The Marian Consort

Rory McCleery

Pater Peccavi: Music of Lamentation from Renaissance Portugal

Lamentations for Maundy Thursday

De profundis

I. Kyrie

Commissa mea

II. Gloria

Circumdederunt me

Pater peccavi

III. Credo

Heu, Domine

Versa est in luctum

IV. Sanctus & Benedictus

Emendemus in melius

V. Agnus Dei

Oculi mei semper ad Dominum

Commissa mea pavesco

Audivi vocem de caelo

William Byrd

In the turbulent religious climate of Elizabethan England William Byrd wrote — and, more audaciously, published — a huge amount of music for the Catholic rite, for services which he and his fellow Catholics had to celebrate clandestinely, in the private houses and chapels of sympathetic noblemen. The cloistered intimacy of those occasions is reenacted in The Marian Consort's performances here, and their programme also explores the more coded ways in which Byrd was able to express his faith and his commitment to the recusant cause: settings of texts which had become associated with Jesuit martyrs, or biblical pleas for divine intervention which took on new, heightened meaning in these times of persecution. Most moving of all is the motet Infelix ego, with Byrd weaving in homages to a still-intact tradition of Continental composers stretching back a century and a half as the text arcs from dejection and misery to repentance and finally hope, made manifest in music of transformative power.

Singing in Secret: Clandestine Catholic Music by William Byrd

In Sorrow's Footsteps: Jackson - Palestrina - Allegri - Macmillan

Music for the Queen of Heaven: Contemporary Marian Motets

Gesualdo: Sacrae Cantiones

Berkley Ensemble

Stabat Mater: Sacred Choral Music by Lennox & Michael Berkeley

Christmas with the Shepherds: Morales, Mouton & Stabile

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Pater Peccavi: Music of Lamentation from Renaissance Portugal

歌曲列表

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