Stanton Moore

With You In Mind

Cyril Neville

Trombone Shorty

Here Come The Girls

Nicholas Payton

Skerik

Life

Donald Harrison Jr.

Java

Jolynda Kiki Chapman

All These Things

Maceo Parker

Night People

The Beat

Riverboat

Everything I Do Gone Be Funky

With You In My Mind

Wendell Pierce

Southern Nights

James Singleton

David Torkanowsky

Live at the 2025 New Orleans Jazz & Heritage Festival

Toyesauce

Kevin McKinney

George Porter Jr.

Love Is Gonna Get Ya (feat. Kevin McKinney, George Porter Jr., Stanton Moore, Big Sam & Jeff Coffin)

Will Bernard

Robert Walter

Mike Napolitano

Groove Alchemy

Stanton Emery Music (BMI)

Emphasis! (On Parenthesis)

by  Thom JurekSomething must be up at Telarc Records. Long renowned as a blues and either straight or smooth jazz label, they've been branching out. Earlier in 2006 the label kicked out the killer One-Two Punch by Mars Williams and Liquid Soul, easily their most consistent and groovalatious album, and now comes the third solo date by Galactic tub thumper Stanton Moore. III is Moore's least ambitious yet. (Yeah, baby, that's a good thang.) Moore, organist and composer Robert Walter, and king of the underground six-string slinger sophisticates Will Bernard have come up with a deep, ass-shaking groove jazz trio date. Oh yeah, remember all those dates on Blue Note by John Patton, Baby Face Willette, Lou Donaldson, and Fred Jackson? Uh huh. Now y'all are gettin' it. The only real difference is there isn't anything retro in the approach this trio lays down. These are future funk grooves made by basic instrumentation from the past. Moore's always been about shakin' it down, but in the past his sense of syncopation and adventurous instrumental dictates won out over solid, in-the-pocket funkifying. That's not to say that All Kooked Out! and its predecessor, Flyin' the Koop, weren't good records...hell, they were great. But they were complex jazz and soul studies, whereas III is nothing but greasy. Walter composed the vast majority of the tunes here, and rather than dig deep into the wildly progressive side of his nature explored exponentially with his 20th Street Congress or the Greyboy Allstars, he keeps his backbeat funk close to the vest here (check the opener, "Poison Pushy"). Even when employing saxophonist Skerik and trombonist Mark Mullins, on "Chilcock" he keeps the blues in the mix and digs into them heartily. The album opener, "Poison Pushy," touches the classic soul-jazz trio territory just enough to let you know what it's about, but then extrapolates on the paradigm with his arpeggios and Moore's chronic double-time breaks. ... Read More...

Eric Krasno

Krasno/Moore Project: Book of Queens

Stay High

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With You In Mind

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