Bartosz Brenes āļ”āļēāļ§āļ™āđŒāđ‚āļŦāļĨāļ”āđāļĨāļ°āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļŪāļīāļ•āļˆāļēāļ Bartosz Brenes

Bartosz Brenes

3 āļœāļđāđ‰āļ•āļīāļ”āļ•āļēāļĄ

Bartosz Brenes is one of the most underrated and versatile DJ/producers in the Electronic Dance Music scene. The 23-year-old has gathered serious attention with original productions and remixes showcased on labels including Dim Mak, Spinnin’, Subliminal, Hed Kandi, Flamingo, Stealth, Cr2 and Armada Music just to name a few! His releases can be found in countless compilations worldwide such as Ministry of Sound's "The Annual Summer" or "Clubbers Guide Ibiza", and have reached top chart positions in Belgium and Russia (spending over a year in the Russian Music Charts). His productions made the industry’s leading artists sit up and take note of his talent, artists such as Tiesto, Alesso, Steve Aoki, Roger Sanchez, Cedric Gervais, Robbie Rivera and Thomas Gold. His talent and reputation has also seen him provide remixes for the likes of Boy George, Bob Sinclar, Chuckie, Sophie Ellis Bextor, Jean Beauvoir, Joe Smooth, Perry Farrell, Joachim Garraud, Olav Basoski, Tommy Trash and many more. Just as he delivers the goods in the studio, he knows exactly how to tear up a dancefloor, with energy fueled sets working with loops, acapellas and special edits perfectly combined, making it look more like a live performance than a dj-set. His own label 17:44 Records is now in full force, and with his upcoming releases under his BOOTIK and Barjo aliases, Bartosz Brenes is rapidly becoming the name on everyone’s lips!

āļ­āđˆāļēāļ™āļ•āđˆāļ­
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Red Alert 2010 (feat. Miss Autumn Leaves)āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Red Alert 2010 (feat. Miss Autumn Leaves) āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 20211 āļ˜.āļ„. 2017
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Open Your EyesāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Open Your Eyes āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 20214 āļĄ.āļ„. 2013
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Back in TimeāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Back in Time āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 20211 āļž.āļĒ. 2012
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#PoussezāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ #Poussez āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 202110 āļ.āļ„. 2012

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļš Bartosz Brenes :

Bartosz Brenes is one of the most underrated and versatile DJ/producers in the Electronic Dance Music scene. The 23-year-old has gathered serious attention with original productions and remixes showcased on labels including Dim Mak, Spinnin’, Subliminal, Hed Kandi, Flamingo, Stealth, Cr2 and Armada Music just to name a few! His releases can be found in countless compilations worldwide such as Ministry of Sound's "The Annual Summer" or "Clubbers Guide Ibiza", and have reached top chart positions in Belgium and Russia (spending over a year in the Russian Music Charts). His productions made the industry’s leading artists sit up and take note of his talent, artists such as Tiesto, Alesso, Steve Aoki, Roger Sanchez, Cedric Gervais, Robbie Rivera and Thomas Gold. His talent and reputation has also seen him provide remixes for the likes of Boy George, Bob Sinclar, Chuckie, Sophie Ellis Bextor, Jean Beauvoir, Joe Smooth, Perry Farrell, Joachim Garraud, Olav Basoski, Tommy Trash and many more. Just as he delivers the goods in the studio, he knows exactly how to tear up a dancefloor, with energy fueled sets working with loops, acapellas and special edits perfectly combined, making it look more like a live performance than a dj-set. His own label 17:44 Records is now in full force, and with his upcoming releases under his BOOTIK and Barjo aliases, Bartosz Brenes is rapidly becoming the name on everyone’s lips!

āđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļāļąāļšāđ€āļŠāļĩāļĒāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļ Bartosz Brenes āļšāļ™ JOOX āđ„āļ”āđ‰āļ—āļļāļāđ€āļ§āļĨāļē! āđ€āļĄāļ·āđˆāļ­āđƒāļ”āļāđ‡āļ•āļēāļĄāļ—āļĩāđˆāđ€āļĢāļēāļžāļđāļ”āļ–āļķāļ‡āļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāļĄāļĩāđ€āļžāļĨāļ‡āđāļĨāļ°āļ­āļąāļĨāļšāļąāđ‰āļĄāļ—āļĩāđˆāļ™āđˆāļēāļ—āļķāđˆāļ‡ āđ€āļĢāļēāđ„āļĄāđˆāļ„āļ§āļĢāļžāļĨāļēāļ”āļŠāļ·āđˆāļ­āđ€āļ”āļĩāļĒāļ§āļ„āļ·āļ­ Bartosz Brenes Bartosz Brenes āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļĒāļ­āļ”āļ™āļīāļĒāļĄāļ—āļĩāđˆāļĄāļĩāļœāļđāđ‰āļ•āļīāļ”āļ•āļēāļĄ 3 āļ„āļ™ āļŦāļēāļāļ„āļļāļ“āļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāđ€āļžāļĨāļ‡āļ‚āļ­āļ‡ Bartosz Brenes āđ€āļĢāļēāļĄāļĩāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđƒāļŦāđ‰āļ„āļļāļ“āđāļĨāđ‰āļ§ āļ—āļĩāđˆ JOOX āđ€āļĢāļēāļ‚āļ­āļ™āļģāđ€āļŠāļ™āļ­āļāļēāļĢāļĢāļ§āļšāļĢāļ§āļĄāļĄāļīāļ§āļŠāļīāļ„āļ§āļīāļ”āļĩāđ‚āļ­āļˆāļēāļ Bartosz Brenes āđāļĨāļ°āđ€āļžāļĨāļ‡āļžāļĢāđ‰āļ­āļĄāđ€āļ™āļ·āđ‰āļ­āđ€āļžāļĨāļ‡āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļ•āđ‰āļ­āļ‡āļŠāļ­āļšāđƒāļˆāļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļ­āļ™!