Dieterich Buxtehude

Ton Koopman

Amsterdam Baroque Orchestra

Buxtehude: Opera Omnia XVII - Vocal music, Vol. 7

An filius non est Dei, BuxWV 6

All solch dein Güt' wir preisen, BuxWV 3

Schwinget euch himmelan, BuxWV 96

Laudate, pueri, Dominum, BuxWV 69

Mit Fried und Freud - Klag-Lied, BuxWV 76

O wie selig sind, BuxWV 90

Du Frieden-Fürst, Herr Jesu Christ, BuxWV 21

Fürwahr, er trug unsere Krankheit, BuxWV 31

Herzlich tut mich verlangen, BuxWV 42

Nimm von uns, Herr, BuxWV 78

Quemadmodum desiderat cervus, BuxWV 92

Ich halte es dafür, BuxWV 48

Ich sprach in meinem Herzen, BuxWV 49

Jesu, meiner Freuden Meister, BuxWV 61

Wär Gott nicht mit uns diese Zeit, BuxWV 102

Dein edles Herz, der Liebe Thron, BuxWV 14

Wenn ich, Herr Jesu, habe dich, BuxWV 107

Domine salvum fac regem et exaudi nos, BuxWV 18

Nologo

Art Music (Electronic Version)

Dietrich Buxtehude Great Recordings

Friedhelm Flamme

The logical continuation of the series “Organ Works of the North German Baroque,” recorded by Friedhelm Flamme, is the works of Dietrich Buxtehude, the most important master of North German organ music. In order to underscore the features of his personal style of interpretation, which is the result of decades of study of virtually the entire repertoire of North German music, the incredible and mostly intact original Treutmann organ in the Grauhof monastery near Goslar was selected. This organ can produce Buxtehude’s innovative, visionary sound artistry in a very different way than the well-known Schnitger organs in North Germany. Each album is set up as an exciting concert program which shows the diversity of Buxtehude’s compositions – free-form and chorale-based works, works for manuals only or with virtuosic pedal playing, and whose styles vary from lighter canzonettas, weighty basso ostinato forms to strict movements in “erudite counterpoint.” This recording also shows some of the infinite timbral possibilities of the Treutmann organ, both in their variety but also the tension felt in the different tonalities. Vol. II thus continues this series of recordings with representative works of the greatest masters of organ music before Johann Sebastian Bach as well as his contemporaries. The Treutmann organ, thanks to its tuning, also allows for a faithful stylistic rendering of pieces in distant tonalities, which would be impossible on instruments with mean tone tuning.

Buxtehude: Complete Organ Works, Vol. 2

David Hill

Patrick Gowers

John Stanley

Treasure Coast Pipes

Friedhelm Flamme’s series featuring organ works of the Northern German Baroque now finds its logical continuation with Dietrich Buxtehude, the leading master in the discipline of Northern German organ artistry. In order to underscore his special interpretive style, the result of his many decades of occupation with practically the entire Northern German repertoire, Flamme has selected the Treutmann organ in the Grauhof Monastery near Goslar, an instrument that has been preserved largely in its original form and conveys Buxtehude’s innovative, visionary musical artistry in a very different way than the well-known Schnitger organs in Northern Germany. Each album is designed in the manner of an exciting concert program revealing two things: first, the variety of Buxtehude’s compositions, which include free pieces and chorale settings to be executed on the manuals or with virtuosic pedal playing and occur in styles ranging from nimble canzonettas and basso ostinato forms filled with gravity to strict textures in »erudite counterpoint«; second, the vast tonal resources of the Treutmann organ, both in the sense of varietas and in view of the line of suspense traced by the musical keys. It is thus that Vol. 1 forms the beginning with magnificent works by the most important Baroque master of organ artistry prior to Johann Sebastian Bach and along with him. Owing to its temperament, the Treutmann organ enables the realization of the stylistically correct rendering of pieces in remote keys, something that would have been impossible on mean-tone instruments.

Buxtehude: Complete Organ Works, Vol. 1

Henrik Fibiger Nørfelt

Johann Sebastian Bach

Works by Diderich Buxtehude and Young Johann Sebastian Bach

Meilin Ai

Busoni’s transcriptions of Bach have long been one of the mainstays of the piano repertoire. Bach himself worshipped the music of the Danish-born Diderich Buxtehude (1637–1707), famously walking 250 miles to Lübeck to hear him play. The Liszt student August Stradal (1860–1930) obviously shared that admiration, transcribing ten of Buxtehude’s most imposing organ works for piano, thus creating alongside ‘Bach-Busoni’ a corpus of grandiose – and virtuoso – Baroque music for the modern concert grand that has somehow remained almost entirely unknown. Meilin Ai studied for her Doctor of Musical Arts degree in piano performance with Joseph Banowetz at the University of North Texas and is now a full-time faculty member of the Conservatory of Music of the Sichuan Normal University in China.

Buxtehude by Arrangement

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Buxtehude: Opera Omnia XVII - Vocal music, Vol. 7

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