The Partridge Family

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I'll Meet You Halfway

You Are Always On My Mind

Doesn't Somebody Want to Be Wanted

I'm Here You're Here

Umbrella Man

Lay It On The Line

Morning Rider On The Road

That'll Be The Day

There's No Doubt In My Mind

She'd Rather Have The Rain

I'll Leave Myself A Little Time

Money Money

Come On Get Happy! The Very Best Of The Partridge Family

rom one album to the next, you could never be sure what you'd get from these guys——but they never sounded like aynyone else. Anyway was released as 1/2 live & 1/2 studio, but all new material. The live tracks are mostly excellent songs (I could do without "Willow Tree"), well performed, but the recording quality is mediocre. Given the paucity of live Familiy recordings, it's best not to quibble. 　　The studio tracks from the original release almost flow together as a suite of the unusual, challenging but very rewarding songs that typified Family. If there is a quintessential Family song in the unreal variety of their work, that song may be the title track of Anyway. The vocal and instrumental backing seem to be going in 2 different directions, both complex, with an unusual rhythm to boot. Yet it does hold together beautifully. Lots of violin (apparently John Weider) touches, a bit of vibes & Roger Chapman alternatively bellowing crooning.

Shopping Bag

Crossword Puzzle

by  Lindsay PlanerAlthough there were two more long-players under the Partridge Family banner, all signs were pointing toward the reality that their 15 minutes of fame were rapidly closing in. Tellingly, The Partridge Family Notebook (1972) became the first Partridge album to fail to reach the Top 40, or even yield a solid hit. The weekly prime time sitcom continued to run on ABC-TV, as central cast members Shirley Jones (vocals) and David Cassidy (vocals) worked in the recording studio alongside heavyweights such as Hal Blaine (drums), Larry Carlton (guitar), Joe Osborne (bass), and Larry Knechtel (keyboards). Yet the fickle nature of pop music had begun to shift away from the pre-fab, formulaic, and predictable Partridge Family. While "Looking Through the Eyes of Love" is arguably the most memorable track on the disc -- becoming the final Top 40 single (Number 39) for the Partridge Family -- it is the cover of "We Gotta Get Out of This Place" which seems to verify the fact that producer Wes Farrell was running out of marketable musical ideas. But a majority of the material comes off as patently contrived. This is especially true of the syrupy and breathy mid-tempo love song "Together We're Better," and the equally dismissible "Storybook Love" -- both of which are somewhat typical of the fare coming from Farrell's stable of writers and arrangers. Even the faux fuzz guitar intro and heavy backbeat of the opener "Friend and a Lover" can't hide the prominent lightweight pop undercurrent, and although it was the follow-up to "Looking Through the Eyes of Love," it barely even made the Top 100, petering out at Number 99. Indeed, the die was cast for the Partridge Family -- although they would retain their television show for an additional two seasons, as well as issue another pair of mediocre LPs.

The Partridge Family Notebook

Partridge Family Album

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