The Cryan' Shames āļ”āļēāļ§āļ™āđŒāđ‚āļŦāļĨāļ”āđāļĨāļ°āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļŪāļīāļ•āļˆāļēāļ The Cryan' Shames

The Cryan' Shames

2 āļœāļđāđ‰āļ•āļīāļ”āļ•āļēāļĄ

by Richie UnterbergerThe Cryan' Shames were a big deal in Chicago in the mid- and late '60s when a bunch of their singles hit the local Top Ten; some of them were small national hits as well. The biggest of these was "Sugar and Spice," a cover of a Searchers song (itself a cover of a Drifters hit) that made the Top 50 in 1966 and was later featured in the Nuggets anthology of '60s garage bands. In their original incarnation, the Shames leaned toward the pop end of garage. Borrowing heavily from the Beatles, the Byrds, and the Yardbirds, guitarist Jim Fair wrote a clutch of energetic guitar pop/rockers with sparkling harmonies. After 1966, the group pursued an increasingly mainstream pop direction featuring saccharine arrangements and material. In this respect they uncannily mirrored the devolution of local rivals the New Colony Six, who also shifted from tough pop/rock to MOR in their bid for national success.

āļ­āđˆāļēāļ™āļ•āđˆāļ­

āļ­āļąāļĨāļšāļąāļĄ āđ‚āļ”āļĒ The Cryan' Shames

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Sugar and SpiceāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Sugar and Spice āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 20213 āļ.āļž. 2014
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A Scratch in the Sky (Deluxe Expanded Mono Edition)āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ A Scratch in the Sky (Deluxe Expanded Mono Edition) āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 20216 āļ˜.āļ„. 1967

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļš The Cryan' Shames :

by Richie UnterbergerThe Cryan' Shames were a big deal in Chicago in the mid- and late '60s when a bunch of their singles hit the local Top Ten; some of them were small national hits as well. The biggest of these was "Sugar and Spice," a cover of a Searchers song (itself a cover of a Drifters hit) that made the Top 50 in 1966 and was later featured in the Nuggets anthology of '60s garage bands. In their original incarnation, the Shames leaned toward the pop end of garage. Borrowing heavily from the Beatles, the Byrds, and the Yardbirds, guitarist Jim Fair wrote a clutch of energetic guitar pop/rockers with sparkling harmonies. After 1966, the group pursued an increasingly mainstream pop direction featuring saccharine arrangements and material. In this respect they uncannily mirrored the devolution of local rivals the New Colony Six, who also shifted from tough pop/rock to MOR in their bid for national success.

āđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļāļąāļšāđ€āļŠāļĩāļĒāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļ The Cryan' Shames āļšāļ™ JOOX āđ„āļ”āđ‰āļ—āļļāļāđ€āļ§āļĨāļē! āđ€āļĄāļ·āđˆāļ­āđƒāļ”āļāđ‡āļ•āļēāļĄāļ—āļĩāđˆāđ€āļĢāļēāļžāļđāļ”āļ–āļķāļ‡āļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāļĄāļĩāđ€āļžāļĨāļ‡āđāļĨāļ°āļ­āļąāļĨāļšāļąāđ‰āļĄāļ—āļĩāđˆāļ™āđˆāļēāļ—āļķāđˆāļ‡ āđ€āļĢāļēāđ„āļĄāđˆāļ„āļ§āļĢāļžāļĨāļēāļ”āļŠāļ·āđˆāļ­āđ€āļ”āļĩāļĒāļ§āļ„āļ·āļ­ The Cryan' Shames The Cryan' Shames āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļĒāļ­āļ”āļ™āļīāļĒāļĄāļ—āļĩāđˆāļĄāļĩāļœāļđāđ‰āļ•āļīāļ”āļ•āļēāļĄ 2 āļ„āļ™ āļŦāļēāļāļ„āļļāļ“āļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāđ€āļžāļĨāļ‡āļ‚āļ­āļ‡ The Cryan' Shames āđ€āļĢāļēāļĄāļĩāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđƒāļŦāđ‰āļ„āļļāļ“āđāļĨāđ‰āļ§ āļ—āļĩāđˆ JOOX āđ€āļĢāļēāļ‚āļ­āļ™āļģāđ€āļŠāļ™āļ­āļāļēāļĢāļĢāļ§āļšāļĢāļ§āļĄāļĄāļīāļ§āļŠāļīāļ„āļ§āļīāļ”āļĩāđ‚āļ­āļˆāļēāļ The Cryan' Shames āđāļĨāļ°āđ€āļžāļĨāļ‡āļžāļĢāđ‰āļ­āļĄāđ€āļ™āļ·āđ‰āļ­āđ€āļžāļĨāļ‡āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļ•āđ‰āļ­āļ‡āļŠāļ­āļšāđƒāļˆāļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļ­āļ™!