朱芳瓊

曾小刚

呼吸之間跳舞

清夜

化動

交泰

王集雲

大觀｜Daguan : Panoramic View
雲隱《Temple by the Sea》

【大觀】系列音樂項目，是一個在東方哲學體系之下，以世界樂器和當代音樂思維為工具，突破傳統演出形式框架的即興音樂實踐。
其現場氛圍感濃厚，情緒跌宕起伏，音聲似有色彩與味道。音樂起源於無形，在虛空中生長，有故事，有構建，似戲如夢，在當下空間之中構建出另一個音聲的空間，在故事中生出獨特的靈魂，並在聽者的維度上持續發酵。
《大觀·雲隱》發聲地在一座海邊的寺院。雲隱寺是一座秉承傳統佛教哲學卻富有當代設計風格的寺院建築。禪意深邃的空間之內，遁入虛實相生的音境之中，如同時空穿越，不知身在何處。 

製作人朱芳瓊以最新空間音頻技術，將這場發生在禪寺院中的即興迴響精心製作，力求還原每一個音符在空間中的流動軌跡。

Daguan is a music project rooted in the framework of Eastern philosophy, with world instruments and contemporary musical thinking, to break through the traditional performance framework, creating a series of improvisational music experiment.

Its live atmosphere is rich and immersive, with emotionally turbulent shifts. The sounds seem to possess color and flavor. The music originates from formlessness, growing out of emptiness. It holds stories and structures, simultaneously theatrical and dreamlike, constructing another dimension of sound within the immediate space. From these narratives, a unique soul emerges, continuing to evolve within the listener's perception.

<Daguan·Temple by the Sea>
was performed at a seaside temple. Yunyan Temple is a structure that adheres to traditional Buddhist philosophy while boasting a contemporary design style. Within its deeply Zen-inspired space, one is drawn into a soundscape where reality and illusion intertwine, creating a sensation of transcending time and space, leaving one unsure of their whereabouts.

Producer Zhu Fangqiong utilized the latest spatial audio technology to meticulously craft the improvisational echoes from this temple setting, striving to faithfully recreate the trajectory of every note as it moves through the space.

特別感謝:雲隱寺、悍馬
Special thanks to Yunying Temple & Han Ma

大觀雲隱 Daguan·Temple by the Sea

《山神廟》後記

這是兩年前正月裏，我與芳瓊在大理 Adama 家園的一場「即興音樂會」錄音。

現場錄音並「不完美」，能聽見觀眾的動靜與聲響，但這些並不妨礙它的價值，也正是現場音樂的獨特性。因為這些聲息，讓音樂保持了真實的呼吸，一種來自當下的共振。對我而言，這亦是對音樂人的一種修煉——保持身體與心靈的敏感，能夠對環境、氣候、人文氣息作出即時的回應。演奏也隨之生髮出微妙的變化。

這場即興，在大理髮生，聲音在空氣中的振動必然夾雜着地域的信息。大理的山川鄉土，那種厚重且樸實的文化肌理，是每一個來到這裏的人都能觸摸到的。

音樂是“養”出來的，這裏的氣息為我們提供了難得的養分。蒼山腳下，芳瓊住的村外，有一座很小的山神廟，我們常散步至此停留。它靜靜佇立於山野之間，見證着四季的更迭，承載着村民淳樸的信仰與敬畏。那裏，人與自然，土地與文化之間的聯繫格外清晰。

音樂是一種沒有對象的慈悲。正如這樣的即興音樂會，沒有任何預設，在不確定與挑戰中保持真誠來探索未知的樂趣與靈光。對我而言，《山神廟》不僅是一場演出，更是一次與大理、與山神廟、與山川草木的共振，一次虔誠的禱告。
這或許才是即興的意義所在。

——曾小剛
乙巳年七月廿六
於昆明


《山神廟》錄製於2024年大理@ADAMA家園 即興音樂現場。
"Mountain God Temple" is the second episode of the second season of the "Between Breaths" series, recorded at the ADAMA Home live improvisational music event in Dali in 2024.


音樂人：
朱芳瓊/曾小剛
錄音/剪輯/混音：朱芳瓊
平面設計：楊建華
未知莫識MUSiC Studio出品

Musicians:
ZHU Fangqiong/ZENG Xiaogang
Recording/Editing/Mixing Engineer: ZHU FangQiong 
Graphic Designer: YANG JianHua
Produced by UNINTENDED MUSIC STUDIO

山神廟 Mountain God Temple

Yotam Sivan (悠悠)

小歐

林傑

姜少峰

春先生

見山 Perceiving The Mountains (現場專輯)

張燊樂

廖凱

歡慶

無相 Never Exist (live 現場版)

