Alan Silvestri

《头号玩家》是由史蒂文·斯皮尔伯格执导，扎克·佩恩、恩斯特·克莱恩编剧，泰伊·谢里丹、奥利维亚·库克、西蒙·佩吉、本·门德尔森、马克·里朗斯、T·J·米勒主演的科幻冒险片，于2018年3月30日在中国内地与北美同步上映 。
该片根据恩斯特·克莱恩同名小说改编，讲述2045年，由于现实生活无趣，无数年轻人迷失在一款超级火爆的游戏《绿洲》的世界里。韦德逐渐发觉：自己在现实和虚拟世界里都面临困境 。

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The Oasis (From "Ready Player One")

"Hello, I'm James Halliday" (From "Ready Player One")

"Why Can't We Go Backwards?” (From "Ready Player One")

An Orb Meeting (From "Ready Player One")

Real World Consequences (From "Ready Player One")

Sorrento Makes An Offer (From "Ready Player One")

Welcome To The Rebellion (From "Ready Player One")

High 5 Assembles (From "Ready Player One")

Orb Of Osuvox (From "Ready Player One")

Sorrento Punked (From "Ready Player One")

Wade's Broadcast (From "Ready Player One")

Arty On The "Inside" (From "Ready Player One")

Looking For A Truck (From "Ready Player One")

She Never Left (From "Ready Player One")

Last Chance (From "Ready Player One")

"Get Me Out Of This" (From "Ready Player One")

"Hold On To Something" (From "Ready Player One")

"This Is Wrong" (From "Ready Player One")

"What Are You?" (From "Ready Player One")

"There's Something I Need To Do" (From "Ready Player One")

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End Credits (From "Ready Player One")

Ramin Djawadi

Marvel Music - Movie Soundtracks

The Electric State (Soundtrack from the Netflix Film)

Bernard Herrmann

Cinema Sounds: Film Music

《Here (Original Motion Picture Soundtrack)》由好莱坞传奇配乐大师Alan Silvestri执笔，延续了他擅长的情绪叙事美学。这张原声带以极具情感张力的交响乐章构建影像脉络，细腻的钢琴旋律与恢弘弦乐交织出流动的时空画卷，单簧管独奏段落恍如角色内心独白。电子音色在传统器乐织体中若隐若现，营造出既古典又先锋的多维听觉空间，尤其值得留意竖琴与钟琴营造的星芒式音效，宛如用音符在黑暗中勾勒出光的轨迹。Silvestri通过动静相生的配器哲学，将电影中未被言说的潜台词化作可触摸的声波记忆。

Here (Original Motion Picture Soundtrack)

Erich Kunzel

Jerry Goldsmith

The Greatest Orchestral Movie Soundtracks

Piano Sunday Covers

The Magic of Silvestri

by  Jason AnkenyBefitting a sequel as rote and predictable as Predator 2, Alan Silvestri's score does little more than rehash his music for the original film, favoring a bigger-is-better approach that ratchets the bombast to migraine-inducing levels. The central melodies and motifs established by Silvestri for the first Predator film remain ubiquitous here as well, as do the composer's sonic calling cards. Eruptions of horns, shrieking string arrangements, and swelling timpani combine for a sensory assault that's positively overwhelming. Music this frenetic and cacophonous no doubt demands deep listening, but even given one's full attention, Predator 2 reveals little or nothing of value. Smacking your forehead with a sledgehammer achieves the same end result, and at a fraction of the soundtrack's 45-minute running time.

Predator 2 (Original Motion Picture Soundtrack)

https://image.joox.com/JOOXcover/0/0c6f466766a7d0a8/300

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歌曲列表

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