Wu Tang Clan

Wu-Tang Killa Bees: The Swarm (Explicit)

Timbo King

The Legacy (Explicit)

Sunz of Man

Concrete Jungle (Explicit)

HeavenRazah

Shyheim

Co-Defendant (Explicit)

Street Life

Inspectah Deck

S.O.S. (Explicit)

Raekwon

Mastakilla

Execute Them (Explicit)

A.I.G.

Bronx War Stories (Explicit)

Bobby Digital

Killarmy

Method Man

And Justice For All (Explicit)

Black Nights Of The North Star

Punishment (Explicit)

Ruthless Bastards

Bastard (Explicit)

The Beggaz

On The Strength (Explicit)

Ghostface Killah

Cobra Clutch (Explicit)

Wu-Syndicate

Where Was Heaven (Explicit)

Cappadonna

97 Mentality (Explicit)

Fatal Sting (Explicit)

Enter The Wu-Tang (36 Chambers) – Live from N.Y. State of Mind Tour at Climate Pledge Arena (Explicit)

Wu-Tang Meets the Indie Culture, Vol. 2: Enter the Dubstep (Instrumentals)

Four years after Dreddy Kruger's first Think Differently compilation paired original Wu-Tang members and clan affiliates with an assortment of independent MCs (a pairing that wasn't much of a stretch), Vol. 2 aims to introduce the wide Wu-Tang fan base to another musical subgenre: dubstep — a murky blend of drum'n'bass and deep house with a dub reggae twist. By utilizing an assortment of existing verses from the Wu and company (including a bunch from the first comp), a plethora of U.K. DJ/producers have crafted 19 hybrid tracks. The dubstep/hip-hop marriage seems to work best when the beats take a lower-key approach to sonic hypnosis and a few producers like Scuba Scythe and Chimpo hit the mark nicely, with the former reworking the original song's sample to extraordinary results. However, the experiment stumbles a bit when the beatwork reaches such high levels of furious industrial energy that the rhymes come off as irrelevant. Still, Wu-Tang Meets the Indie Culture, Vol. 2 is basically a production showcase with the vocals working like just another tool to be used as the producers see fit. Many of them (like Rogue Star, Matt U, Trillbass, and Evol Intent) chose to simply lift the rhymes and hooks verbatim from tracks off of recent Wu LPs such as Raekwon's Only Built 4 Cuban Linx, Pt. 2, U-God's Dopium, and GZA's Pro Tools and create straightforward techno-fied remixes while others (like Parson and Hellfire Machina) use bits and pieces of rhymes to flesh out new, more complex sonic landscapes. Enter the Dubstep is definitely not for hip-hop purists, but should have plenty of appeal for those excited about the possibilities of expanding and adapting the genre.

Wu-Tang Meets the Indie Culture Vol. 2: Enter the Dubstep (Explicit)

Soundtracks from the Shaolin Temple (Explicit)

Of Mics and Men (Music from the Showtime Documentary Series) (Explicit)

Disciples of the 36 Chambers: Chapter 1 (Live) [2019 - Remaster]

Pearl Harbor (REMIX) [feat. Mathematics, Method Man, Ghostface Killah, Sean Price, Pharoahe Monch and Tek]

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Wu-Tang Killa Bees: The Swarm (Explicit)

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