Skid Row

Skid Row / 34 Hours

Mad Dog Woman

Virgo's Daughter

Heading Home Again

An Awful Lot of Woman

Unco-Up Showband Blues

For Those Who Do

After I Am Gone

The Man Who Never Was

Felicity

Night Of The Warm Witch Including (a. "The Following Morning")

First Thing In The Morning Including (a." Last Thing At Night")

Go, I'm Never Gonna Let You (Part 1) Including ("Go, I'm Never Gonna Let You" / Pt. 2)

Lonesome Still

The Love Story (Part 1) Including ("The Love Story" Part 2) ["The Love Story" Part 3] ["The Love Story" Part 4]

Fall In Line (Live) (Explicit)

Skid Row (30th Anniversary Deluxe Edition)

Guns n' Roses and Skid Row were by far and away my two favorite bands during the late 80s/early 90s. In truth, Skid was a distant second, but second nontheless. They toured together in the summer of 1992 and I got the chance to see them when they came to my hometown. Wow! What a show. I had their first one and was expecting more "18 and life", and "I remember you" type stuff. "In a Darkened Room", "Quicksand Jesus", and "Wasted Time" are in that same mold. But, the rest of this disc is heavy metal at its absolute finest. 


Slave to the Grind

Skid Row distinguished themselves from the legions of pop-metal bands of the late '80s and early '90s chiefly by their attitude, which was closer to Guns N' Roses than to Bon Jovi. They're also distinctive these days, mainly because they're still around. Though their debut is the most radio-friendly and least musically mature of their albums, it does have some excellent songs on it, including the slow but edgy "18 and Life" and the anthem (every metal album must have one) "Youth Gone Wild". Musical talent and vocalist Sebastian Bach's over-the-top delivery made this band stand out from the crowd, although these days the material on this album does sound dated.


In the three years between Skid Row's rarities compilation B-Sides Ourselves--four years if you're counting from their last real studio album, 1991's Slave to the Grind--and Subhuman Race, the world turned its attention away from hair metal and toward hip-hop, grunge, and a harder, faster, louder brand of thrash metal. Which is too bad, because Subhuman Race is the best album of the group's career, forgoing the pop-metal sheen of earlier hits such as "18 and Life" and "I Remember You" in favor of a tougher sound that matches the tenor of the times. Tracks such as "Bonehead," "Beat Yourself Blind," and the title track mix razor-sharp guitar lines, grinding rhythms, and Sebastian Bach's stinging shriek, keeping the emphasis squarely on the music, as opposed to Bach's once-misanthropic ways. 


Subhuman Race

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Skid Row / 34 Hours

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