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nuns in hte jungle

巡音ルカ

In 2019, the name of the Era changed in Japan. That older year is "HEISEI". This piece looks back on the "Heisei" era with nostalgia. The multilayered strings recall the polyphonic music of the Baroque period. The song personifies the "Heisei Era" and expresses the parting of the protagonist and the era with touching lyrics and music. The Vocaloid is a "musical instrument" that truly symbolizes the Heisei Era, and the song beautifully expresses a kind of heartbreaking farewell.

Farewell, Mr Heisei Era (feat. MEGURINE LUKA)

Ambivalence of wind

Osakihan

The mysterious female rap troupe "Damsels" are back!
They use their raps to punish the macho rappers who are spreading the evil machismo in society!
Overwhelming debating power with elegant rhymes.
A blissful quarrel-ready paradise.
Intricate strings and a low end that will get your stomach racing.
Binaural sound is also used. New hip-hop from futuristic girls.

Not All Rappers are Macho (feat. Hanakuma Chifuyu)

初音未来

The beef battle between Kendrick and DRAKE in 2024 was enough to disappoint me.
The only highlight was DRAKE's resurrection of the 2pac voice.
That in itself should be questioned.
But DRAKE implicitly showed that anyone can be a rapper and send out his or her own message.
I chose the atomic bomb as my lyric for this album. I'm Japanese, Japan is the only country to have suffered atomic bombings, and I took it seriously.
But it's also full of hip-hop gags and homages.
I also had Hatsune Miku participate. Her verse is important, though, to broaden the range of listeners.

Under the Nuclear Umbrella (feat. HATSUNE MIKU)

Three female rappers with vocaloids.
The track features drum'n'bass and an orchestra, which is very powerful.
The three rappers have three different styles of rapping, and there is also some crosstalk.
1,Rapping that rhymes properly.
2,Rap that requires knowledge of subcultures to understand.
3,Hatsune Miku performs a rap that makes no sense in Japanese.

And the show begins.

the three damsels' rap (feat. HATSUNE MIKU & MEGURINE LUKA)

The song is a dynamic composition that resembles the Beatles' "a day in the life" in its depiction of how an individual's depression and negativity transform into a powerful motivation to live.
The song was dedicated to the film director Ed Wood. If you listen to it all the way through, you will understand why.
In this piece, I tried to compose a piece in which all the notes move as an independent melody, rather than a melody plus chords.
Isn't this world full of Homophony music? This piece was intended as a counter to that.

on suicide or: why I chose to live (feat. HATSUNE MIKU & Hanakuma Chifuyu)

before the ferris wheel lights go out

https://image.joox.com/JOOXcover/0/252f4fa46dc00bd3/300

nuns in hte jungle

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