Aarhus Symphony Orchestra

Anton Bruckner

James Loughran

Bruckner: Symphony No. 7

Symphony No. 7 in E Major: Allegro moderato

Symphony No. 7 in E Major: Adagio: Sehr feierlich und sehr langsam

Symphony No. 7 in E Major: Scherzo: Sehr schnell - Trio: Etwas langsamer

Symphony No. 7 in E Major: Finale: Bewegt, doch nicht schnell

Mahan Esfahani

Leif Segerstam

Poul Ruders

Poul Ruders: Harpsichord Concerto (Live)

Anna Katrin Øssursdóttir Egilstrøð

Andreas Delfs

Allan Gravgaard Madsen

Madsen & Egilstrøð: Beinta

Douglas Bostock

Coleridge - Taylor: Symphony in A Minor

Cowen: Symphony No. 6 in E Major "The Idyllic"

All three composers featured on this recording were central to the Danish Golden Age, a period of blossoming in the arts and music that delivered countless gems. Here, principal players from the Aarhus Symphony Orchestra perform fine concertante works from two composers who are experiencing a renaissance and one who still languishes in obscurity. From the splendour of Kuhlau’s William Shakespeare and his melodious Concertino, the fresh melodic qualities of Gade’s Capriccio, and the as yet unpublished Oboe Concerto by Barth these new recordings from Aarhus make the case for four winning Danish scores.

Concertos from 19th-Century Denmark

Erling Blöndal Bengtsson

Royal Danish Orchestra

Claus Myrup

Danacord continues its tribute to the Danish cellist Erling Blondal Bengtsson. For this volume of recordings emanating from Danish Radio Bengtsson plays two staples of most cellists’ repertoire, masterworks by Shostakovich and Richard Strauss, spicing things up with music by Berio and Ligeti, such choices opening up our perceptions of Bengtsson’s repertoire, and then going further by including his sympathy for concertos written for and dedicated to him. Thus, this programme adds up to a revealing portrait of Bengtsson’s versatility and virtuosity.

Erling Blöndal Bengtsson: The Danish Radio Recordings, Vol. 1

Ian van Rensburg

Knudåge Riisager (1897-1974) holds a special place in Danish music, enriching it with an extra dimension of spirituality and pithiness. Aarhus Symphony Orchestra and conductor Andreas Delfs here present two key works in Riisager’s catalogue, one of which clearly represented a turning point in his output, namely his orchestral reworking of a selection of Carl Czerny’s piano etudes for his and Harald Lander’s ballet Etudes. The other heralded a stylistic change and ranks as a highly personal contribution to the concerto genre – Riisager’s Violin Concerto is played here by Danish violinist Ian van Rensburg. Van Rensburg has been first concert master of the Aarhus Symphony Orchestra since 1993. He also enjoys a versatile international career as an active soloist, chamber musician, and teacher.


Riisager: Violin Concerto & Etudes

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Bruckner: Symphony No. 7

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