿梭於像渴望丶順從和接納之間的各種心情。歸根究底，這首歌反思了愛情中種種關於「如果」的徒勞。與觀眾分享那份令人心碎的孤獨，以及希望這種痛苦能夠成為一首引起他人共鳴的歌曲，即使當事人仍然陷於悲傷之中。
 《用背脊唱情歌》體現了更傳統的粵語流行音樂結構，可能是 Gareth 在他至今的創作生涯中創作最為典型的粵語流行音樂作品。旋律優美，帶領觀眾從柔和丶令人難忘的開頭到飆升的高潮，彷佛坐過山車一樣。這張專輯由 Gareth 和他關係密切的合作伙伴 Patrick Yip 製作；他也曾參與製作《緊急聯絡人》等着名曲目。歌曲的編曲則由其他多次合作的單位包括 Nic Tsui丶Gab de Leon丶Lee Yat Ding 和 Tom Wong。
 《用背脊唱情歌》的MV是 Gareth 第一個導演的項目，和很多過去影片中熟悉的面孔合作。視覺上主要呈現了三個場景：最初他在一間被紙巾包圍的房子裏獨自哭泣；然後在火熱的森林裏朝一棵樹射箭；最後是向「貓王」Elvis Presley's 1968 「Comeback Special」致敬。其中Gareth身穿白色燕尾服，背景則是他的中文名字。這段對「貓王」的引用有重大意義：因為它象徵着貓王在專注於其他追求一段時間後重返現場表演，這與Gareth在失去愛情後重返舞台相似。雖然MV只有三個長鏡頭，但這份簡潔卻增強了其衝擊力，更能表達出歌曲當中的原始情感。

“no full frontal” is the second in a series of collaborations between singer-songwriter Gareth.T and legendary lyricist Wyman Wong, following the release of “more than you know.” Marking their fifth partnership—and promising more to come—this track departs from the uplifting reassurance of their previous work. Instead, it embraces a somber and vulnerable tone, exploring themes of and unfulfilled desires.

This song explores the vulnerable pain of lost love, using the act of singing as a metaphor for emotional honesty. The main theme revolves around heartbreak and the struggle to move on—publicly expressing sorrow while others see through the façade. Key lyrics like “用背脊唱情歌” ("singing a love song with my back turned") and “正面像全裸” ("facing forward is like being naked") highlight the conflict between hiding pain and revealing true feelings. The tone is wistful and bittersweet, shifting between yearning, resignation, then acceptance. Ultimately, the song reflects on the futility of ‘what ifs’ in love, the loneliness of sharing heartbreak with an audience, and the hope that this pain can become a song that resonates with others, even as the singer remains trapped in sorrow.

The song embodies a more traditional Cantopop structure, likely the most quintessential Cantopop piece Gareth has created in his career. The melodies are sweet, taking the audience on a rollercoaster ride from soft, memorable intros to soaring climaxes. It is produced by Gareth and his close collaborator Patrick Yip, who has also worked on notable tracks like “Emergency Contact.” Contributing to the arrangement are other trusted collaborators, including Nic Tsui, Gab de Leon, Lee Yat Ding, and Tom Wong.
The music video is Gareth’s first self-directed project. Collaborating with familiar faces from past videos, he presents himself in three scenes: first, crying alone in a house surrounded by tissues; second, shooting arrows at a tree in a fiery forest; and third, paying homage to Elvis Presley's 1968 "Comeback Special," where Gareth performs in a white tuxedo against a backdrop of his name in Chinese. This Elvis reference is significant as it symbolizes a return to live performance after a period of focus on other pursuits, paralleling Gareth’s own comeback after grappling with lost love. Though the MV features only three long shots, its simplicity enhances its impact, capturing the raw emotion of the song.

用背脊唱情歌

https://image.joox.com/JOOXcover/0/430458c833bdc7e4/300

dinner in bed

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dinner in bed

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