Soundtracks from the Shaolin Temple (Explicit)

Wu Tang Clan

Darkness (Intro) (Explicit)

5Star

Bronze Nazareth

Killah Priest

Killa Bee Swarm (Explicit)

Ras Kass

Lyrical Swords (Explicit)

Timbo King

More Than Gold (Explicit)

Jedi Mind Tricks

On the Eve of War (Julio Cesar Chavez Mix|Explicit)

Vast Aire

Wisemen

Iconoclasts (Explicit)

Dion Jenkins

Ghostface Killah

Hi-Tek

My Piano (Explicit)

MF Doom

Biochemical Equation (Explicit)

Masta Killa

Pencil (Explicit)

Pretty Ugly

Josephine (Explicit)

HeavenRazah

Shabazz The Disciple

T.H.U.G. Angelz

The Obituary (E.B.G.G.) (Explicit)

Chi (Interlude) (Explicit)

Lord Jamar

Deep Space (Explicit)

Alphabets (Explicit)

Killa Sin

The Bronzeman (Explicit)

God's Creatures (Interlude) (Explicit)

Icewater

Animal (Explicit)

C-Rayz Walz

Prodigal Sunn

Sean Price

Still Grimey (Explicit)

Blue Sky Black Death

Holocaust

The Ocean (Explicit)

Inspectah Deck

Street Corners (Explicit)

Enter The Wu-Tang (36 Chambers) – Live from N.Y. State of Mind Tour at Climate Pledge Arena (Explicit)

Wu-Tang Meets the Indie Culture, Vol. 2: Enter the Dubstep (Instrumentals)

Four years after Dreddy Kruger's first Think Differently compilation paired original Wu-Tang members and clan affiliates with an assortment of independent MCs (a pairing that wasn't much of a stretch), Vol. 2 aims to introduce the wide Wu-Tang fan base to another musical subgenre: dubstep — a murky blend of drum'n'bass and deep house with a dub reggae twist. By utilizing an assortment of existing verses from the Wu and company (including a bunch from the first comp), a plethora of U.K. DJ/producers have crafted 19 hybrid tracks. The dubstep/hip-hop marriage seems to work best when the beats take a lower-key approach to sonic hypnosis and a few producers like Scuba Scythe and Chimpo hit the mark nicely, with the former reworking the original song's sample to extraordinary results. However, the experiment stumbles a bit when the beatwork reaches such high levels of furious industrial energy that the rhymes come off as irrelevant. Still, Wu-Tang Meets the Indie Culture, Vol. 2 is basically a production showcase with the vocals working like just another tool to be used as the producers see fit. Many of them (like Rogue Star, Matt U, Trillbass, and Evol Intent) chose to simply lift the rhymes and hooks verbatim from tracks off of recent Wu LPs such as Raekwon's Only Built 4 Cuban Linx, Pt. 2, U-God's Dopium, and GZA's Pro Tools and create straightforward techno-fied remixes while others (like Parson and Hellfire Machina) use bits and pieces of rhymes to flesh out new, more complex sonic landscapes. Enter the Dubstep is definitely not for hip-hop purists, but should have plenty of appeal for those excited about the possibilities of expanding and adapting the genre.

Wu-Tang Meets the Indie Culture Vol. 2: Enter the Dubstep (Explicit)

Of Mics and Men (Music from the Showtime Documentary Series) (Explicit)

Disciples of the 36 Chambers: Chapter 1 (Live) [2019 - Remaster]

https://image.joox.com/JOOXcover/0/0a888e4d3123d37b/300

Soundtracks from the Shaolin Temple (Explicit)

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