Mireille Mathieu

36 粉絲

Mireille Mathieu--嬌小的法國樂壇仙子,她的演唱極富表現力、感染力,不但法語歌曲讓我們傾倒,對各國的民謠演繹也讓我們看到了另外一面。 French chanteuse Mireille Mathieu is classically known for her illustrious French crooning during the '60s and '70s. Born into a stone labor family of 14 children, Mathieu arrived July 22, 1946, in Avignon, France, and as a child she saved her money from working in the factory so she could pay for singing lessons. In the early '60s, French pop vocalist Johnny Hallyday's manager Johnny Stark noticed Mathieu's enchanting vocalic beauty and later built her into her own star with the classic urchin hairdo and loud, vibrant costumes. She was quickly hailed as the next Edith Piaf and her 1965 performance run at the Paris Olympia sparked her recording relationship with Barclay Records. Singles such as "Mon Credo," "C'est Ton Nom," and "Qu'elle Est Belle" made Mathieu an international star in Europe while achieving mild success in the Americas, but her cover of Englebert Humperdinck's "The Last Waltz" was an impressive French interpretation that made her impact charts in Britain. Humperdinck returned the favor by choosing to sing Mathieu's "Les Bicyclettes de Belsize."

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Mireille Mathieu的專輯La dernière valse
La dernière valse2020年4月14日
Mireille Mathieu的專輯Cinéma
Cinéma2019年10月4日
Mireille Mathieu的專輯Over the Rainbow
Over the Rainbow2019年9月27日
Mireille Mathieu的專輯Un homme et une femme
Un homme et une femme2019年9月6日

Mireille Mathieu :

Mireille Mathieu--嬌小的法國樂壇仙子,她的演唱極富表現力、感染力,不但法語歌曲讓我們傾倒,對各國的民謠演繹也讓我們看到了另外一面。 French chanteuse Mireille Mathieu is classically known for her illustrious French crooning during the '60s and '70s. Born into a stone labor family of 14 children, Mathieu arrived July 22, 1946, in Avignon, France, and as a child she saved her money from working in the factory so she could pay for singing lessons. In the early '60s, French pop vocalist Johnny Hallyday's manager Johnny Stark noticed Mathieu's enchanting vocalic beauty and later built her into her own star with the classic urchin hairdo and loud, vibrant costumes. She was quickly hailed as the next Edith Piaf and her 1965 performance run at the Paris Olympia sparked her recording relationship with Barclay Records. Singles such as "Mon Credo," "C'est Ton Nom," and "Qu'elle Est Belle" made Mathieu an international star in Europe while achieving mild success in the Americas, but her cover of Englebert Humperdinck's "The Last Waltz" was an impressive French interpretation that made her impact charts in Britain. Humperdinck returned the favor by choosing to sing Mathieu's "Les Bicyclettes de Belsize."

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