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傍晚总感觉无限延长，天空仍有微光，夜色慢慢逼近，但始终没有一次正式的谢幕。不疾不徐地走，夜里的微风复盖在城市的街道。没有任何一刻，我的眼睛不是盯着前方，无限远方的消失点像是黑洞一般，把所有过往的景色吸入、咀嚼，再吐出。在没有被光照亮的角落里，影子切割出的几何形，只是锐利地投射未来的边界。我尽量不去思索意义，因为这样的思考必须是在脚步停下之后。在那之前，一切的坠落都是像弹簧床一样徒劳。
其实我不是在梦里，梦的尽头是清醒或是更深沉的下坠。我可以在这里停一下。

这张专辑收录13首全新未发行的歌曲，歌词内容关注在现代人的矛盾，不论是自己和自己的对话、个人对于生活经验的反思、人与人之间的关系，乃至于都市人们的侧写。我们将自身的处境想像为『大隐隐于市』的生活状态：我们试图在喧嚣之中，把视角抬昇至另一个层次，旁观自己的的内心，也深入剖析生命的混乱状态，并不多做解释，让音乐和简要的字词诉说；让听众能够玩味其中的细腻色泽。




数位专辑收录曲目：
作词人｜郑敬儒
作曲人｜郑敬儒
编曲人｜郑敬儒、杨尚桦、谢俊彦、杜哲欣
演唱人｜deca joins

1. 我不用问 No Need to Ask 
2. 泥土 Soil
3. 喜相逢 Encounter
4. 地图 Picture on the Ground
5. 漫长的人生 Prolonged
6. Gabi’s Stove
7. 万有引力 Universal Gravitation
8. 绝对的平衡 Imbalance
9. 失败的晚餐 Bitter Bite
10. 金龙隧道 Jinlong Tunnel
11. 满月 Full Moon
12. 坐过站 Behind
13. 在这里停一下 A Brief Stop
主推歌曲（一）
在这里停一下 A Brief Stop

歌曲介绍：
有些夜晚，我在目的地与起点之间穿梭时会遇见自己。我们并不总要抵达。我们会在城市边缘寻找适合自己的伪装，并躲藏到黑暗里面隐形。
这首歌是一篇自白书。在光影与噪音里，我们处在一种无法控制的存在状态，用动作去替代感受，假笑掩饰迷惘。那些看似荒唐的停顿，其实是生命的缝隙。我在那里看，难得可以偷看自己一眼。在这样的缝隙中诞生，不被秩序包裹的那部分灵魂，总在吹风的时候替自己找一个借口。张口唱歌，柔软的自嘲。因为我们都知道，来生未必有，但此刻喘息之必须。
我们忙着逃开，再心心念念地归来，周而复始，不曾停下。

I meet myself in between destination and departure, not always trying to arrive. At the edges of the city, we search for our own disguises, and hide within the darkness until we disappear.
This song is a confession. We exist in a state beyond control in lights and noise— replacing feelings with movements, masking confusion with a smirk. Those absurd pauses are in fact the cracks of life.
I can catch a glimpse of myself there. From those cracks, the untamed soul thrives and becomes the excuse for our confusion.
I sing with a soft form of self-mockery, because we all know— we may not have it in the next life, and this brief stop is necessary. We keep running away, then returning, endlessly and never stopping.


主推歌曲（二）
绝对的平衡 Imbalance

歌曲介绍：
我们总是漂浮着，不附着在任何东西上，从夜晚只身站立直到天亮。身体无处安放、视线受伤，逻辑失效，重力不必然存在，持续坠落却无法着陆。绳索没有支点，墙角无法攀附，我们都是孤岛，在宇宙中突兀的存在。
在这样的真空状态中悬浮，我们仍然拥有的是那些只能被自己理解、只能由自己翻译的秘密。这是我们唯一能取得平衡的方式，在内心与外在之间作用。在世界失序之后，我们还是在自身之内找到一个不需要证明的中心。
这是一首关于意识、漂流与自我封闭结构的歌。它内缩、诚实，像是在夜里对自己低声说出的话。
We are drifting, unattached to anything, standing alone through the night. Having nowhere to rest, our vision is wounded, logic collapses, and gravity swings. We fall, yet never arrive. There is no anchor for the rope, no corner to cling to. We are all islands—abrupt, solitary presences in the universe.
Suspended in this vacuum, what we still possess are those private thoughts, which can only be translated by ourselves. There’s no other way we achieve balance, a force acting between the inner self and the outer world. After the world slips into disorder, we still find within ourselves a center that needs no proof.
This is a song about consciousness, drifting, and self-contained structures. It turns inward and remains honest, like words spoken softly to oneself in the middle of the night.

