Benjamin Frankel āļ”āļēāļ§āļ™āđŒāđ‚āļŦāļĨāļ”āđāļĨāļ°āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļŪāļīāļ•āļˆāļēāļ Benjamin Frankel

Benjamin Frankel

19 āļœāļđāđ‰āļ•āļīāļ”āļ•āļēāļĄ

Benjamin Frankel (31 January 1906 – 12 February 1973) was a British composer. Frankel's most famous pieces include a cycle of five string quartets and eight symphonies as well as a number of concertos for violin and viola; his single best-known piece is probably the First Sonata for Solo Violin, which, like his concertos, resulted from a long association with Max Rostal. During the last 15 years of his life, Frankel also developed his own style of 12-note composition that retained contact with tonality.

āļ­āđˆāļēāļ™āļ•āđˆāļ­

āļ­āļąāļĨāļšāļąāļĄ āđ‚āļ”āļĒ Benjamin Frankel

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Best Film-Noir Music of the 1950sāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Best Film-Noir Music of the 1950s āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 202117 āļ.āļ„. 2024
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Battle Of The Bulge Original Motion Picture SoundtrackāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Battle Of The Bulge Original Motion Picture Soundtrack āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 202129 āđ€āļĄ.āļĒ. 2014
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Frankel: Music for the MoviesāļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ­āļąāļĨāļšāļąāļĄ Frankel: Music for the Movies āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļˆāļēāļ āļ­āļąāļžāđ€āļ”āļ—āđ€āļžāļĨāļ‡āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āđƒāļ„āļĢ āļ•āļĨāļ­āļ”āļ›āļĩ 20211 āļĄ.āļ„. 2000

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļš Benjamin Frankel :

Benjamin Frankel (31 January 1906 – 12 February 1973) was a British composer. Frankel's most famous pieces include a cycle of five string quartets and eight symphonies as well as a number of concertos for violin and viola; his single best-known piece is probably the First Sonata for Solo Violin, which, like his concertos, resulted from a long association with Max Rostal. During the last 15 years of his life, Frankel also developed his own style of 12-note composition that retained contact with tonality.

āđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļāļąāļšāđ€āļŠāļĩāļĒāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļ Benjamin Frankel āļšāļ™ JOOX āđ„āļ”āđ‰āļ—āļļāļāđ€āļ§āļĨāļē! āđ€āļĄāļ·āđˆāļ­āđƒāļ”āļāđ‡āļ•āļēāļĄāļ—āļĩāđˆāđ€āļĢāļēāļžāļđāļ”āļ–āļķāļ‡āļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāļĄāļĩāđ€āļžāļĨāļ‡āđāļĨāļ°āļ­āļąāļĨāļšāļąāđ‰āļĄāļ—āļĩāđˆāļ™āđˆāļēāļ—āļķāđˆāļ‡ āđ€āļĢāļēāđ„āļĄāđˆāļ„āļ§āļĢāļžāļĨāļēāļ”āļŠāļ·āđˆāļ­āđ€āļ”āļĩāļĒāļ§āļ„āļ·āļ­ Benjamin Frankel Benjamin Frankel āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļĒāļ­āļ”āļ™āļīāļĒāļĄāļ—āļĩāđˆāļĄāļĩāļœāļđāđ‰āļ•āļīāļ”āļ•āļēāļĄ 19 āļ„āļ™ āļŦāļēāļāļ„āļļāļ“āļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāđ€āļžāļĨāļ‡āļ‚āļ­āļ‡ Benjamin Frankel āđ€āļĢāļēāļĄāļĩāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđƒāļŦāđ‰āļ„āļļāļ“āđāļĨāđ‰āļ§ āļ—āļĩāđˆ JOOX āđ€āļĢāļēāļ‚āļ­āļ™āļģāđ€āļŠāļ™āļ­āļāļēāļĢāļĢāļ§āļšāļĢāļ§āļĄāļĄāļīāļ§āļŠāļīāļ„āļ§āļīāļ”āļĩāđ‚āļ­āļˆāļēāļ Benjamin Frankel āđāļĨāļ°āđ€āļžāļĨāļ‡āļžāļĢāđ‰āļ­āļĄāđ€āļ™āļ·āđ‰āļ­āđ€āļžāļĨāļ‡āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļ•āđ‰āļ­āļ‡āļŠāļ­āļšāđƒāļˆāļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļ­āļ™!