ManMadeMan

2 粉絲

多年来ManMadeMan致力于在全球范围内推广他们的音乐,他们不计回报的尽量使自己的音乐能完全免费地到达爱好者手中。用他们的话讲就是"we embrace this as a perfect medium to allow everyone to listen to the music.There is nothing lost for anyone, rather a sharing of two sides, the listener and the creator, both intrinsically linked.". Paul Baguley and Sonya Bailey have been producing music as ManMadeMan since 1994, operating in both the commercial and underground dance scenes. They came from completely different musical backgrounds. Paul was working with bands and Sonya was a wayward young girl with a keen ear. Coming together they partied hard at some of the most legendary events back in the early days, Cripps Barn, Dragon Fly, The Fridge, The Rocket and Space Hopper, the club that launched them. It was these experiences that inspired them to create music within a scene that was totally different from anything they had been involved in before. And so MMM was born: one EPS 16+ and away they went, until they had a live set. Whilst playing in the clubs where they had partied in earlier days, DJ Tsuyoshi Suzuki heard them and soon after they released their first single on London-based Matsuri Records. Later they released their first album, Lovetechnology on Flying Rhino Records and followed this up by gigging around the world. This led to meeting loads of new people who were starting labels and soon they were releasing music globally on many record companies throughout the industry. They signed up with Concord International and found themselves supporting the Shaman in 1996. Together they worked alongside many producers and have played at a wide range of events across the world. In the summer of 1996, China Records approached them for an album deal. They were then working with the producer of many No. 1 records including Bruce Willis1 Under The Boardwalk. This led to their releasing tracks alongside U2, Massive Attack, Fatboy Slim, The Chemical Brothers, Leftfield and many other renowned artists, and they found their music being remixed by chart-toppers such as KarmaSutra. They released their first album ‘Love Technology’ on Flying Rhino Records in 2000 and their second ‘Cell Division’, was released on Transient Records in March 2002. Manmademan have been on the play-lists of Judge Jules, Pete Tong, Sasha, Digweed and other leading DJs. They have fiercely held on to their independence by retaining all rights to their publishing. Today the studio consists of a Mac G5 and numerous analogue synths as well as a plethora of virtual synths. Logic Pro is used for sequencing, a far cry from their old Atari. Having two children during the last four years has brought many new things to MMM. It has been a learning experience and one that has cut both ways: making music through the night and then doing the school run isn’t always conducive to making trance. Yet they have never given up, showing an unerring dedication to the scene. Hard to pigeonhole, they can turn their hand to many types of music but trance is where their hearts lie.

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專輯 | 單曲

ManMadeMan的專輯Karahana - Remixes
Karahana - Remixes2014年3月17日
ManMadeMan的專輯Dementia
Dementia2013年11月18日
ManMadeMan的專輯Awareness
Awareness2013年7月1日
ManMadeMan的專輯The Legend Remixes
The Legend Remixes2006年1月30日

ManMadeMan :

多年来ManMadeMan致力于在全球范围内推广他们的音乐,他们不计回报的尽量使自己的音乐能完全免费地到达爱好者手中。用他们的话讲就是"we embrace this as a perfect medium to allow everyone to listen to the music.There is nothing lost for anyone, rather a sharing of two sides, the listener and the creator, both intrinsically linked.". Paul Baguley and Sonya Bailey have been producing music as ManMadeMan since 1994, operating in both the commercial and underground dance scenes. They came from completely different musical backgrounds. Paul was working with bands and Sonya was a wayward young girl with a keen ear. Coming together they partied hard at some of the most legendary events back in the early days, Cripps Barn, Dragon Fly, The Fridge, The Rocket and Space Hopper, the club that launched them. It was these experiences that inspired them to create music within a scene that was totally different from anything they had been involved in before. And so MMM was born: one EPS 16+ and away they went, until they had a live set. Whilst playing in the clubs where they had partied in earlier days, DJ Tsuyoshi Suzuki heard them and soon after they released their first single on London-based Matsuri Records. Later they released their first album, Lovetechnology on Flying Rhino Records and followed this up by gigging around the world. This led to meeting loads of new people who were starting labels and soon they were releasing music globally on many record companies throughout the industry. They signed up with Concord International and found themselves supporting the Shaman in 1996. Together they worked alongside many producers and have played at a wide range of events across the world. In the summer of 1996, China Records approached them for an album deal. They were then working with the producer of many No. 1 records including Bruce Willis1 Under The Boardwalk. This led to their releasing tracks alongside U2, Massive Attack, Fatboy Slim, The Chemical Brothers, Leftfield and many other renowned artists, and they found their music being remixed by chart-toppers such as KarmaSutra. They released their first album ‘Love Technology’ on Flying Rhino Records in 2000 and their second ‘Cell Division’, was released on Transient Records in March 2002. Manmademan have been on the play-lists of Judge Jules, Pete Tong, Sasha, Digweed and other leading DJs. They have fiercely held on to their independence by retaining all rights to their publishing. Today the studio consists of a Mac G5 and numerous analogue synths as well as a plethora of virtual synths. Logic Pro is used for sequencing, a far cry from their old Atari. Having two children during the last four years has brought many new things to MMM. It has been a learning experience and one that has cut both ways: making music through the night and then doing the school run isn’t always conducive to making trance. Yet they have never given up, showing an unerring dedication to the scene. Hard to pigeonhole, they can turn their hand to many types of music but trance is where their hearts lie.

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