John McLaughlin

Music for Abandoned Heights

Danny Thompson

Over The Side (Live London '67)

Shakti

Zakir Hussain

Shankar Mahadevan

SelvaGanesh Vinayakram

Ganesh Rajagopalan

5 In The Morning, 6 In The Afternoon

Larry Coryell

Live Under the Sky... Tokyo '80

Roller Skating at the Disco

Selvaganesh Vinayakram,

This Moment

Red Wonder

Blau Und Grun (Live Munich '72)

Mohanam

Al Di Meola

Paco de Lucía

Saturday Night in San Francisco (Expanded Edition) (Live)

John McLaughlin: The Montreux Years (Live)

El Hombre Que Sabià (Live - Montreux Jazz Festival 2016)

As the Spirit Sings

Liberation Time

Cindy Blackman Santana

We Came to Play

Is That So?

Kabir

The Mike Carr Quartet

The London Sessions 1966 (feat. John McLaughlin)

Gunter Hampel

Pharoah Sanders

The Quasimodo Club Broadcast

the 4th Dimension

Live at Ronnie Scott's

Tony Williams Lifetime

Live in New York 1969

Black Light

Carlos Santana featuring Rob Thomas

Live At Montreux 2011: Invitation To Illumination

The Boston Record

Mahavishnu Orchestra

The Essential Mahavishnu Orchestra with John McLaughlin

Belo Horizonte

Now Here This

Devotion

To The One

Chick Corea

Five Peace Band Live

Music Spoken Here

Floating Point

Natural Elements

The Essential John McLaughlin

Guitar & Bass

Que Alegria

Thieves And Poets

Remember Shakti: Saturday Night In Bombay

Remember Shakti The Believer

Sony Jazz Collection

As a cornerstone of what is now called World Music, the vision and virtuosity of Shakti has inspired generations of musicians from around the world to explore sonic hybrids once thought impossible. Born of the musical and spiritual brotherhood shared by the revolutionary British guitarist and bandleader John McLaughlin and master Indian percussionist Zakir Hussain, Shakti’s soulful, organic intermingling of Eastern and Western musical traditions has proven transformative for both the band’s members and its listeners.
　　Fifty years after the informal conversations and jam sessions that sparked the band into existence, their music continues to resonate and evolve. This Moment – Shakti’s first new studio album in more than 45 years, will be released on CD and vinyl LP via Abstract Logix on June 30, 2023. A work of immense depth and radiant optimism, This Moment offers a set of new compositions and performances that burn with a rare intensity born out of passion. With McLaughlin (guitar, guitar synth) and Hussain (tabla) joined by vocalist Shankar Mahadevan, violinist Ganesh Rajagopalan, and percussionist Selvaganesh Vinayakram, the Shakti of now is a powerfully dynamic collective, defined by deft interplay, dazzling unison passages, extraordinarily dexterous improvisations, and the ability to draw from a vast well of global traditions and, miraculously, put them in conversation with one another.
　　Despite the large gap in their studio discography, Shakti has persisted intermittently over the years as a live proposition, releasing several concert recordings. “Shakti is very much a ‘live’ band,” explains McLaughlin. “A part of the problem with making a studio recording has always been the fact that we live on different continents, and we all follow our individual careers – in addition to working together in Shakti. This Moment is the result of me calling everyone in the fall of 2021 and persuading them to use today’s recording technology to realize it.” Recorded and mixed in the U.S., Monaco, India, and Great Britain, This Moment is nevertheless cohesive, bound by the deeply held bond shared by the players – a bond that is audibly apparent across the album’s eight tracks.
　　The compositions making up This Moment each pass through a series of connected movements, highlighting different vocal and instrumental sub-groups within Shakti while transitioning between taut thematic statements, riveting solos from McLaughlin and Rajagopalan, invigorating rhythmic shifts, and soaring vocal passages by Mahadevan. The increased use of vocals – both sung and konokol (a Southern Indian tradition of spoken percussion) – gives today’s Shakti a new degree of warmth, humanity, and universality. McLaughlin’s contributions are remarkable in their ability to reconcile the great Ragas of North and South India with a chromaticism born of jazz and the blues, and the speed and precision of his articulation remains exhilarating. The engine room of Hussain and Vinayakram (son of original Shakti ghatam player T.H. “Vikku” Vinayakram) gives space to allow passages to breathe and resound, while equally capable of fomenting a roiling, galloping underpinning that push the soloists to increasingly ecstatic heights.
　　For founders McLaughlin and Hussain, Shakti’s astonishing longevity – along with a legacy that has affected musicians and audiences around the world – is met with humility and gratitude. But while recognizing the group’s past achievements, Shakti continues to evolve, as demonstrated so compellingly on This Moment. “You could say that we have returned to elements of an older Shakti sound by bringing back the violin,” reflects Hussain. “In some ways it completes the circle. But the musical mindset that the artists in the group bring to the table reveals many layers of creative thought that we in our initial incarnation did not have the time nor the means to explore. And now, the decades of individual music experiences we all have had poured into this gathering's offering has resulted in an extraordinary depth to the sound and interaction of this band.”
　　“I have been working and playing with Tabla maestro Zakir Hussain for 50 years, and with Shankar Mahadevan for 20 years,” McLaughlin concludes. “I can say categorically that their influence on me as a musician and human being is without equal. It’s really a thrill, and I’m delighted to be part of this marvelous tradition of the Shakti group.”

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