主推歌曲（三）
满月 Full Moon

歌曲介绍：
在约分了一切表象之后，我只剩下一个微小的支点，确确实实地撑起自己。支点代表着仍然与现实相连，是一个我与世界的信物。我清醒地看着世界在我周围流转，唯我在原地停留。目光带领意识，要动或要停，都不是我要决定。于是我被迫直视那些在月背的暗处，那些黑得像深渊的虚空，终于被我看得透出光亮。
这是一首关于封闭循环与低限存在的歌。它不试图给出答案，只忠实地记录着：我们不可避免而不由自主地下沉，缓慢地被包复在流体之中、起点和终点在生命中的某处相遇，悲哀但圆满地呼应着宿命。

After stripping away every surface and illusion, I am left with a single, fragile point of support—small, yet solid enough to hold me upright. It stands for my remaining connection to reality, a token exchanged between the world and me. I watch, fully awake, as everything moves around me while I remain still. My gaze pulls my consciousness along; whether to move or to stop is no longer a choice I get to make.
So I am forced to look directly into what hides on the far side of the moon—those voids as dark as an abyss. And at last, I see them clearly enough for light to begin to seep through.
This is a song about closed loops and existence at its lowest threshold. It does not seek to offer answers. It simply bears witness: to our inevitable, involuntary descent; to the slow way we are enveloped by the current; to the moment when beginnings and endings meet somewhere within a life, echoing fate with a sadness that is, somehow, complete.

在这里停一下

有些夜晚，我在目的地与起点之间穿梭时会遇见自己。我们并不总要抵达。我们会在城市边缘寻找适合自己的伪装，并躲藏到黑暗里面隐形。

这首歌是一篇自白书。在光影与噪音里，我们处在一种无法控制的存在状态，用动作去替代感受，假笑掩饰迷惘。那些看似荒唐的停顿，其实是生命的缝隙。我在那里看，难得可以偷看自己一眼。在这样的缝隙中诞生，不被秩序包裹的那部分灵魂，总在吹风的时候替自己找一个借口。
张口唱歌，柔软的自嘲。因为我们都知道，来生未必有，但此刻喘息之必须。

我们忙着逃开，再心心念念地归来，周而复始，不曾停下。

Some nights, halfway between destination and point of departure, I meet myself. We don’t always have to arrive. At the edges of the city, we search for disguises that fit us, and hide within the darkness until we disappear.

This song is a confession. Amid the lights and noise, we exist in a state beyond control— replacing feelings with movements, masking confusion with a smirk. Those seemingly absurd pauses are in fact the cracks of life.
There, I can catch a rare glimpse of myself. From those cracks is born the part of the soul that refuses to be wrapped in order— always finding an excuse for itself
when the wind begins to blow.

I sing with a soft form of self-mockery, because we all know— we may not have it in the next life, and this brief stop is necessary. We keep running away,
then returning again and again, in endless reincarnation— never stopping.

我不用问 No Need to Ask
________________________________________
单曲文案介绍

我总在怀疑，对着表皮提问；我总在游荡—无意识的摇摆在阴阳之间的模糊地带。我总在坠落，广大的盆地里凹陷的针孔，巨大的引力让我陷落。我总在想望，看着未来，想着过去，正负抵销，和为零。

干脆我用一整天让世界对我说话，风穿过我，留下一些字句在我的嘴巴。捏不成形体也不要紧，过去和未来被牵引而汇流。无法化整，微量的灵魂都是本体的一部分，都是全也都是一。

我不用问

偏见

天堂与泥土

https://image.joox.com/JOOXcover/0/87bcc10167f96bea/300

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