Cantica Symphonia

Guiseppe Maletto

Dufay: The Masses for 1453

Missa Se la face ay pale: I. Kyrie

Missa Se la face ay pale: II. Gloria

Missa Se la face ay pale: III. Credo

Missa Se la face ay pale: IV. Sanctus

Missa Se la face ay pale: V. Agnus Dei

Missa L'homme armé: I. Kyrie

Missa L'homme armé: II. Gloria

Missa L'homme armé: III. Credo

Missa L'homme armé: IV. Sanctus

Missa L'homme armé: V. Agnus Dei

Laura Fabris

Massimo Altieri

Giuseppe Maletto

Stabat Mater

Vittorio Zanon

Francesco Cavalli

The present recording comprises what are undoubtedly some of the most solen and authoritative works by two great composers who held post of Maestro di Cappella in St. Mark's in Venice. Two very strong characters, quite different from each, yet who had much in common in their ingenuity, austere style, artistic environment and the age in which they lived and worked.  The two masses were certainly intended for different purposes. Monteverdi's Messa 'In illo tempore' was published in 1610 at the same time as his famous 'Vespro della Beata Vergine' and carries a dedication to Pope Paul V, which indicates that Monteverdi probably wrote it in an attempt to get himself a decent post at the papal musical chapel. On the other hand, Cavalli's Requiem is clearly the work of a composer fully aware he is at the end of his life and at the height a splendid career and who thus it appropriate to dedicate his final composition to himself - a requiem mass, no less.

Monteverdi: Missa in illo tempore – Cavalli: Missa pro defunctis

Ermanno Lo Gatto

Kees Boeke

Sveva Martin

Festa: Mottetti, Vols. 1 & 2

La Compagnia del Madrigale

La Pifarescha

Monteverdi: Vespro della Beata Vergine

Unknown Artist

Isaac: Missa "Misericordias Domini" & Motets

Almisonis Melos: Latin Motets and Mass Fragments in the Ivrea Codex

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Dufay: The Masses for 1453

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