The Goo Goo Dolls

Beautiful Lie

It's Christmas All Over (Again)

Who's Gonna Hear Their Wish?

Live at The Academy, New York City, 1995 (Explicit)

Superstar (Remix)

Name (Live At The Academy, New York City, 1995)

Stop the World (Live At The Academy, New York City, 1995)

Run All Night

O.A.R.

I Won't Back Down

Save Me From Myself (Remix)

You Are the Answer

Yeah, I Like You

One Last Song About Christmas

Rarities

Nothing Can Change You

Let Love In (Live)

EP 21

It's Christmas All Over (Deluxe)

It's Christmas All Over

Let It Snow

This Is Christmas

Fearless (Live)

Miracle Pill (Deluxe)

Just a Man

Lost (Acoustic)

Miracle Pill

Indestructible

Money, Fame & Fortune

The Audience Is That Way (The Rest of the Show) [Vol. 2] [Live]

The Audience Is This Way (Live)

Boxes / Use Me

So Alive (Acoustic)

Boxes (Acoustic)

Over and Over (RedOne and T.I. Jakke Remix)

Boxes

Over and Over

Warner Sound Sessions

Magnetic (Deluxe Version)

Something for the Rest of Us (Deluxe)

Greatest Hits Volume One - The Singles

Dizzy up the Girl

Gutterflower

Volume 2

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《Warner Sound Sessions》由The Goo Goo Dolls在2014年4月4日發佈

The orchestral-pop hit "Iris" (from the soundtrack to City of Angels) proved the Goo Goo Dolls were no one-hit wonder with 1995's "Name." One listen to "Slide," the crafty, yearning second track off their sixth release, suggests the streak continues for Buffalo's finest. Not surprisingly, aspects that make the aforementioned songs memorable--warm, acoustic stylings; strings; heartrending hooks--also make Dizzy come alive elsewhere. Ultimately, the effort documents the band's continued migration from indie rock toward the mainstream. Thus, while "Slide" and the reprise of the wondrous "Iris" might shine for weeks (or even years) of repeated listens, attempts to keep alive the group's power-trio past often have a been-there/done-that feel. 


On the surface, the Goo Goo Dolls' Gutterflower is a seamless continuation of 1998's Dizzy Up the Girl, with sinewy guitars; muscular, anthemic choruses; and Johnny Rzeznik's perfectly articulated rasping vocals. But on closer listening, the Goos' eighth album is made of much sterner stuff. Those quixotic, yearning lyrics of yore have taken on a darker cast, no doubt due to Rzeznik's divorce. As a result, Gutterflower almost has the feel of a concept album about love gone wrong, with Rzeznik providing anxious commentary rife with images of dislocation and agitation. The listener is given barometric readings of the singer's bruised psyche as he attempts to put himself back together again. Luckily, Rzeznik is a clever and facile lyricist with a knack for elevating garden-variety neurosis into a rather compelling soap opera, sketching edgy characters that would feel right at home in David Lynch's world. "Swallow all your bitter pills, that's what makes you beautiful," he advises in "Big Machine," while in "Sympathy" Rzeznik appears to be apologizing to his former wife for his past transgressions, only to lash out with an elegant deftness, chastising her for "all these thoughts you stole from me." While he may have a face like an angel, Rzeznik unleashes a cunning and a fascinating brutish force not seen before, making this a much more interesting album than previous offerings.


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