Grieg: Piano Concerto in A Minor / Larviks-Polka / 23 Small Piano Pieces

Love Derwinger

Norrköping Symphony Orchestra

Jun'ichi Hirokami

I. Allegro molto moderato

II. Adagio

III. Allegro moderato molto e marcato

Larvikspolka: Larviks-Polka, EG 101

I. Allegro agitato

II. Allegro desiderio

III. Molto Allegro vivace

IV. Andante; quasi Allegretto

V. Allegro assai

VI. Allegro con moto

VII. Andante, quasi Allegretto

VIII. Praludium. Allegretto assai

IX. Andante, moderato

X. Andante con gravita

XI. Vivace

XII. Largo con estro poetica

XIII. Allegretto con moto

XIV. Allegretto con moto

XV. 2-stemmig präludium. Con passione

XVI. Allegro assai, quasi Presto

XVII. Molto Adagio religioso

XVIII. Allegro molto

XIX. Andante moderato

XX. Allegro vivace

XXI. Andante moderato

XXII. Nicht zu schnell, ruhig

XXIII. Assai Allegro furioso

Sueye Park introduced herself to the general public in 2017 with no less a calling-card than Paganini’s 24 Caprices for solo violin. On the present album, the South-Korean violinist (born in 2000) has a pianist on her side, namely Love Derwinger, himself known from a number of recordings. The repertoire is also a more varied offering this time, with violin favourites such as Elgar’s tender Salut d’amour and Tchaikovsky’s Mélodie, as well as more virtuosic fare, for instance in the fireworks of Wieniawski’s Scherzo-Tarantelle. Sueye also includes two solo works on the disc: Ernst’s much-loved Last Rose and – in a nod to her previous disc – Paganiniana, Nathan Milstein’s fantasy on themes by Paganini. Performed with equal measures of poetic sensitivity and effortless virtuosity, this is a recital to dip into as well as to listen to from start to finish – from the fiery passion of Pablo de Sarasate’s Introduction et Tarantelle to Contemplation, Heifetz’ transcription of Brahms’s song Wie Melodien zieht es mir.


Grieg: Piano Concerto in A Minor / Larviks-Polka / 23 Small Piano Pieces

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