Franz Koglmann

Venus In Transit

Pardon, ist da noch frei? (I wanna be loved by you)

Überstörung

Eigentlich bin ich Hautarzt

Ist das ansteckend?

Casta Diva

Danke, Frau Hofrat

Mit dabei sein

So rühr' ich um mit meinem Sabel

Alois!- wir entkommen ihm nicht t

Vorarlberger Schuhgroßhändler

Toni, du Dodl

Kreta

LA, Case Study House

Urania, Wien

Maison à Bordeaux

Epilog

Cantos I-IV

Pipetet

Schlaf Schlemmer, Schlaf Magritte

Paul Bley

Hans Koch

12(+6) In a Row

O Moon My Pin-Up

L'heure Bleue

Brad Shepik

Peter Herbert

Tom Varner

Owing to his consistent and very personal variant of the "Third Stream, the fusion of classical music and jazz, Franz Koglmann, the trumpeter and flugelhorn-player from Vienna, has become one of the most significant contemporary composers. Make Believe features a high-carat quintet presenting five "instrumental Scenes, and, under the title of Make Believe, a medley from Jerome Kern`s musical Show Boat modelled on Paul Whiteman`s recording with cornet-player Bix Beiderbecke. Make Believe made such a "bewitching impression on Cocteau while he wrote the novel that he recommended one should listen to it while reading the book. Anyone listening to Koglmann`s version of "Make Believe" and comparing it to that of Whiteman might get an inkling of the relationship between Koglmann`s own compositions and Cocteau`s text. The "extraneous material provides the initial spark for a re-exploration of his own realm of composing. Even though the above statement might sound pretentious, the resulting music certainly does not. It is a rare treat today to hear an ensemble play in such densely-knit closeness and yet stay so relaxed in the process. Koglmann`s composition leaves room for each of the musicians to unfold their personal skills and qualities, of which they have an ample supply.

Make Believe

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Venus In Transit

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