Beastie Boys

Slow And Low

Beastie Boys Music

Looking Down The Barrel Of A Gun

Shake Your Rump

Hey Ladies

Shadrach

Get It Together

Sure Shot

Hot Sauce Committee

Hot Sauce Committee (Pt. 2) [Explicit]

Hot Sauce Committee Part Two (Clean)

Don't Play No Game That I Can't Win (Remix EP) [feat. Santigold]

Too Many Rappers

The Mix Up Bonus Tracks

The Mix-Up

Solid Gold Hits (Explicit)

To The 5 Boroughs

Ch-Check It Out (Explicit)

Ch-Check It Out

To The 5 Boroughs (Explicit)

Pass The Mic

Ch-Check It Out (Just Blaze Remix)

An Open Letter To NYC

Three MC's And One DJ

Alive

Talking

The Negotiation Limerick File

Anthology: The Sounds Of Science

Hello Nasty

Intergalactic

Body Movin'

The In Sound From Way Out!

Aglio E Olio (Explicit)

Root Down EP

Tokyo Drift

Ill Communication

Ill Communication (Deluxe Edition) [Explicit]

Some Old Bullshit

Kawasaki 1992 (live)

《To The 5 Boroughs》是Beastie Boys以纽约五大区为灵感坐标的全长创作，这张重制豪华版完整保留了他们颠覆性的创作棱角。三位成员用密集的俚语韵脚编织出后911时代的城市叙事——从地铁涂鸦到深夜披萨店的对话，粗粝的电子节拍与复古放克采样裹挟着犀利的政治隐喻，尖锐却不失诙谐。专辑中标志性的街头美学被注入更深的思辨性，那些讽刺消费主义与战争机器的片段，让整张作品跳脱出派对说唱的框架。制作上刻意削弱了过度工业化的音效处理，用低保真质感的鼓机循环致敬黄金年代hip-hop的原始生命力。

Beastie Boys乐队是在后朋克时代美国流行音乐界具有重要地位和巨大影响力的一支乐队，之所以称Beastie Boys乐队为非常重要，不仅仅是因为他们是第一个真正大牌的白人说唱团体，更重要的是由于他们促进了两种音乐流派的混合——朋克和说唱。这支最初成立于1979年的乐队原本是一支硬核朋克乐队，在朋克音乐的巅峰过后，他们把B-boy，DIY等等hip-hop观念融入到自己的音乐之中，从另一个方面也可以说是把吉他演奏等摇滚乐元素加入到了说唱音乐之中。尽管长期的时间里一直以地下音乐的身份存在，但是他们充分的抓住了朋克音乐和说唱音乐在文化层面的某些同源性，继而形成了自己的音乐风格。 


Limited edition tour package coupling together their smash 1998 album with a bonus CD featuring four non-album tracks from 'Hello Nasty''s first two hit singles, 'Body Movin'' & 'Intergalactic'. The bonus CD's tracks are 'Hail Sagan' (Special K), 'Body Movin'' (Fatboy Slim Remix), 'Intergalactic' (Prisoners Of Technology Remix) and 'Peanut Butter & Jelly'. A combined total of 26 tracks. Comes packaged in a deluxe gatefold digipak with Australian tour dates. 1999 release. 


The first single from 1998's 'Hello Nasty'. Contains threemixes of 'Intergalactic' (Album Version, Prisoners OfTechnology/ TMS 1 Re-mix and Fuzzy Logic Re-mix), plus 'HailSagan' (Special K). Slimline jewel case. 1998 Capitol Recordsrelease. 



The first album from the pioneering duo of Jean-Jacques Perrey and Gershon Kingsley, recorded in 1966. Allegedly the recording involved 275 hours of work and several miles of tape. These electronically modified sounds were combined with electronic sounds from oscillators, tone generators, and feedback loops to produce something approximating pop music.


★嘻哈黄金世代、白人饶舌始祖，野兽男孩1994年生涯第三张冠军专辑
★空降告示牌冠军、全美三张多白金销售纪录，1001张死前必听专辑！
★收录畅销曲“Sabotage”、“Sure Shot”、“Root Down”等歌曲

Beastie Boys可以说是嘻哈音乐早期撑起一片天的传奇组合之一，与Run-D.M.C、LL Cool、Public Enemy等人被视为嘻哈黄金年代的创始先锋；Beastie Boys不仅仅在嘻哈有崇高地位，他们更可说是白人饶舌的始祖。时隔多年，Beastie Boys释出全新精选，让人重新感受Hip Hop Golden Age的美好。

由主要人物Mike D、MCA、Ad-Rock组成的Beastie Boys，成军于1978年的纽约市，早期以Punk和Hardcore音乐为主，到了80年代后，Beastie Boys开始融合嘻哈音乐的拼贴风格，创造出独一无二的音乐派别。多年以来，Beastie Boys在全球累积超过2000万张的专辑销售，获得3座葛莱美奖、7座MTV音乐大奖，并在2012年入选摇滚名人堂，成为当代传奇人物。Beastie Boys透过【Licensed to Ill】、【Paul`s Boutique】、【Check Your Head】、【Ill Communication】、【Hello Nasty】等专辑，缔造出多次告示牌冠军，并且凭藉著"(You Gotta) Fight for Your Right (To Party!)"、"No Sleep till Brooklyn"、"Pass the Mic"、"So What`cha Want"、"Intergalactic"、"Ch-Check It Out"等歌曲，成为当时的超级巨星。2012年，随著成员MCA的过世，Beastie Boys也因此解散、成为绝响。

In the hilarious liner note/photo package with the disc is an indignant letter from a punk fan in about 1982 or so complaining bitterly about the Beastie Boys as being little more than "a pathetic, feeble imitation of Minor Threat." The thing is, that's fairly accurate. Collecting some of the long out-of-print/hard-to-find early releases by the band — the Polly Wog Stew EP and the Cookie Puss single, mainly — Some Old Bullshit is mostly that, if an entertaining enough variety. The eight Polly Wog Stew tracks are brattish hardcore and not much more, mainly interesting to hear Mike D's lead snotty whine and sometimes amusing lyrics ("Egg Raid on Mojo" is about carrying out such an assault on the doorman of a Manhattan club). "Jimi" is the best of the bunch because it isn't anything like hardcore, but more an attempt at noisy psychedelia that sounds like a sweeter, younger version of the Butthole Surfers. There's one other reason to at least give the album an initial ear: the drummer at this point was Kate Schellenbach, eventual founding member of Luscious Jackson a decade later. The Cookie Puss tracks signal the initial transmogrification of the Beasties into the hip-hop monsters of the later '80s, if a bit hamhandedly. There's old-school synth beats and bass, some minimal scratching, and vocals that in retrospec 


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