符特

仙女木預言

李嘉征

上古祝禱

梁奕源

李铁桥

關於「從不合奏」
以‘永無共識’的共識去探索即興的可能。
在中國當代音樂的邊緣地帶，「從不合奏」以其獨樹一幟的藝術實踐，於2014-2016年間，構築了一系列跨越傳統與現代、東方與西方的音樂實驗。
2014年，李鐵橋、梁奕源、王集雲與朱芳瓊，這四位叛逆者在大理的暮色中不期而遇。他們的合作，悄無聲息地織入了《才村碼頭》的音軌，一張現場錄音專輯，如同潛行於暗影中的即興低語。這是一段幾乎不為人知的音樂篇章，卻在靜默中訴説着深邃的藝術探索。
2015年，他們以“從不合奏”為名，開啓了一系列的即興演出，將“世界融合”和“自由即興”的音樂風格推向了新的高度。
2016年，他們在雲南及大灣區的巡演，如同即興頑童的狂歡，被讚譽為瘋客、隱士、道長、仙人。
2021年，李鐵橋從歐洲回國，未知莫識在景德鎮策劃「御窯」世界音樂季，四人再次以《從“不合奏”開始》為題，討論了即興音樂的深層內涵。並最後一次給音樂季的現場觀眾帶來了一場欲罷不能的音樂會《域》。
同年，李鐵橋 梁奕源與朱芳瓊三人錄製了一個系列具有新畫風的音樂專輯：《參宿二的旅程A Trip to Alnilam》《麻雀Mahjong》。
在以李鐵橋、梁奕源、王集雲與朱芳瓊為樂團核心的基礎上，「從不合奏」進入了一個半開放的即興音樂項目階段。
本張專輯為‘從不合奏 Trio’，為李鐵橋、梁奕源和朱芳瓊的三人作品。
NEVER Ensembled｜
Exploring the possibilities of improvisation with the consensus of "no consensus."
In the fringes of contemporary Chinese music, "Never Ensembled" carved out an unique artistic practice between 2014 and 2016, constructing a series of musical experiments that straddled the traditional and modern, the Eastern and Western.
In 2014, Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong, four rebels, met unexpectedly in the starlight of Dali. Their collaboration quietly wove into the tracks of "Caicun Dock," a live recording album that whispered improvisations like a shadow moving in silence. This was a nearly unknown chapter of music, yet it spoke volumes of profound artistic exploration in its quietude.
In 2015, under the name "Never Ensembled," they launched a series of improvisational performances, pushing the boundaries of "world fusion" and "free improvisation" music styles to new heights.
In 2016, their tours in Yunnan and the Greater Bay Area were like a carnival of improvisational mischief, hailed as the antics of madmen, hermits, Taoist priests, and immortals.
In 2021, Li Tieqiao returned from Europe, and UNINTENDED Music Studio organized the "Imperial Kiln" World Music Festival in Jingdezhen. The four once again took the theme "Starting from 'Never Ensembled'" to discuss the deeper connotations of improvisational music. They also brought an irresistible concert titled "Domain" to the festival's live audience for the last time.
That same year, Li Tieqiao, Liang Yiyuan, and Zhu Fangqiong recorded a series of albums with a new artistic style: "A Trip to Alnilam" and "Mahjong."
With Li Tieqiao, Liang Yiyuan, Wang Jiyun, and Zhu Fangqiong as the core of the Never Ensembled, "Never Ensembled" entered a semi-open phase of improvisational music projects.
This Album was recorded by Li Tieqiao, Liang Yiyuan & Zhu Fangqiong as NEVER Ensembled Trio. 


聽《麻雀Mahjong》裏的系列音樂，彷彿在聽一場原始的對話。

即興之美，在於失控中的掌控，李鐵橋—瘋客、梁奕源—道長、朱芳瓊—隱士，共同以‘永無共識’的共識探索着即興的可能。時間、空間、情緒、物質，讓一切發生隨機，收割癲狂，釋放美好，卻不為達成任何共識。
在對音樂的反覆拆分與重建中，音符掙脱樂譜的桎梏，旋律在呼吸間肆意生長。在反覆的有限裏尋找無垠，在無序中凝聚起音樂超越語言的力量，沒有預設的即興聲浪化作液態銀河，自由奔湧中構建起無數融合了颯意、自由、任性、執着的聽覺空間。
共同營造，彼此自由，永無共識，正如米蘭·昆德拉所説： “它教會我們，生命中的矛盾可以同時存在並彼此成全。”
沉在樂音當中，每一次停頓都是懸念，每一次爆發皆是新生，此刻恰如站在大雪後的草原上，面前延伸湧動着，無數若隱若現的道路。

Listening to the series of tracks in Mahjong feels like eavesdropping on a primal dialogue.
The beauty of improvisation lies in the mastery within chaos. Li Tieqiao—the Crazy man, Liang Yiyuan—the Taoist master, and Zhu Fangqiong—the hermit, collectively explore the possibilities of improvisation through a shared consensus of "never reaching consensus." Time, space, emotion, and materiality allow everything to unfold randomly, harvesting madness and releasing beauty, yet never striving for any agreement.
In the repeated deconstruction and reconstruction of music, notes break free from the constraints of scores, and melodies grow wildly with each breath. Within the repetition of limits, they seek the infinite; within disorder, they condense the power of music to transcend language. The unpredicted waves of improvisation transform into a liquid galaxy, freely surging and constructing countless auditory spaces that blend boldness, freedom, whimsy, and determination.
Together, they create, yet remain free; forever without consensus. As Milan Kundera once said, "It teaches us that the contradictions of life can coexist and fulfill one another."
Immersed in the soundscape, every pause is suspense, every burst a rebirth. It feels as though standing on a snow-covered grassland, with countless faintly visible paths stretching and surging ahead.

音樂人：李鐵橋、梁奕源、朱芳瓊
錄音/混音：朱芳瓊
平面設計：楊建華
未知莫識MUSiC Studio出品


Musicians:Li Tieqiao/Liang Yiyuan /Zhu Fangqiong
Recording/Mixing Engineer: ZHU Fangqiong 
Graphic Designer: Yang Jianhua
Produced by UNINTENDED MUSIC STUDIO

麻雀 Mahjong

https://image.joox.com/JOOXcover/0/68234b0600dba2ea/300

呼吸之間跳舞

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