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Piotr Pławner的專輯Paderewski & Stojowski: Violin Sonatas

Paderewski & Stojowski: Violin Sonatas

Piotr Pławner, Piotr Sałajczyk, Ignacy Jan Paderewski, Zygmunt Stojowski2021年10月15日 • 10 首歌

歌曲列表

1
Violin Sonata in A Minor, Op. 13: I. Allegro con fantasia
Piotr Pławner
2
Violin Sonata in A Minor, Op. 13: II. Intermezzo - Andantino
Piotr Pławner
3
Violin Sonata in A Minor, Op. 13: III. Finale. Allegro molto quasi presto
Piotr Pławner
4
Violin Sonata No. 1 in G Major, Op. 13: I. Allegro non troppo
Piotr Pławner
5
Violin Sonata No. 1 in G Major, Op. 13: II. Allegretto capriccioso
Piotr Pławner
6
Violin Sonata No. 1 in G Major, Op. 13: III. Theme varie
Piotr Pławner
7
Violin Sonata No. 2 in E Minor, Op. 37: I. Allegretto affetuoso
Piotr Pławner
8
Violin Sonata No. 2 in E Minor, Op. 37: II. Intermezzo
Piotr Pławner
9
Violin Sonata No. 2 in E Minor, Op. 37: III. Arietta
Piotr Pławner
10
Violin Sonata No. 2 in E Minor, Op. 37: IV. Allegro giocoso
Piotr Pławner

Paderewski & Stojowski: Violin Sonatas

Over many decades the enduring impression internationally was that between Fryderyk Chopin and Karol Szymanowski there had been no significant composers in Poland. However, when this country was not a state, it brought forth other highly talented musicians who stood the test of European comparison with flying colors. Two of them were closely acquainted personally through a teacher-pupil relationship and warm ties of friendship: Ignacy Jan Paderewski and Zygmunt Stojowski, and for some years now the compositions of the two have enjoyed new esteem. Paderewski’s Sonata op. 13 may rightly claim a place side by side with famous works by Edvard Grieg, Johannes Brahms, and César Franck. Paderewski immediately demonstrates his command of the latest developments in the European art of music. The beginning of the first movement combines a piano accompaniment of stormy animation with a violin theme of sweeping breadth that on the one hand could have been taken from a symphony by Bruckner and on the other hand could represent a minor variant of the concluding apotheosis in Grieg’s Piano Concerto. The violinist Wladyslaw Górski offered Stojowski insights into his instrument’s capabilities when the composer was a young man, and Stojowski’s first violin sonata, a most highly effectively composed work, documents this expert tutelage.
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