nunsstor

CRYPTON FUTURE MEDIA

Taisyou

四国めたん

Make Peace with the Devil (feat. HATSUNE MIKU, Zundamon & Shikoku Methane)

This is My Voice (feat. HATSUNE MIKU)

rage of japan's employment ice age (feat. HATSUNE MIKU) [2025 Remastered]

Tiny Tunes in the Woods

MEGURINE LUKA

Farewell, Mr Heisei Era (feat. MEGURINE LUKA)

Ambivalence of wind

Osakihan

Not All Rappers are Macho (feat. Hanakuma Chifuyu)

Under the Nuclear Umbrella (feat. HATSUNE MIKU)

the three damsels' rap (feat. HATSUNE MIKU & MEGURINE LUKA)

on suicide or: why I chose to live (feat. HATSUNE MIKU & Hanakuma Chifuyu)

before the ferris wheel lights go out

boys summon the devil (feat. HATSUNE MIKU & MEGURINE LUKA)

we got poorer than south korea

being a virgin at 40 (feat. Miku Hatsune)

There will be Shit

nuns in hte jungle

Do you remember the movie *The Fifth Element*?
In that iconic singing scene, opera and pop music intersected in a striking way.
This work carries on that legacy, but rather than simply recreating it, it pushes everything to the extreme that even to the point of distortion. All while incorporating the latest technology.
Through binaural audio and spatial control, sound transforms from something you "listen to" into something that "envelops" you.
It's like an opera house turned haunted house.
The audience, who should be mere spectators, finds themselves trapped inside before they even realize it.
Voices become tactile sensations rather than mere echoes.
And that experience is bound to be accompanied by an irresistible urge.
Enjoy.

This track blends a meticulously arranged cinematic orchestration inspired by Shiro Sagisu with a funky rhythm section. I've also layered it with powerful Hatsune Miku chorus lines and a modern female rap performance using Synthesizer V.
The lyrics express hope and encouragement for anyone struggling, offering a gentle push forward.
The interplay between VOCALOID and Synthesizer V vocals creates a sense of sisterhood and emotional solidarity.

Japan's "Employment Ice Age" Generation--A generation scarred by lost jobs, shattered social contracts, and intergenerational inequality in social security. Their anger is depicted through the collision of VOCALOID and orchestra. It possesses a freshness akin to expressing Dostoevsky's Notes from Underground using the techniques of Toru Takemitsu's November Steps. This piece explodes silent rage into sound. Centered around the London Contemporary Orchestra sound source by spitfire, it's processed and utilized to the absolute limit, fusing the tension of strings with the emotional distortion of VOCALOID. The result is a sound no one has ever heard before. A terrifying screech of strings (it's not distorted guitar!) depicts societal collapse and individual rebellion through sound. Yet, it remains musically coherent, not collapsing into chaos. For all music fans. For listeners craving new sounds.

Album | Single