Songbird was a competent, professional effort from Barbra Streisand, typical of the soft rock style of her '70s work, but unexceptional. Gary Klein, who had produced Streisand Superman, guided a middle course between bombast and balladry, resulting in, for example, perhaps the least objectionable version possible of the frankly awful "Tomorrow" from the Broadway musical Annie and a good reading of Neil Diamond's "You Don't Bring Me Flowers" that would help inspire the hit duet version a year later. But though Streisand now seemed to have access to the efforts of a raft of good songwriters, most of the material here was not memorable. The intended hit, obviously, was the title song, which was patterned after Streisand's recent string of hit ballads. But it was not as effective as its predecessors and didn't perform as well as they had in the charts, only breaking into the Top 40.