William Stone

Kaaren Erickson

John Cheek

Janet Perry

Mozart: Le Nozze De Figaro (Highlights)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Overture

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene I, "Cinque...dieci...venti" (Susanna, Figaro/ Duettino)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene II, "Se a caso madama..." (Susanna, Figaro/ Duettino)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene III, "Se vuol ballare" (Figaro/ Cavatina)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene IV, "Non so più andrai" (Figaro/ Aria)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene V, "Cosa sento!" (Susanna, Basilio, Conte/ Terzetto)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene VI, "Giovani lieti" (Coro)

Le Nozze De Figaro (The Marriage of Figaro): Act I, Scene VII, "Non più andrai" (Figaro/ Aria)

Le Nozze De Figaro: Act II, Scene I, "Porgi amor..." (Contessa/ Cavatina)

Le Nozze De Figaro: Act II, Scene II, "Voi che sapete" (Cherubino/ Arietta)

Le Nozze De Figaro: Act II, Scene III, "Venite, inginocchiatevi" (Susanna/ Aria)

Le Nozze De Figaro: Act II, Scene IV, " Susanna or via sortite" (Susanna, Contessa, Conte/ Terzetto)

Le Nozze De Figaro: Act II, Scene V, "Esci omai garzon malnato" (Tutti/ Finale)

Le Nozze De Figaro: Act III, Scene I, "Crudel! Perchè finora" (Susanna, Conte/ Duettino)

Le Nozze De Figaro: Act III, Scene II, "Hai già vinta la causa!" (Conte/ Recitativo ed Aria)

Le Nozze De Figaro: Act III, Scene III, "E Susanna non vien!" (Contessa/ Recitativo ed Aria)

Le Nozze De Figaro: Act III, Scene IV, "Ricevete o padroncina" (Coro)

Le Nozze De Figaro: Act III, Scene V, "Ecco la Marcia, andiamo!" (tutti/ Finale)

Le Nozze De Figaro: Act IV, Scene I, "Tutto è disposto" (Figaro/ Recitativo ed Aria)

Le Nozze De Figaro: Act IV, Scene II, "Giunse alfin il momento" (Susanna/ Recitativo ed Aria)

Le Nozze De Figaro: Act IV, Scene III, "Pan pianin le andrò" (tutti/ Finale)

Robert Shaw

Jan De Gaetani

Atlanta Symphony Orchestra

Whitman's poem "When Lilacs Last in the Dooryard Bloom'd" was his elegy on the death of Abraham Lincoln. Hindemith's setting, subtitled "A Requiem for Those We Love," dates from 1946. It was conceived as a tribute to FDR and the Americans who fought and died in World War II and perhaps also as a lament for the destruction of German culture. The composer himself--whose music was banned by Hitler's regime thus forcing his emigration from Germany--had both public and private reasons for writing this piece, and the result is extremely moving and approachable. It's a true modern counterpart to Brahms's German Requiem. Robert Shaw commissioned the music and simply "owns" it. This is a definitive performance.

Hindemith: When Lilacs Last in the Dooryard Bloom'd

https://image.joox.com/JOOXcover/0/dc1615659e8b98e9/300

Mozart: Le Nozze De Figaro (Highlights)

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