DJ Hype

by Sean Cooper Although his Ganja Records label and tracks released under his own name and with the Ganja Kru have helped, its the DJ at the front of Hypes name that has proved most important in raising his profile to the level of the Grooveriders, Goldies, and LTJ Bukems of drumnbass. A battle DJ of renown (he represented England in the 1989 DMCs), Hype had a history of electrifying deckwork before moving on from his reggae and hip-hop roots in the late 80s and latching onto house and hardcore. He was an early force on one of Londons most influential pirate stations, Fantasy FM, and since then hes consistently topped bills on the international DJ circuit, landing awards for Best Male DJ and Best Radio DJ (in 1994 and 1995, respectively) at the U.K.s prestigious Hardcore Awards. Hes also one of Londons popular Kiss FMs biggest attractions and was the force behind Suburban Bases popular multi-volumed mixed compilation series, Drum and Bass Selection. A champion of jungles dancefloor purity, Hype has also rallied consistently against jungles compartmentalization into artificial scenes such as ambient/intelligent and hip-hop/ragga. (Of course, his sets tend to consist almost exclusively of the latter, which somewhat undermines his argument.) Hype began producing in 1990, engineering and co-producing tracks (including chart-toppers such as Exorcist and The Bee) for hardcore staples Kickin, Strictly Underground, and Sub Base. Although he never lost touch with his breakbeat roots (even going so far as to spin hip-hop instrumentals over house tracks to add a bit of rhythmic flare), it wasnt until he launched his own Ganja label in 1994 (with Cops) that he began seriously focusing on the post-rave possibilities of sampled breaks. The Ganja labels almost immediate popularity — primarily through floor-fillers such as DJ Krome & Times Ganja Man and DJ Zincs penultimate 1995 anthem Super Sharp Shooter — peaked in late 1995 with Still Smokin, a combined-release label compilation between Ganja and cohort Pascals Frontline imprint, which became one of the highest-selling independent jungle compilations. Re-pressed in 1997, that success also led to a major label deal with MCAs Parousia sublabel and the establishment of True Playaz Music, a Hype-led DJ and production unit also including Zinc, Pascal, and Rude Bwoy Monty. True Playaz the label has also come to the fore as one of the more consistent outlets for innovative hardstep, a style that all but disappeared during the jump-up- and techstep-dominated mid-90s.