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Britten on Film

Various Ā· 55 ą¹€ąøžąø„ąø‡
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Title Music (From "Night Mail")
Birmingham Contemporary Music GroupMartyn Brabbins
00:47
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Percussion Sequence (From "Night Mail")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
00:55
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This Is the Night Mail Crossing the Border (From "Night Mail")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
04:08
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I. Allegro brilliante
Birmingham Contemporary Music GroupMartyn Brabbins
01:53
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II. Allegretto
Choir of King Edward's School at BirminghamBirmingham Contemporary Music GroupMartyn Brabbins
02:20
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III. Allegretto
Birmingham Contemporary Music GroupMartyn Brabbins
02:01
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IV. Bolero. Allegro moderato
Birmingham Contemporary Music GroupMartyn Brabbins
02:00
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V. Allergro con brio
Choir of King Edward's School at BirminghamBirmingham Contemporary Music GroupMartyn Brabbins
01:18
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Allegro molto alla marcia (From "The King's Stamp")
Malcolm WilsonClare FindlaterChris Richards
00:38
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Allegro. Opening Door (From "The King's Stamp")
Malcolm WilsonClare FindlaterChris Richards
02:20
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Allegretto. Messenger Boy (From "The King's Stamp")
Malcolm WilsonClare FindlaterChris Richards
00:40
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Lento ma non troppo. Entry to Lithograph Works (From "The King's Stamp")
Malcolm Wilson
01:46
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Allegro moderato. Stamp Factory - Machine Starts (From "The King's Stamp")
Malcolm WilsonClare FindlaterChris Richards
02:48
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Minuet. Andante lento (From "The King's Stamp")
Malcolm Wilson
00:56
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Allegretto. Train Sequence (From "The King's Stamp")
Birmingham Contemporary Music GroupMartyn Brabbins
01:37
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Allegretto. Parliament - The Stamp Bill (From "The King's Stamp")
Malcolm WilsonClare FindlaterChris Richards
00:53
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Allegro (From "The King's Stamp")
Malcolm WilsonClare Findlater
01:12
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Allegro moderato alla marcia (From "The King's Stamp")
Birmingham Contemporary Music GroupMartyn Brabbins
01:17
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Allegro appassionato. Title Music (From "Negroes")
Daniel AuchinclossBirmingham Contemporary Music GroupMartyn Brabbins
03:01
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Allegro. In the Middle Ages (From "Negroes")
Daniel AuchinclossAdam GreenCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
01:04
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Allegro. Then the Portuguese and Spaniards (From "Negroes")
Daniel AuchinclossCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
01:04
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Allegro ritmico. At the Mouth of the Senegal (From "Negroes")
Daniel AuchinclossCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
01:08
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Andante con moto. To Sail from Africa to Jamaica (From "Negroes")
Mary CareweDaniel AuchinclossCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
00:58
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Andante lento. The More Advanced Thinkers in Europe (From "Negroes")
Mary CareweDaniel AuchinclossCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
01:32
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Andante con molto moto. Still at Their Accustomed Hour (From "Negroes")
Mary CareweAdam GreenCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
03:26
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Allegro ritmico. Coffee from the Blue Mountains (From "Negroes")
City of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
00:50
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Allegro. Introduction (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
00:33
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Andante maestoso. Romans (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
00:39
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Andante maestoso. Alfred (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
00:48
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Moderato. There Is, at This point of the Haven (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
01:27
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Allegro. The Eighteenth Century (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
01:19
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Allegro con fuoco. Nelson Has Gone (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
00:56
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Lento e pesante. 169 Trains a Week (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
00:41
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The Line Waits (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
02:56
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PiĆ¹ lento. Here Is a Harbour (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
03:00
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Slow. We Seek a Spectacle (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
01:16
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Allegro molto - Alla marcia (From "The Way to the Sea")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
01:54
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Telegrams
Choir of King Edward's School at BirminghamBirmingham Contemporary Music GroupMartyn Brabbins
02:30
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Peace of Britain
Birmingham Contemporary Music GroupMartyn Brabbins
01:30
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Title Music (From "Men Behind the Meters")
Birmingham Contemporary Music GroupMartyn Brabbins
00:22
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Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters")
Birmingham Contemporary Music GroupMartyn Brabbins
01:33
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Allegro moderato. 1935 Sequence (From "Men Behind the Meters")
Birmingham Contemporary Music GroupMartyn Brabbins
01:16
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Andante (From "Coal Face") [1]
City of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
00:39
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A Sterile Landscape (From "Coal Face")
Simon Russell BealeBirmingham Contemporary Music GroupMartyn Brabbins
01:10
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Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face")
Simon Russell BealeCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
00:42
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Yorkshire and Landscape (From "Coal Face")
Simon Russell BealeCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
01:01
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Moderato. The Temperature Often Reaches (From "Coal Face")
Simon Russell BealeMalcolm WilsonMartyn Brabbins
00:28
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Andante. The Seven and a Half Hour Shift (From "Coal Face")
Simon Russell BealeCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
00:47
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Ad libitum sempre. One Thirty A.M. (From "Coal Face")
Simon Russell BealeDaniel AuchinclossAdam GreenMike FlowerBirmingham Contemporary Music GroupMartyn Brabbins
00:50
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Allegro ma non troppo. In Many Pits (From "Coal Face")
Simon Russell BealeCity of Birmingham Symphony ChorusBirmingham Contemporary Music GroupMartyn Brabbins
01:04
ą¹€ąøąøµą¹ˆąø¢ąø§ąøąø±ąøšąø­ąø±ąø„ąøšąø±ą¹‰ąø” Britten on Film :

