Harry Allen

When I Grow Too Old to Dream

Nagasaki

Here's That Rainy Day

Wouldn't It Be Loverly?

You're My Everything

Gravy Waltz

I Wish You Love

Lulu's Back in Town

I Guess I'll Have to Change My Plan

Ding-Dong, the Witch Is Dead

Detour Ahead

Love Walked In

All the Things You Are

Reinhardt Winkler

John Di Martino

Wolfgang Puschnig

Drop Me Off

Little Rio

Martin Sasse

Live At Bird's Eye

Danny Bacher

Charles Caranicas

Allen Farnham

It’s evident from the get-go that Danny Bacher was born to perform. His humor, his delivery, his talent, his joie de vivre appear instantly and plentifully on his new album ‘Still Happy!’ - a rather odd title, considering he’s just arrived on the scene and that he’s, well, pretty happy already, it seems. Bacher honed his chops in the New York City jazz world, and he brings with him the confidence of someone who’s weathered the storm and is now better for it. His performance on the new album is seasoned and all pro, a mix of youthful vigor and finger-popping vet. He bounces from oldies and goodies to classic takes on the Great American Songbook, all the while infusing them with dazzle and style. Produced by Jeff Levenson, the session features top talent, including Allen Farnham on piano, Dean Johnson on bass, Alvester Garnett on drums, Rolando Morales-Matos on percussion, and horn players Charles Caranicas and Harry Allen. Surrounded by quality, Bacher’s voice and soprano sax truly rise to the occasion, especially on the predominantly upbeat material, like “Laughing at Life,” Bernstein’s “Lucky to Be Me,” “Hooray for Hollywood” and the title track. Bacher is always at home on the stage and presents his case with elegance and class, not to mention a little laughter.

Still Happy

Jon Delaney

Dimitrie J. Leivici

Matt Jodrell

As a woman composer who has carved an enviable reputation inside the crucible of the Hollywood Film Music business, Nan Schwartz nonetheless remains an enigma to orchestras and concert music audiences around the world. This apparent anomaly can, in part, be ascribed to the imbalance in respect to opportunities for women composers generally, but given that Nan is a Grammy winner, 5-time Grammy nominee and seven-time Emmy nominee, it remains perplexing that the classical music world has taken so long to recognize her indisputable genius. This album beautifully directed by the eminent Australian conductor, Kevin Purcell, brings to light through these premiere recordings the extraordinary music of this iconic, contemporary, American composer. The album further includes the premiere recording of a new Concerto for orchestra composed as a paean to Miles Davis’s 1959 iconic Jazz album, ‘Kind of Blue’, by leading Australian composer, Brenton Broadstock.

When I Grow Too Old to Dream

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