Evelyn Glennie

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Evelyn Glennie, born in Aberdeen, Scotland, in 1965, is the world's foremost, and first full-time, solo percussionist. The recipient of enormous media attention due to her deafness, Glennie is likewise noteworthy for the variety of her repertoire and recording projects. She lost her hearing at the age of 12 and began to study timpani at that time, working extensively with her teacher to learn to sense percussion vibrations. Glennie made her professional debut in 1985, and it did not take long for her musical adventurousness to show itself. In addition to performing with classical ensembles, she commissioned new works (over 80 to date), single-handedly expanding the repertoire of works for solo percussion. An energetic concertizer, she is typically on the road for over 100 evenings a year, and has made 13 solo recordings. Glennie crosses musical boundaries with unusual ease. In addition to performances with most of the major European and American classical orchestras, she has worked with the Kodo Japanese drummers, the experimental Icelandic pop vocalist Bj?rk, Javanese gamelan ensembles, Brazilian samba bands, and other musicians on five continents. Her album Shadow Behind the Iron Sun, released in 2000, fulfilled Glennie's long-held desire to join forces with a pop producer, in this case the veteran American studio wizard Michael Brauer. The disc showcased the large collection of percussion instruments Glennie has mastered, including homemade instruments, most notably a set of cut and tuned car exhaust pipes, as well as sounds from around the world.

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About Evelyn Glennie :

Evelyn Glennie, born in Aberdeen, Scotland, in 1965, is the world's foremost, and first full-time, solo percussionist. The recipient of enormous media attention due to her deafness, Glennie is likewise noteworthy for the variety of her repertoire and recording projects. She lost her hearing at the age of 12 and began to study timpani at that time, working extensively with her teacher to learn to sense percussion vibrations. Glennie made her professional debut in 1985, and it did not take long for her musical adventurousness to show itself. In addition to performing with classical ensembles, she commissioned new works (over 80 to date), single-handedly expanding the repertoire of works for solo percussion. An energetic concertizer, she is typically on the road for over 100 evenings a year, and has made 13 solo recordings. Glennie crosses musical boundaries with unusual ease. In addition to performances with most of the major European and American classical orchestras, she has worked with the Kodo Japanese drummers, the experimental Icelandic pop vocalist Bj?rk, Javanese gamelan ensembles, Brazilian samba bands, and other musicians on five continents. Her album Shadow Behind the Iron Sun, released in 2000, fulfilled Glennie's long-held desire to join forces with a pop producer, in this case the veteran American studio wizard Michael Brauer. The disc showcased the large collection of percussion instruments Glennie has mastered, including homemade instruments, most notably a set of cut and tuned car exhaust pipes, as well as sounds from around the world.

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