ąøŖąø±ąø”ąøœąø±ąøŖąøˆąø±ąø‡ąø«ąø§ąø°ąø‚ąø­ąø‡ Britten on Film (Ft. Various) ąøąø±ąøš JOOX ąø­ąø±ąø„ąøšąø±ą¹‰ąø”ąøˆąø²ąø Various Britten on Film ą¹„ąø”ą¹‰ąø£ąø±ąøšąøąø²ąø£ą¹€ąøœąø¢ą¹ąøžąø£ą¹ˆą¹ƒąø™ ą¹ąø„ąø°ą¹ƒąø™ą¹„ąø”ą¹ˆąøŠą¹‰ąø²ąøą¹‡ąø—ąø³ą¹ƒąø«ą¹‰ą¹ąøŸąø™ą¹† ąø•ąøąø•ąø°ąø„ąø¶ąø‡ Britten on Film ąø›ąø£ąø°ąøąø­ąøšąø”ą¹‰ąø§ąø¢ą¹€ąøžąø„ąø‡ 55 ą¹€ąøžąø„ąø‡ ą¹ąø„ąø°ąø§ąø“ąø”ąøµą¹‚ąø­ąø‚ąø­ąø‡ą¹€ąøžąø„ąø‡ąø™ąø±ą¹‰ąø™ą¹€ąø›ą¹‡ąø™ąø—ąøµą¹ˆąøŠąø·ą¹ˆąø™ąøŠąø­ąøšąø‚ąø­ąø‡ąøœąø¹ą¹‰ąø„ąø„ąø±ą¹ˆąø‡ą¹„ąø„ąø„ą¹‰ąø”ąø™ąø•ąø£ąøµąø—ąø±ą¹ˆąø§ąø›ąø£ąø°ą¹€ąø—ąøØ ąø”ąø²ąø§ąø™ą¹Œą¹‚ąø«ąø„ąø”ą¹ąø­ąø› JOOX ą¹ąø„ąø°ąøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąø‚ąø­ąø‡ Britten on Film ąø­ąø­ąø™ą¹„ąø„ąø™ą¹Œą¹„ąø”ą¹‰ą¹€ąø„ąø¢ąø§ąø±ąø™ąø™ąøµą¹‰

ąø­ąø±ąø„ąøšąø±ąø”ąø­ąø·ą¹ˆąø™ąø‚ąø­ąø‡ Various

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Amsterdam 2025ąøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąøˆąø²ąøąø­ąø±ąø„ąøšąø±ąø” Amsterdam 2025 ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąøˆąø²ąø Various ąø­ąø±ąøžą¹€ąø”ąø—ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąø„ą¹ˆąø²ąøŖąøøąø”ąøą¹ˆąø­ąø™ą¹ƒąø„ąø£ ąø•ąø„ąø­ąø”ąø›ąøµ 20 ąø•.ąø„. 2025
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acoustic autumn countryąøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąøˆąø²ąøąø­ąø±ąø„ąøšąø±ąø” acoustic autumn country ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąøˆąø²ąø Various ąø­ąø±ąøžą¹€ąø”ąø—ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąø„ą¹ˆąø²ąøŖąøøąø”ąøą¹ˆąø­ąø™ą¹ƒąø„ąø£ ąø•ąø„ąø­ąø”ąø›ąøµ 20 ąø•.ąø„. 2025
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Practicando nuevos peinadosąøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąøˆąø²ąøąø­ąø±ąø„ąøšąø±ąø” Practicando nuevos peinados ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąøˆąø²ąø Various ąø­ąø±ąøžą¹€ąø”ąø—ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąø„ą¹ˆąø²ąøŖąøøąø”ąøą¹ˆąø­ąø™ą¹ƒąø„ąø£ ąø•ąø„ąø­ąø”ąø›ąøµ 19 ąø•.ąø„. 2025
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love the falląøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąøˆąø²ąøąø­ąø±ąø„ąøšąø±ąø” love the fall ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąøˆąø²ąø Various ąø­ąø±ąøžą¹€ąø”ąø—ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąø„ą¹ˆąø²ąøŖąøøąø”ąøą¹ˆąø­ąø™ą¹ƒąø„ąø£ ąø•ąø„ąø­ąø”ąø›ąøµ 18 ąø•.ąø„. 2025
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Cherry Coded (Explicit)ąøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąøˆąø²ąøąø­ąø±ąø„ąøšąø±ąø” Cherry Coded (Explicit) ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąøˆąø²ąø Various ąø­ąø±ąøžą¹€ąø”ąø—ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąø„ą¹ˆąø²ąøŖąøøąø”ąøą¹ˆąø­ąø™ą¹ƒąø„ąø£ ąø•ąø„ąø­ąø”ąø›ąøµ 17 ąø•.ąø„. 2025
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school mornings in fall (Explicit)ąøŸąø±ąø‡ą¹€ąøžąø„ąø‡ąøˆąø²ąøąø­ąø±ąø„ąøšąø±ąø” school mornings in fall (Explicit) ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąøˆąø²ąø Various ąø­ąø±ąøžą¹€ąø”ąø—ą¹€ąøžąø„ąø‡ą¹ƒąø«ąø”ą¹ˆąø„ą¹ˆąø²ąøŖąøøąø”ąøą¹ˆąø­ąø™ą¹ƒąø„ąø£ ąø•ąø„ąø­ąø”ąø›ąøµ 17 ąø•.ąø„. 2025