Haruka Nakamura

中村遙的《Still Life》以鋼琴為敍事載體，將城市人的孤獨感轉化為流動的音符詩篇。專輯名暗合"靜物畫"概念，通過極簡編曲架構出充滿呼吸感的聲響空間，每個音符都像被定格的時光切片，折射出都市霓虹下未被言説的情緒軌跡。製作團隊運用環境錄音採樣技術，讓地鐵報站聲、雨滴敲窗等生活白噪音與旋律水乳交融，構建出既私密又具普世共鳴的聲音蒙太奇。那些懸浮在琶音中的未完成樂句，恰似現代人在快節奏生活中遺失的情感註腳，等待聽眾在午夜耳機裏逐一拾取拼合。

Still Life

better day

one light

morning

fragile

your sonnet

call from spring

easel

sometime

seasons when a wind passes by

rainy day

anthology

call me

17:00

foresight light

Today
(vo. Meadow)
music by haruka nakamura/
At the start of 2026, haruka nakamura releases a new single to mark the beginning of the year.
Among his recent creative work, this song embodies a renewed sense of
 hope born from a different way of weaving sound and voice.
Even when the light trembles, may there be a celebration for "today."
music & lyrics / haruka nakamura
piano, other instruments / haruka nakamura
vocal / Meadow
percussion / ryota tanaka
design / suzuki takahisa (16 design institute)
mastering / gen tanabe (studio camel house)
A&R / kyoko yamaguchi (one cushion, inc)
[Lyric Interpretation]
(In the main track, English and Japanese lyrics are interwoven.)
written by haruka nakamura
Let us cast away our sorrows today-
those withered, lingering griefs.
Let us plant love instead.
Such is the tone I long for.
Walking along a pale blue path,
the sea goddess calls the wind.
We greet the trembling of the world with a quiet hello,
for now we must even pray for peace itself.
Within the fading colors, we are alone.
Is it wrong to seek salvation in our hearts?
Every morning I wonder:
what does "eternity" truly mean?Again today, too late to die, I chant-
may whatever I grasp become light.
It flickers today, disappears tonight,
and before I know it, tomorrow arrives.
Let us light a small lamp.
Dusk falls again; night comes.
-
Then came the voyage after that,
and the small church I once visited.
Even the future-
I had pushed its prayers away.
Ahead of us stands our lighthouse.
How many cries must we raise
as we continue chasing
that uncertain harvest of hope?
Life is the gathering of light.
Before I knew it, I had learned to stitch and chant.
Life is the gathering of light.
Even if the heart begins to sway, it will be fulfilled.
Life is the gathering of light-
to question, to search, then fall silent again.
Life is the gathering of light.
May it be given to you-
to you.///
This song was originally born as the theme song "AKARIBI (Lighted Day)"
for the film "How We Came to Frequent Men-dokoro Maroni,"
planned and produced by Takumi Saitoh, directed by Takumi Koyama.

Today (vo.Meadow)

Catching The Stars of This Summer (Original Soundtrack)

suis from Yorushika

燈星

A collaboration between TRUCK FUNITURE and haruka nakamura. Three original songs were produced to coincide with the opening of the new "S.T,N.E." showroom on the first floor of TRUCK. (The background music in TRUCK stores is a haruka nakamura playlist that includes these songs.)

Music by haruka nakamura

Chorus (N/E) / maika 
mastering / gen tanabe (Studio Camel House)
Music Production / kyoko yamaguchi (one cushion, inc)

________________
S.T,N.E. - TRUCK FURNITURE × haruka nakamura

01. N/E
02. still TRUCK
03. MONDAY FELT PIANO

S.T, N.E. - TRUCK FURNITURE × haruka nakamura

ドラマ「あの子の子ども」オリジナル・サウンドトラック

"AOIMORI IV -music for TSUTAYA BOOKS -"
by haruka nakamura

A music project for TSUTAYA BOOKS by haruka nakamura, created around the theme of "blue forest - AOIMORI". The fourth and final installment is acoustic ambient music with a nostalgic guitar sound as the main focus. The final installment returns to the guitar, which is the starting point, and creates a new landscape. The cover photo is by photographer Rinko Kawauchi, who is a close friend of the artist and was responsible for all of the series.
________________

Musician haruka nakamura will be in charge of the in-store music for several TSUTAYA BOOKS nationwide for one year from 2023 to 2024. All of the songs are original songs written for the TSUTAYA BOOKS  project. Based on the concept of a bookstore that sells books and the theme of "forests," which are also the home of musical instruments such as pianos and guitars, a total of four albums titled "Blue Forest - AOIMORI ," which is connected to nakamura's hometown of Aomori, will be produced during the period until autumn 2024.

The final album was recorded on her father's acoustic guitar, which she has been playing since her teens, and a gut guitar given to her by  Nujabes and the hydeout label when she produced her album "MELODICA." The new music, which blends in the synthesizer introduced in the Aoi Mori series, is reminiscent of her early works "grace" and "nica," a nostalgic sound from before she started playing the piano seriously.
As expressed in the cover photo of this album by Rinko Kawauchi, it is an album filled with hope and happiness, befitting a final album, as if she had reached a sunny garden.
The unified conceptual design of the Aoi Mori series makes it available as a beautifully bound CD album that you will want to display in your room.

________
all written & mixed by haruka nakamura
photo: kawauchi rinko

design: suzuki takahisa (16 design institute)
mastering: tanabe gen (studio camel house)

A&R: yamaguchi kyoko (one cushion, inc)

collaborate with tsutaya bookstore
toudai label.

AOIMORI IV -music for TSUTAYA BOOKS -

藤本タツキ(『チェンソーマン』)が放つ青春物語が劇場アニメ化!2021年に『ジャンプ+』にて公開されると、著名なクリエイター陣をはじめとした數多くの漫畫ファンから注目を浴びた本作は、『このマンガがすごい!』2022オトコ編第1位にも輝いた。監督・腳本・キャラクターデザインを務めるのは、『ヱヴァンゲリヲン新劇場版:破』『借りぐらしのアリエッティ』『風立ちぬ』など、數多くの劇場作品に主要スタッフとして攜わってきた、押山清高。その卓越した作畫力で、二人の少女をみずみずしくも繊細に、スクリーンに映し出す。性格が正反対の藤野と京本。二人の少女をつないだのは、漫畫へのひたむきな思い。漫畫に青春を捧げた二人が見た未來とは…。ルックバックの世界観に寄り添う珠玉の楽曲。

劇場アニメ ルックバック オリジナルサウンドトラック

https://image.joox.com/JOOXcover/0/36cbc7b026e6cf76/300

Still Life

歌曲列表

Still Life

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