The Kinks的專輯The Kink Kronikles

The Kink Kronikles

The Kinks1972年4月10日 28 首歌

The Kink Kronikles

這是一張"英倫入侵"時期奇想樂隊的精選集,首次是1972年發佈的專輯.那張封面就印證了這張專輯是如何的出色,那來自英國皇家風味的騎士,黑色中透着的高貴.那音樂的味道這正如這樣. 這支"英倫入侵"的樂隊,雖不如同時期的"the beatles"那樣鋭意革新,也不像"the who"和"the rolling stones"那樣流行,但他們仍是60年代英倫入侵中最有影響力的樂隊之一,與許多同時代的樂隊一樣,奇想開始也是一支有着布魯斯和節奏布魯斯根源的團隊.經過四年的發展,他們在同類中顯得卓爾不羣,從英國搖滾和流行音樂中吸取營養,將民謠,鄉村,和布魯斯結合起來形成他們獨特的風格.樂隊的核心人物是Ray Davies和Dave Davies兩兄弟. 這張專輯在滾石雜誌選出的500張歷代最強專輯中排名第231位。 Strictly speaking, the double-album compilation The Kink Kronikles isn't a greatest-hits collection. Covering the years 1966 through 1970, The Kink Kronikles may not be packed with hits — out of the album's 28 tracks, only nine were hits in the U.K. or the U.S. — yet it's a definitive overview of this era, which was one of Ray Davies' most productive (and influential) periods. Apart from the hits — the lazy, sardonic "Sunny Afternoon" and the gorgeous "Waterloo Sunset," and the 1970 comeback hits "Lola" and "Apeman" — there is a wealth of music that ranks among their very best material that isn't available on any other album. First off, non-LP British hit singles like the music hall raver "Dead End Street" and the wry "Autumn Almanac" are included, as are Dave Davies' two solo hits, "Death of a Clown" and "Suzannah's Still Alive." Then there are the wealth of non-LP singles and B-sides that didn't make the British charts, plus worthy unreleased songs, obscurities like "This Is Where I Belong" and "She's Got Everything," and album tracks that demonstrate another side of the Kinks' musical versatility and Davies' abilities. The key to the success of The Kink Kronikles is how the singles and rarities complement each other and, taken together, present a full portrait. It's the rare compilation that is equally valuable to the collector and to the neophyte fan.
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