Hervé Joulain

Tatiana Chernichka

Stéphane Logerot

Emmanuel Curt

Encores

Ave Maria in C Major, CG 89 "Meditation on S. Bach's First Piano Prelude" (Arr. for Horn & Piano)

3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Horn & Piano)

3 Songs, Op. 7: No. 1, Après un rêve (Arr. for Horn & Piano)

Our Little Sister (From "Our Little Sister") [Arr. for Horn, Piano & Percussion]

Le carnaval des animaux, R. 125: XIII. The Swan (Arr. for Horn & Piano)

Tågen letter (Arr. N. Bastrup for Horn & Piano)

Death Theme (From "The Untouchables") [Arr. for Horn & Piano]

Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio (Arr. H. Joulain for Horn & Piano)

Emmanuel (Arr. for Horn & Piano)

11 Pieces, Op. 35: No. 7, Valse triste (Arr. for Horn & Piano)

What Are You Doing the Rest of Your Life? (From "The Happy Ending") [Arr. for Horn, Piano & Double Bass]

Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Horn & Piano)

Luke & Leia Theme (From "Star Wars") [Arr. for Horn & Piano]

Arioso, Op. 16 (Arr. for Horn & Piano)

Mickey (From "Rocky III") [Arr. for Horn, Piano & Percussion]

14 Romances, Op. 34: No. 14, Vocalise (Arr. for Horn & Piano)

Dolci pianti (Arr. for Horn & Piano)

Not a Day Goes By (From "Merrily We Roll Along") [Arr. for Horn & Piano]

Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. for Horn & Piano)

It’s Still Our Dream (Arr. for Horn, Piano & Percussion)

Princess Leia's Theme (From "Star Wars") [Arr. for Horn & Piano]

Silke Avenhaus

ESSENTIALS!

Messiaen: Des canyons aux étoiles: VI. Appel Interstellaire

Minna Pensola

Christoffer Sundqvist

Meta4

It is primarily for his large-scale orchestral works that Sebastian Fagerlund (b.?1972) has attracted attention, but throughout his career he has also composed chamber music. In his production, orchestral and chamber music have a fruitful relationship in which a chamber work may contain the germ of ideas that then appear in a new form in an orchestral score. One example of this is Fuel – a set of six miniatures from 2010 – which grows out of the same basic material as Ignite, a work for large orchestra completed in the same year, although they differ greatly in scale and in character. Common to the two genres is also Fagerlund’s firm grasp of the capabilities of the instruments he is writing for. Some of Finland’s leading instrumentalists join forces on the present album, with French horn player Hervé Joulain making an appearance in Transient Light, which is dedicated to him. The six works were composed between 2007 and 2013 and are all for different constellations and of varying dimensions – from a brief duo in one movement (Scherzic) to a quartet in six (Verso l’interno). But there are also common features that recur throughout the program; for example machine-like textures against which material with longer lines is reflected, and influences from other genres such as traditional music from the Middle East or rock. These do not appear as direct stylistic loans, however, but rather as elements embedded in Fagerlund’s own music.

Oceano

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Encores

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