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Beethoven: Chamber Music for Winds

Eric Le Sage

Trio for Oboe, Clarinet and Bassoon C Major, Op. 87: I. Allegro

Trio for Oboe, Clarinet and Bassoon C Major, Op. 87: II. Adagio

Trio for Oboe, Clarinet and Bassoon C Major, Op. 87: III. Menuetto. Allegro molto

Trio for Oboe, Clarinet and Bassoon C Major, Op. 87: IV. Finale. Presto

Trio for Piano, Flute and Bassoon in G Major, WoO 37: I. Allegro

Trio for Piano, Flute and Bassoon in G Major, WoO 37: II. Adagio

Trio for Piano, Flute and Bassoon in G Major, WoO 37: III. Thema andante con variazioni

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Thema

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 1

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 2

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 3

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 4

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 5

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 6

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 7

Variations in C Major on Mozart's "La ci darem la mano", WoO 28: Variation 8 - Coda

Sonata for Piano and Horn in F Major, Op. 17: I. Allegro moderato

Sonata for Piano and Horn in F Major, Op. 17: II. Poco Adagio, quasi Andante

Sonata for Piano and Horn in F Major, Op. 17: III. Rondo. Allegro moderato

Duo for Clarinet and Bassoon B flat major WoO 27 No. 3: I. Allegro sostenuto!

Duo for Clarinet and Bassoon B flat major WoO 27 No. 3: II. Aria con variazioni. Andantino con moto

The pieces by Paul Hindemith on this recording, have a special importance in the history of music. They stand at a crossroads, belonging to an era when progressive and post-Romantic tendencies still existed side by side. These five sonatas represent a deliberate return to a classical form, revealing, in Claude Rostand’s words, “a distinctive chromaticism that frees his emerging style from tonal instability and melodious fluidity”. It is the classical structures that he restores, “in so doing rejuvenating his very spirit with the most sovereign and daring freedom of thought”. Once again, these few words by Claude Rostand, who saw the composer “bearing the arms of Bach or Stravinsky”, seem to hit the nail on the head.

Beethoven: Chamber Music for Winds

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