Chloe Hanslip

Bruch : Violin Concerto No. 3

Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato

Bruch : Violin Concerto No.1 in G minor Op.26 : II Adagio

Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico

Bruch : Violin Concerto No.3 in D minor Op.58 : I Allegro energico

Bruch : Violin Concerto No.3 in D minor Op.58 : II Adagio

Bruch : Violin Concerto No.3 in D minor Op.58 : III Finale - Allegro molto

Martyn Brabbins

Mikhail Ovrutsky

Navarra, Op. 33

Mathias Kjøller

Simon Crawford-Phillips

Callino Quartet

Danish clarinettist Mathias Kjøller, himself a laureate in the Carl Nielsen Competition and former principal of the Danish Radio Symphony Orchestra, has collaborated with several highly acclaimed musicians for this recording of chamber music works. The album is a testament to the sound worlds created for the clarinet by Schumann, Reinecke, Debussy, Berg and Corigliano. The connection between composers is foremost an emotional, and very melancholic one, ranging from the highly expressive Three Romances by Schumann to Alban Berg’s Adagio, with Corigliano’s Soliloquy serving as a sorrowful coda having been written in memoriam of the composer’s father.

Schumann, Reinecke, Debussy, Berg & Corigliano: Works Featuring Clarinet

Colin Currie

哈萊管絃樂團

Nicholas Collon

Holt: A Table of Noises, St. Vitus in the Kettle & Witness to a Snow Miracle

Igor Tchetuev

Medtner: Violin Sonatas Nos. 1 & 3

Danny Driver

York Bowen: The Complete Works for Violin and Piano

Orchestra della Svizzera Italiana

Alexander Vedernikov

The brilliant young violinist Chloë Hanslip has recorded another volume of Hyperion’s Romantic Violin Concerto series, and displays her usual insouciant virtuosity and obvious delight in the music.

Glazunov’s Violin Concerto, written for Leopold Auer, is a masterpiece of violin writing, including a brilliantly effective cadenza by the composer himself. As Hans Keller wrote, ‘Glazunov created an almost perfect concerto—instrumentally, the best I know amongst pianists’ violin concertos’.

Swiss composer Othmar Schoek is probably best known for his Lieder. His Concerto quasi una fantasia in B flat major, Op 21, for violin and full orchestra is his most substantial concert work. The lyric passion and attractiveness of the work’s ideas earn it a distinguished place among the violin concertos of the immediate pre-World War I period.

Glazunov & Schoeck: Works for Violin and Orchestra (Hyperion Romantic Violin Concerto 14)

Royal Flemish Philharmonic

Hyperion’s record of the month for May heralds a new collaboration with the brilliant young British violinist Chloë Hanslip, the former child prodigy famously signed to Warner Classics at the age of just fourteen. Here, she lends her now-mature talents to the second release in Hyperion’s overview of Vieuxtemps’ Violin Concertos and Volume 12 of the burgeoning Romantic Violin Concerto series.

Henry Vieuxtemps (1820–1881) was a French violin virtuoso who, after the death of Paganini, was widely considered to be the best violinist in Europe. Besides being a brilliant player, he was a remarkably fine composer, as demonstrated in these, his first two concertos. Alongside the memorable violin fireworks, Vieuxtemps here shows a well-argued musical sensibility that straddles both the Classical and Romantic eras as well as the ability to write gorgeous, almost operatic slow movements in the best bel canto tradition.

Vieuxtemps: Violin Concertos Nos. 1 & 2 (Hyperion Romantic Violin Concerto 12)

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Bruch : Violin Concerto No. 3

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